Are you kidding me - Bobby Darin - in a Western? I would have lost that bet big time. But you know what, he wasn't that bad. There were a few times I thought he was over-acting the role but in general a credible job. One problem though, was his casting as a baby face in the starring hero role. Like Audie Murphy, the matinée good looks don't always work when going up against the town bully or a gnarly gunslinger like Joe Slade (Donnelly Rhodes). Not only that, but when sized up against some of the other players, he was pretty much on the small side.But all in all, the story was pretty good. Now Leslie Nielsen - I guess I've seen him too many times in Airplane and Police Squad pictures to take him seriously in a dramatic role. So with that club hand of his, injured by Cal Wayne (Darin) when they were youngsters, it looked like a caricature and any minute I was expecting the kind of treatment we got from Kenneth Mars as the inspector in "Young Frankenstein". It came pretty close at one point too, when he started banging the hand on the back of a chair, but that was it. You have to admit though, Nielsen's character Grant Evers looked pretty fast on the draw for a cripple. It would have been something if the final showdown was between him and Cal.You know who got the short end of the stick here though, don't you? After all her fussing over Cal, Leann (Barbara Werle) got broomed so quickly she didn't even show up at the end of the picture. She could at least have gotten eighteen yellow roses for her trouble.

Gunfight in Abilene is directed by William Hale and adapted to screenplay by John Black and Bernie Giler from the story "Gun Shy" written by Clarence Upson Young. It stars Bobby Darin, Emily Banks, Leslie Nielsen and Don Galloway. Music is by Darin, with Joseph Gershenson overseeing things, and cinematography is by Maury Gertsman. Out of Universal Pictures it's a Technicolor/Techniscope production.Young's story had already made it to the big screen in 1956 as Showdown at Abilene, where Giler also adapted the screenplay and Howard Christie again produced. That Jock Mahoney starrer is a decent Oater, a safe story of formula with a solid lead performance, but certainly nothing to get excited about. But by comparison to the 1967 remake it's a masterpiece! Plot sees Darin's Confederate soldier accidentally kill a pal during the war and swears off guns forever. Upon the war's end he returns to Abilene, gets coerced into becoming the peaceable sheriff and has to clean up the town without using guns. Not easy since there is a war raging between the cattlemen and the farmers and he is pitched into the middle of it. Will he take up arms again? Will he find contented love in the arms of Amy Martin? (Banks) Will the accidental killing of his pal in the war surface in Abilene? Will you even care some hour and a half later? Answers on a postcard please.What few reviews of the film on line there is, sees it having a mixed reputation. The positive ones, you feel, have to come from Darin's adoring fans. But hey! I'm a fan of his music too, but watching him in this I kept thinking it would be so much better to hear him suddenly sing Mack the Knife instead. Same thing with Leslie Nielsen, who whilst desperately trying to make a go of playing a villain, just has one thinking of certain comedies down the line! Banks is pretty but pretty dull as an actress, the Technicolor is sub-standard (the Techniscope format exasperating this fact), and outdoor scenery is minimal since picture is 99% shot on the Universal sound stage.There's a good fist fight in the mix and the final show down is well staged and shot in off kilter angles. But this is poor and only really for Darin purists and very undemanding Western fans. Perhaps the last word should rest with Darin himself, who with a smirk on his face once quipped that the film was better titled as Gunfight at S**t Creek! 4/10

I spent and enjoyable 90 minutes or so watching this film a few months ago and I would have summed this up as a good film and probably given it a higher rating (6-7).However yesterday I sat down to watch the earlier made "Showdown at Abilene" and for the first 20 minutes had this feeling of "deja-vu". It was then I realised that this was an almost identical re-make of a film that was only 11 years old and wondered why on earth they bothered.The lead in "Gunfight" is hopelessly miscast; Bobby Darin always seems to come across as a poor-man's Dean Martin and seems to have a constant grin on his face throughout. I am also of the generation that can no longer take Leslie Nielson seriously in ANY film which is a shame as he makes quite a good fist of this role. I am also always uncomfortable watching Michael Sarrazin (although that is an entirely personal thing and admit that this probably has more to do with his "intensity" as an actor than any lack of skill in his trade). Even in this, his first role, he is the stand-out act.One thing on which I must comment however is Darin's Confederate uniform however is laughable (more Las Vegas than Civil War) and is so tight, he dare not bend over at any time!To be fair to Gunfight however I thought I should give this another go and then watched the pair back to back.The original (Showdown) is a much better and much more subtle in its approach to the reasons why he will not carry a gun (I'll say no more for fear of it being a "spoiler"). Had I not seen the earlier film, I would have been quite happy with this version but it is not really a patch on the first one and seems a pointless re-make.If you have time and love Westerns as much as I do give this a go but if you can only watch one watch the original.

One of the hardest tests for an actor who is famous in other genres, like musicals is to make a western and come out well. So many tried and did not make it. Bobby Darin' performance in this film is quite an achievement. Darin himself was responsible for the musical soundtrack, which is excellent, specially the song "Amy". We have seen countless times the story of a man who goes to war and when he comes back sees his woman engaged to somebody else. Here we have the same story, but done with special care, due to the script and the fine acting of Emily Banks. The scenes where there is action are well made, you even see Darin kicking with his feet. He also wears his gun with the handle turned the other way around. The story is too predictable, but it has one uncommon element, which is the guilt feelings that dominate Darin making him behave in a strange way in relation to people that know him well. The director, William Hale was very well known for his work on television, and after the undeservedly bad reviews this film got, went back to it.