Green Hell
Green Hell
NR | 26 January 1940 (USA)
Green Hell Trailers

A group of adventurers head deep into South American jungle in search of an ancient Incan treasure.

Reviews
tomwal

I rated this a six but actually I enjoy this type of film. I expected much more from a top cast and director like James Whale. At any rate,it wasn't a total disappointment. The actors gave fairly good performances considering the screen play and hammy direction by Whale. It was fast moving and there were some good moments. The viewer just has to be patient.

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TheLittleSongbird

Well actually, Green Hell is not as bad as all that, it begins strongly and has some decent battles at the end. But what started off promising goes to dust once the two best actors of the movie, George Sanders and Vincent Price, get killed off early on, and Joan Bennett's very irritatingly dull character gets introduced, making a short spout of perhaps unintentional fun turn to tedium after a while. Green Hell doesn't look that lavish and the sets are rather hokey. The dialogue is unbearably corny and the story is full of predictability, a complete lack of credibility(I agree about people sounding too much like they come from Kansas) and contrived situations. James Whale's direction seems disengaged and does little to make anything exciting or thrilling, the two main things that a jungle adventure does need. The acting looks great on paper, but most take their roles too seriously(Douglas Fairbanks Jnr, Joan Bennett) or try hard but are not in the movie anywhere near long enough(George Sanders, Vincent Price). Overall, not a complete disaster but ludicrous, contrived and corny and possibly the worst films of Whale and Price(possibly Fairbanks as well). 3/10 Bethany Cox

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James Knoppow

'Green Hell' was Whale's penultimate feature length film. Frances Marion, the screen writer, was famous in the silent era, but when the talkies came in, her scripts had to be re-written by others for dialog. She simply had no talent at all for that; her mastery was in plot and action.Whale was coming off of 'The Man in the Iron Mask' which made lots of money for its producer, and Whale's agent told him that if he made 'Green Hell' it would put him back in the limelight.The budget was good enough, $685,000, and he had a reasonable thirty-six days to complete it. He had the help of Karl Freund and Ted Kent, his long time favorite editor, and one of his favorite assistant directors, Joe McDonough.The ambient temperature was screamingly high that summer; Freund's large bank of carbon arc lights didn't help. The problem with the film was the script. The dialog was worse than inane, audiences were falling out of their seats, laughing.I think Whale may have been bipolar. He had periods of manic activity, interspersed with complete disinterest in what he was doing. He was a director who was not afraid of demanding re-writes, and he did have a talent for judging scripts. He must have known that he was attempting to turn a color-by-the-numbers canvas into a work by Picasso, but when Ted Kent approached him about the script, Whale, according to James Curtis, Whales biographer, said merely that it was "very good. Great."Francis Marion wanted her name taken off the credits. But she wrote the script, and very little had been done to change. Her credit remained, and it was the last script she ever sold.The reviews were terrible. In his memoirs, Douglas Fairbanks doesn't so much as mention the film. Famous Productions had lasted for the length of this one movie, the company failed before the film was released. Harry Edington, according to Curtis, "took a job as production chief at RKO."

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ccthemovieman-1

With a cast that includes some big names (Douglas Fairbanks Jr. and Joan Bennett) and a couple of guys who usually play fascinating villains (Vincent Price and George Sanders) you'd think this movie would be a lot more entertaining than it is. Also, for an adventure story of men going into the jungle to find lost gold from an ancient civilization might also spark added interest...but that didn't work, either.Credibility is a big problem here, at least looking at this film 50-plus years after it was made. When you see South American natives that look and sound like they came right off the farm in Kansas, it's tough to take the movie seriously! The sets were pretty hokey, too, and the dialog was really corny.This was another movie that started off strong and the quickly became horrible and stayed that way.

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