As much as I hate to say it, I found this movie to be painfully boring.It felt like I was just going through the motions & I only seemed to be watching it because it was there.I definitely know if it wasn't for James Cagney being in it, I wouldn't have watched Great Guy at all.I noticed a few times I'd leave the room & forget to hit the pause button.After awhile that got annoying.I really wanted to skip it & go watch something else.As much as I hoped to like this movie, I just didn't't.If you're a die hard fan of James Cagney then you'll probably want to take a look at it but if you're not then I'd suggest skipping Great Guy & finding another Cagney movie to watch.There are a ton of James Cagney movies out there that are a million times better then this one

ONCE KNOWN AS "the Professional Againster", a handle hung on him by Studio head honcho, Jack Warner, James Cagney had two periods in his career when he booked from his home studio. Seeking some sort of sweeter deal or possibly recognition as a producer, he took legal action in order to assure his exit.POVERTY ROW STUDIO, Grand National Pictures (they with the huge building clock as trademark)came calling and Jimmy answered. A two picture followed, SOMETHING TO SING ABOUT (1937) and today's honoree, GREAT GUY (1936).THIS PARTICULAR STORY had Cagney as the Good Guy, rather than being the Anti-Hero* criminal. Mr. Cagney was an investigator for the Department of Weights and Measures in NYC. His job was to protect the public from unscrupulous merchants and their cheating scams. From gas stations to meat markets, he and assistant James Burke, exposed and brought wrong doers to justice.INASMUCH AS THIS may have been just a tad too tame, not to mention dull and uninteresting, a subplot was in order.ROUNDING OUT THE story was a personal look at the man away from the job. We are shown how an honest public official may struggle in trying to live the American Dream.IN THIS CASE, Johnny 'Red' Cave and Fiancé, Janet Henry (Mae Clarke*) are shown making plans for a life of matrimonial bliss; but running into the proverbial brick wall of too little money with so much of the month to go. One scene cleverly opens with the couple discussing these problems; while they were sitting on a couch and easy chair in their living room. A long camera shot revealed them to be in a furniture store.FILLING OUT THE cast were such staunch and enjoyable supporting actors; such as James Burke, Ed Brophy, Mary Gordon, Joe Sawyer and Dwight Frye; the guy who had gained such recognition at Universal with such creepy characterizations as Fritz (FRANKENSTEOIN, 1931) and Renfield (DRACULA, also 1931) and Carl (BRIDE OF FRANKENSTEIN, 1935).** SOME OF THE scams portrayed in GREAT GUY were reprised in the 1950's TV Series, RACKET SQUAD with Reed Hadley as Captain Braddock.AS FAR AS the financial rewards of the Cagney-Grand National Pact, we guess that Mr. Cagney did okay; but these two movies spelled disaster for Grand National, who went belly up, drowning in a deluge of red ink.CAN YOU SAY law of diminishing returns?NOTE * Yes, this is the one and same Mae Clarke who portrayed fiancé, Elizabeth, in FRANKENSTEIN and Cagney girlfriend, Kitty in THE PUBLIC ENEMY. Good thing there were no grapefruits on the set! NOTE ** Mr. Dwight Frye, who met fame through his uncanny ability in creating the most horrifying characters, oddly enough was known for his work in romantic and musical production on stage. He appeared in both Cagney-Grand National collaborations.

Just saw this movie for the first time last night and I really enjoyed it. It's not every day you see a film about the Weights and Measures investigator. I got to tell ya, even watching Cagney in this B movie was completely enjoyable. These movies are a lot different when the lead actor shows up to act the walls off the place. He is 100% believable from start to finish and it really ups the value and watch-ability of the film.My favorite scenes are his Investigation scenes. The film has several twists which are nice and some fun action scenes. Pretty intense fight scene at the end between Cagney and one of the bad guys. The two stuntmen were really duking it out.

GREAT GUY (Grand National, 1936), directed by John G. Blystone, is an interesting yet plausible low budget production starring none-other than James Cagney, the same James Cagney of the higher quality studio of Warner Brothers. What's a top actor like James Cagney doing over at Grand National instead of at the majors as MGM, Columbia, United Artists or even Paramount? Well, it had something to do with a contract dispute, which kept him away from his home lot for nearly two years. Since Grand National, not First National, initially began in early 1936, how fortunate for the studio to have acquired a top name like Cagney working for them? How unfortunate for the studio to have lost his services following his second with the studio, a musical titled SOMETHING TO SING ABOUT (1937). How fortunate to have Cagney return to his home studio where he truly belonged, and continue to work on films that were to become classics. As for those done at Grand National .... well, let's take a look at his initial offering of THE GREAT GUY. It's not a gangster film idolizing a popular crime boss but actually a crime story placing Cagney on the right side of the law attempting to rid corruption. Having done something similar the year before in G-MEN, the misfortune for GREAT GUY is not having much gun play nor fast-pace action to make this equivalent to a Warner Brothers production.The story opens with Joel Green (Wallis Clark), chief deputy of the Bureau of Weights and Measures, injured in a car crash, now in a hospital. Knowing the accident was a set up, Green calls for his friend, Johnny Cave (James Cagney), a former prizefighter working with the department of Weights and Measures, and assigns him in his place to acquire enough evidence on the corrupt district leader Marty Cavanaugh (Robert Gleckler). With the assistance of fellow Irishman Pat Haley, whom he calls Aloyisus (James Burke), Johnny teaches him the tricks of the trade of chiselers at the Paradise Market defrauding shoppers by exposing eights on chickens, putting false bottoms in baskets of strawberries, and cheating drivers of their gallons of gas. As for his love life, Johnny is engaged to Janet Henry (Mae Clarke), secretary to city official Abel Canning (Henry Kolker). Janet loves Johnny but finds him too conceited and quick tempered, but overall honest. Refusing to accept bribes even from the city Mayor (Douglas Wood), Johnny later has his work cut out for him by being abducted by hired thugs who frame him on a drunk and driving charge unless he gives up his investigation to expose the gang leader responsible for corruption.The supporting cast includes Edward Brophy (Pete Reilly); Bernadene Hayes (Hazel Scott); and Edward McNamara as Captain Pat Hanlon, whose great scene has him standing outside the door smoking his cigar while his pal Johnny takes care of the ring leader. The big surprise in GREAT GUY is the casting of James Burke, better known for playing cops, playing the dopey sidekick in the El Brendel tradition, sporting an Irish derelict compared to Brendel's Swedish one. This was one of the few opportunities seeing Burke in a sizable part typically suited for the likes of an Allen Jenkins or Frank McHugh.With all the ingredients of a Warner Brothers programmer, down to Joseph Sawyer (a Warners stock player) as one of the mobsters, what GREAT GUY lacks is polish and production values. Overall, GREAT GUY turns out to be a reunion of sorts between Cagney and Mae Clarke, his grapefruit victim from THE PUBLIC ENEMY (1931), and co-star of LADY KILLER (1933) the one where he dragged her across the room by the hair. This time they are on friendly terms, as an engaged couple who gather together for lunch in a cafeteria and, with a touch of humor, talking things over at a furniture store with a salesman (Arthur Hoyt) trying to interest them with the display.Virtually unknown even by film buffs, GREAT GUY is one film in Cagney's filmography list that doesn't get a mention in his 1977 autobiography, "Cagney by Cagney," though his second Grand National starer did. Not until the age of video recording of the 1980s or late in the 1970s on commercial television has GREAT GUY been given some exposure. Circulating prints from 1980 and over suffer from being ten minutes shorter than its actual 75 minute release. Abrupt cuts are noticeable, especially one scene involving Mary Gordon as Mrs. Ogilvie and the corruption involving milk deliveries at the orphanage, found in current video, DVD and public TV late show broadcasts. While a complete version with clearer picture quality won't change GREAT GUY from its low-budget status in the Monogram Studios tradition to a Class "A" Warners production, but restoration will make a big difference on how to view this one, especially with the great guy himself, James Cagney. (***)