I've known this movie for years after being mentioned in many websites and specially in the IMDb Horror Board (my second home). While it's not a cult classic it has generated a solid fan database and I'm one of those who enjoyed it big time.I watched this movie by mistake... It aired on Mexican late local t.v. (it started at 5:00 a.m.) and I decided to give it a chance BUT I didn't know it was the so much talked about "Graveyard Shift".I was immediately caught by the movie's vibe, I mean, I thought it was a 1990 effort and nothing more because of the soundtrack, the clothes, the cinematography, and most of all, the atmosphere.The plot is really interesting. I mean, a taxicab vampire driver who converts "troubled" women into creatures of the night and suddenly falls in love with a married but unhappy woman will always be a great idea in my mind.The love story evolves as death, lust, and the risk of losing immortality happens. I dug the relationship between Michelle and Stephen because it deals with sensuality, resurrection, but most important of all, attraction in all the sense of the word.But let me state that I really liked the movie because of the mixture of late 80's unique elements such as the soundtrack that I really enjoyed even that it only consists of a guitar-solo taken out from any Sega Genesis or Arcade game. It's just a unique sound that has a nostalgia feeling mixed with loneliness and the empty streets of a big city. The cinematography and art direction are a great combo most of all when it comes with dark settings such as when Michelle gets out of the cab and walks in front of a large, dying tree while in the background we see the sinister moon, adequate lightning, fog, and shadows. A great scene. Also, when Stephen makes his appearance near the ending , the music works perfect with the creepy and shadowy atmosphere.The gore is really good! Specially when we get bites, be headings, bitten necks, and stabbing. Oh, and pay attention to the "Day OF The Dead" reference (when the bald guy with the crucifix gets chopped and eaten by female vampires!).The sex scenes are very well done and add an extra spice for the movie. I really dug the "conversion" scene when Michelle decides that she's ready for eternal life at the cost of a vampire. The red cinematography works pretty well when mixed with the violence and sensuality.The Cop/Detective sub-plot also works perfectly and reminds us of 80's Giallo but American style! And I mean a ridiculous female cop who becomes crazy and even slaughters a black male cop, and a gray haired Cop who kills the husband near the ending.The love story mixed with death and dramatic situations (like the jealous husband!) is something to notice because we don't see it regularly in modern Horror Cinema.Pappas is extremely sexy, provocative; I love her lips and her sensual face. Oliveria is simply great and delivers a "suave" vampire performance.The Direction is stylish and dark at the same time. I dug anytime the creepy fake cemetery appears and most of the death sequences are well done. The make-up is really good, specially when applied to Stephen. He truly looks like a dead man walking! I can't understand the hate, this is an original vampire movie with a powerful 80's feeling; that is creepiness mixed with glam.I can't understand what's going on with the uncertainty feeling in the film. I know it was about time to change to the 90's style but for 1987, I can feel the generational change very rushed. It's like the movie tried to cover what was about to come but without shaking the 80's glam.Anyways, I like these kind of movies; in the style of "The First Power", "Satan's Princess", "The Horror Show", and "Exorcist III".On it's way to become a cult classic, believe me. Time will make justice to it.We need more movies like this...but with a better execution.

Graveyard Shift (1987) is a cheesy movie about a love sick vampire named Stephen who drives a cab at night to pay the bills. When he's not attending to his posse of the living dead, he's pining his attention on a terminally ill woman named Michelle (Helen Papas) who has struck his fancy. Looking like death warmed over, this wimpy looking vampire dresses all in black and cruises for fares and victims. But poor Stephen can't seem to get his dream girl out of his mind.Eventually the two hook up. Michelle's off again on again boyfriend doesn't take to kindly to this interloper. One time he catches Stephen in her room and threatens to wake him up from his daytime coma by pulling the curtains!! Too bad he didn't because it would have be interesting. The vampire's world collapses when the cuckolded boyfriend puts two-and-two together. He has the cops raid his hang out. To his horror her finds his woman about to be snacked on. by Stephen. Weeks later there's a new cabbie on the beat dressed in black working the night shift. It's Michelle living out her life as a vampire. I guess she's working the night shift as well.Slightly recommended.,

This is a real find, a sharp, noir tale of isolation and loneliness on both sides of the mortal divide. Stylish compositions and lighting, made more effective by a storyline set entirely at night, shape the story of Stephen, a world-weary, centuries-old vampire drawing closer to his longed-for death by feeding only on already-dying women. The victims remain alive but develop an intense bloodlust which soon wraps the city in an epidemic of slasher murders, each needing blood at the same time as all the others (in a striking scene, one woman, trapped in prison at the moment that her sisters are killing, desperately tears open her vampire wound and drinks her own blood). Only the latest victim, Michelle, a terminal cancer patient with whom Stephen has fallen in love, is spared the craving. Michelle tries to save Stephen, but soon both the police and her jealous husband are closing in... The frequently half-naked female hunters add a fetishistic touch (but there's plenty of male nudity as well), and scene after scene takes place in red-walled rooms or tiny pools of light surrounded by pitch-black, neon-studded darkness and wet gleaming streets, lending an overall stark and haunting vibe. If you're a vampire fan but plush Gothic romances and big-budget killfests both leave you yawning, seek this one out.

350 year old vampire works as an all night cab driver and only kills females that are about to or willing to die. His newest target is a TV producer who is dying from terimanal cancer, but he falls in love with her. Also, seems he didn't finish off all his victims cause female vampires walking the streets are slaughtering off innocent people.Smart, stylish horror flick is well directed and features a good premise. Fast editing, snappy pacing, some seriously sexy moments, and a good finale make this very low budgeted film much better then expected. The special effects could have used a bit more work though. Rated R; Strong Sexual Content, Extreme Violence, Graphic Nudity, and Profanity.