Newspaper folk from the city, doing a piece on ghost towns, get an earful from a batty old crone near San Juan Batista who tells them a tall tale of the Old West. Excruciating western, apparently played for laughs, pits lonesome cowpoke James Caan against small town strong-arm Aldo Ray, with Stefanie Powers as an Indian love-interest who apparently doesn't speak English. Showing definite, crippling signs of post-production interference, this threadbare film is so ineptly edited, one feels as though he's watching a proposed pilot for a TV series which never sold. It isn't fair to call the end results a 'film' or a 'movie'...it's simply an excuse for the actors (good ones, mind you) to make a little extra money. Hopefully, the cast and their managers were well-paid. NO STARS from ****

Rebecca: This is so bad it's almost good.Enid: This is so bad it's gone past good and back to bad again. "Gone With the West" (a/k/a "Little Moon and Old Jug or Jud"), is a James Caan-Sammy Davis Jr. western best described as "The Rat Pack on LSD". The cast includes "The Girl from U.N.C.L.E.". It is a horrible western, made even worse by the condition of the print they used to make the DVD (a 2005 release by Mill Creek Entertainment), but it does feature one of the most intense cat-fights in cinema history.Old Jug McGraw (Caan) and April Dancer are sent to the town of Black Miller by Mr. Waverly to investigate a Thrush plot led by a former Green Beret sergeant. There's opium dealers too, a lot of dogs, and a woman named Billie, who's kinda purdy. Everything gets straightened out, though I just watched the whole movie and I couldn't tell you how.

This is probably something that James Caan either doesn't remember or will not talk about. It has a release date of 1975 but was more likely filmed anywhere between '70 and '72 considering Caan's career went into high gear by the end of '72, not to mention how young he and Stefanie Powers look. Obviously something went seriously wrong with the western that some non-entity named Bernard Girard directed, thus the "need" to offer some contemporary (mid-70's) wrap-around footage. Perhaps a total lack of coherence required adding the story-telling narrative. Regardless, the whole thing is a botch, modern-day accessory footage included. It has something to do with Aldo Ray as the town baddie who steals Caan's cattle and molests Powers and the two victims seek revenge by destroying Ray's rotten town. Davis, Jr. is Ray's hired gunslinger. Strange fact: Davis, Jr. was actually a quick draw in real life. Apparently he was clocked at one time as one of the fastest ever. Sammy seemed to be a natural at anything he attempted (just ask Linda Lovelace... but that's another story). Yet poor Sammy appears absurd in his Jack-Palance-from-'Shane' outfit and has little to do except act phony-tough and gun down a few bozos in his few scenes. At least Aldo Ray seems to be having fun (his paycheck happily covering his liquor bill, no doubt). Meanwhile, Powers adds a little comedy relief, a little skin, and not a word of English. Caan is fine (his pleasant demeanor unmolested by the knowledge the film he was ostensibly appearing in would later be edited by a mix-master). Oh, and the music score is as goofy and wrong-headed as the film itself.

This is possibly the worst western that I have ever seen. The sound, photography, and the acting is awful. I would not blame it all on the actors. This appears to be a film that was possibly started many years earlier, with a different intention. Only to be finished years later with a different story, sloppy narration, and other low quality production values.