Gone
Gone
R | 26 October 2006 (USA)
Gone Trailers

A contemporary psychological thriller in which a young British couple travelling through the Australian outback become involved with a mysterious and charismatic American whose motive for imposing his friendship upon them becomes increasingly suspect and sinister.

Reviews
Joshua Bozeman

This sounds like a nice premise. A British couple in Australia who meet up with a psychotic American who seems nice at first but turns deadly.Unfortunately, this isn't really what happens...the guy slowly becomes weird and creepy, but it's all completely one sided.Alex arrives alone in Australia and will meet his girlfriend Sophie in a couple of days. Taylor meets him and invites him for drinks the night Alex arrives in Australia sans Sophie. Alex gets drunk and falls asleep next to a girl and Taylor gets a polaroid of it...just a taste of the creepiness to come. When Sophie arrives, Taylor brings out his massive stack of polaroids (weird), and proceeds to toss the photo of Alex and the girl into the trash. Except he never really throws it away and holds it over Alex's head. Slowly, Taylor starts making it seem that he and Sophie have a thing going on, doing everything he can to turn the lovers against each other.This is either a horror movie or a thriller as described on this site and the on screen guide when I watched it on Chiller. Unfortunately, it's neither thrilling nor horrifying, and Taylor isn't really all that weird. We get the impression that he's probably pretty dark deep down inside his core, but he's more malicious in small ways. For example, he sees Alex come into the bar where he and Sophie are sitting together, Sophie's back to the door- he immediately pretends to have a burning in his hand, so Sophie grabs it, making it look to Alex as if they're holding hands. (thrillingly scary and creepy!) The fact is, all Alex has to do is say- look, Sophie, I fell asleep next to some girl, nothing happened, but this guy keeps popping out this pic and being creepy weird. Sophie, if she had any sense, would say, "okay, honey. Let's head off without him." Too bad the characters are dreadfully stupid. They do everything they SHOULDN'T do in a movie like this, and that makes it all tedious and frustrating. When about 20 mins before the end, it gets really dumb. I won't ruin the ending, but let's say it's just as stupid as the rest of the film.The acting is decent, I guess. It's hard to tell, as they all have so little to work with. They're just basically cruising around from place to place, not doing much, drinking a lot, arguing a bit here and there, and just being completely dumb characters. Taylor isn't some evil super genius, and he doesn't need to be. He only needs to find a couple who are so desperately stupid, they'd fall for any dumb tactics, and he's set.Dumb characters ruin what sounds like a good premise. On top of that, very little takes place in the movie. With 15 mins left in the flick, you're wondering if anything IS going to happen at all. No thrills to be had here, I can assure you.Nice scenery, nice setting, fantastic premise, but poorly executed in every manner. Skip it.

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Ben de Graaf

Strangest lamer-movie I've seen in quite some time. I'm surprised it got through to world audiences and nobody was ashamed if it would. Looks like an average film-student's final exam project or something.The first questions you ask, when looking at this movie, are: Why are they traveling in Australia, and why are they traveling together? I mean really, they don't seem to remotely like each other. Or the outback. And honestly, what's there to like about any of them? Two spoiled little idiot drug-using alcoholics somehow end up in the same car, and the viewer is supposed to care? The only remotely likable character is the girl. But she ruins that by behaving just as stupid as her whore boyfriend did and then accidentally saves herself being a hysterical idiot with a lot of dumb luck.Douglas Coupland said it best, when he wrote: "I'm holding an 'I Don't Give A Sh*t'-o-meter and the needle's not moving."

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greene-1

In this film a UK couple travelling across Australia, pal up with an easy-going American who turns out to have a 'dark-side'.This film scores in the respect that the way the American gradually reveals his hidden character is quite subtle. He manipulates the couple into turning against each other and then uses the chasm he creates to perform a divide-and-conquer type operation.The film falls short in as much the female, as the easily duped girlfriend, isn't quite believable, and seems so gullible that if you told her with a cute smile that her panties were on fire she'd probably go and jump in a lake. Although I think this can be accounted for by the script.Also the ending is quite silly.

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silver_hedgehog

I can't fathom the point of this film. It's one of those films that if you've watched the trailer beforehand then there are no new or interesting twists or turns to look forward to. The plot development is plodding and predictable. The ending is no surprise. Character development was poor; I really didn't care what happened to any of them. The isolation of and focus on the three central characters created a huge plausibility issue for me. Especially when the character Alex was ill in the motel room suspecting that he had been poisoned. Surely he or his girlfriend would call for help – everybody's heard of the flying doctor service. Instead it's all left to the Taylor character to sort. The opportunities for interesting cinematography of the Australian landscape were not taken up. All in all a wasted trip to the cinema.

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