Aliens create a giant mechanical version of Godzilla, Mechagodzilla, in an effort to destroy Japan. The mechanical creature nearly defeats Godzilla until our rubber- suited hero enlists the help of a fellow Kaiju, the dog-like King Seesar, to defeat the new bionic beast. With the exception of the original films, none of the Godzilla movies are all that serious, but this one seems downright gonzo when the aliens are revealed to be gorilla-like creatures, particularly during one shootout when one of the aliens has half of his human mask removed. What makes or breaks most Godzilla films are the subplots involving the human characters, which if they are boring (as is in most Godzilla films), the movies drag between monster battles, but when the human stories are interesting it makes the film work as a whole. "Godzilla vs. Mechagodzilla" also features a fun jazzy score by Masaru Sato, who scores many films for Akira Kurosawa, and the movie contains plenty of bright colorful Kaiju battles. Overall, this is probably the best of the Godzilla films of the 1970s and is well worth watching for fans of our favorite Japanese monster.

The best Godzilla movie is Godzilla (1998). Maybe you don't agree that o.k. But if you mad about that you deed to grow up pee pee heads. This is the 14th Godzilla movie. The 15th Godzilla movie Terror of M.e.c.h.a. Godzilla is better. The 16th Godzilla movie Return of Godzilla is better. The 17th Godzilla movie Godzilla vs B..i.o.l.l.a.n.t.e is also better. But this is still and could movie. It's very scary. See it. The 11th Godzilla movie Godzilla vs the smog monster is better. The 8th Godzilla movie Son of Godzilla is also better. The 1st Godzilla movie Godzilla King of the monsters is also better. But still a very good movie. See it.

The 1970s aren't particularly known for having the best Godzilla movies, but when Godzilla was good, he was very good, and this is one of those cases. In fact, Godzilla vs. Mechagodzilla is highly regarded by fans if the franchise for this reason- it's pure cheese and completely bizarre, but it actually also has drama that works (bet you thought you'd never heard anyone describe any of the Godzilla films from the 70s in that fashion) and a good plot too. Perhaps this has something to do with the fact that this was Godzilla's 20th anniversary, and so they decided to cut the bullshit and show him as a destructive force while still keeping him an anti-hero. Not that anyone in particular goes to see Godzilla for anything other than a man in a rubber suit whaling on nothing's, but while this film offers that, it has a good story and even some very interesting plot twists that keep the story all spiced up. It's also short and set at 84 minutes and it rarely fumbles.As the title itself gives away, Godzilla faces off against... Godzilla. That's two Godzillas for the price of one- but this is a gigantic cyborg Godzilla, and you wouldn't expect the thing to work so well- but the execution is so tight and well done. In fact, it's revealed over the course of the film that Mechagodzilla is controlled by aliens from an external source. The basis for Mechagodzilla is that he appears when a black mountain rises, and when a red moon sets, two more monsters appear to destroy him. When he first appears, you're immediately greeted with a surprise as you think he's Godzilla, then he begins brutally beating Angurius- who is usually his ally. When actual Godzilla shows up is when we see him turn into a cyborg. The fights are especially well done and the last fight is just absolutely brutal. It's great to see the brutality returned to Godzilla after years of him being reduced to a camp typePlot and character wise it succeeds too. You can actually care for the characters, even if you're not here for the characters. There's a subplot involving a statue which also succeeds due to the intrigue. A classic moment appears on a scene on a ferry where it's revealed one of the workers is an undercover alien, which is a very effective and shocking plot twist. It also results in a very impressive chase and action sequence, which cant be said for a lot of scenes set on a ferryBut ultimately the most memorable moment of the movie happens when the Azumi priestess goes to the island where King Caesar, Godzilla's ally in this movie, rests, and sings an ultra catchy yet haunting hymn to wake him up. It's an actual full three minute song and her vocal range is on full display, making every minute of it believable. The fight that ensues afterward is awesome too. While a lot of the 1970s Godzillas are rather forgettable and at times bad, at least this film actually succeeds in being enjoyable primarily because it's well written, has enough of Godzilla to go around and even the non Godzilla scenes are effective- much like the new Godzilla. An absolute recommend in every sense.

It was Godzilla's 20th Anniversary in pictures in 1974, and so the producers concocted a pretty nifty opponent for him with this film. Mechagodzilla is an evil cyborg version of The Big G himself, who is unleashed upon Tokyo by still another group of humanoid aliens. When the baddies are either injured or killed they revert back to their true forms - this time, underneath their humanistic skins they look like man-apes from the PLANET OF THE APES series! (Since the APES films were very popular at the time, I can't help but wonder if this was an influence). All of this is kind of familiar territory, but it's still a fairly enjoyable addition to the series. Godzilla gets to fight his metallic enemy, with the aid of a giant furry new mythical creature named King Caesar. Godzilla's old buddy Anguirus also makes an appearance, with a rather unexpected outcome. **1/2 out of ****