Reading the message boards and some of the reviews for this film, I was amused (and I confess, a bit surprised) at how few viewers seemed to grasp the point. This is the sort of film that you have to think about while watching; it requires something on the part of the viewer. It's not meant to be passive entertainment. Yes, Tatou's character is annoying. Yes, Baer's character is irritating. But that's the whole idea. Tatou's "Michele" is a shallow, superficial fashion model in search of a "great cause" to identify with. (Of course, we know that no top model was ever like that, don't we!) Her constant reading of self-help books and what I like to call "bathtub philosophy" (like bathtub gin, it is home made and of dubious quality) leads her on a "spiritual quest" in the modern sense of the buzzword that spirituality has become--the search for a feel-good factor that will make her feel better about herself, her decisions and her life. Baer's "François" considers himself to be above all need for religion, heritage, even his own history. He's too intellectual (in his own eyes) to need any of those "crutches". And yet he is drawn into a relationship with the dysfunctional, needy Michele because neither one is happy with themselves and both hope to find someone to fill the gaping hole in their lives.I have known many people of this type personally...they wander from one idea, one philosophy, one country, career or "lifestyle" to another without ever really committing to anything. That's why it says "To be continued" at the end of the film: these people will search forever, without ever seeing what's right in front of their noses. Their personal movie will go on...and on...and on. When the lights come up at the end of the show of their lives, Death will take them totally by surprise.At first, I found the choppy editing annoying and confusing; it looks like a poorly made end-of-term project for film school. But that also helps make a point. Real life doesn't follow a nice, smooth script, and you can't edit the final rushes to suit yourself. It is what it is, with all its mistakes, out-takes, missed cues and forgotten lines. This is one of those minor films that can grow on you with time, if you learn to see beyond the surface into the ideas behind the emotions. It's only "shallow" if you fixate on the reflections...the water underneath is deep, and full of surprises. No, it's not Oscar material. It will never have mass appeal. But of its kind, it's considerably better than many viewers seem to realise.

Like everyone else who has written in, I watched this film (and Happenstance) because I had seen Amelie and had fallen in love with Tautou and was hoping to relive the Amelie experience. This movie is as close as I have come, but of course, NOT Amelie. The fun parts of this movie were: learning about the Jewish faith through the eyes of a non-Jew, hoping that Tautou and Baer really do end up together, and I must mention all of Tautou's awesome outfits and hairstyles as a French "top model." Very fun! The movie a few interesting cinematic moments from a style standpoint, too. I felt that I got confused about the plot at points due to the back-and-forth cut sequences and thought maybe I missed something in translation? Or maybe it was just weak storytelling? Or maybe Americans like me just need to be led by the nose through the plot a little more? The great surprise for me was Edouard Baer. He is handsome, charming, gentle, and caring in his role of Francois, and I immediately fell in love with him myself. The movie nicely balances comedy and seriousness and has sat well with me in the days after watching it. As long as you're not expecting Amelie: The Prequel, I think you can watch this and enjoy the fun and beauty Tautou brings to the screen.

Audrey Tatou, for certain France's most charismatically engaging young actress today, made "God is Great, I'm Not" before "Amelie" projected her to international acclaim. This release, coming quietly after the famous film, has had little if any U.S. theater exposure but it's a DVD that cries out for word-of-mouth boosterism.Tatou plays Michele, a self-proclaimed "top model" (well she clearly does have a successful career going). More to the point she a 100% certifiable flake who flits from religion to religion seeking wisdom and, perhaps, a sense of belonging.After a party she meets veterinarian Francois (Edouard Baer). A very short acquaintanceship leads to a one-night stand ending in a dashed ambulance run to the hospital because Michele has OD'd. Attempted suicide? A mistake? It's a mystery but Michele's closest friend, Valerie the Novice Therapist (Julie Depardieu), convinces Francois he has some continuing responsibility for Michele. Just because of one night of hot sex? Well, it is France and the idea has a certain charm. Anyway, without it the film would end at this point. Francois has a quiet accommodating quality: he's the kind that a Michele will always enrapture.Michele falls in love with Francois, a fellow comfortable as a "secular Jew." In his case that means he doesn't even want his apartment house neighbors to know his heritage. Absurd, declaims Michele, who proceeds to noisily attempt to affix a "mezuzah" to his front door (a Jewish talismanic article that observant members of that religion invariably have at each door in their homes sans the bathroom).Anyway, the real fun is that Michele, bored with her past religious explorations, decides to study Judaism both with a rabbi and also in a class for possible converts - but only with Francois safely sitting beside her and actively participating. He IS besotted!There's a lot of good humor as Francois allows himself to be drawn into Judaism - but only so far. Meanwhile Michele gets more serious about not only studying the religion but observing its very restrictive dietary precepts and other controlling laws.So much for the basic plot-anything more would spoil the fun. But director Pascale Bailly has insured that no viewer need be Jewish to enjoy madcap Tatou's foray into that ancient religion.Tatou has the most marvelous ability to instantly telegraph her feelings through economical but mesmerizing facial expressions. Born a century earlier, she would have been a silent film star to rival the Gish sisters, Pola Negri and many others.She's the treat who makes this offbeat comedy (with a dollop of serious relationship issues) worth watching.So rent it!8/10

Twenty-year-old Michele (Audrey Tatou, star of the hit film "Amelie") is a successful model but an emotional wreck. Desperate to find something to believe in, she has tried Catholicism, Hinduism, Buddhism and more, all without success. But when she meets handsome Francois, twelve years her senior and a successful secular Jew, she has a religious awakening. Suddenly obsessed with Judaism, she is soon driving Francois crazy nailing up mezuzahs, keeping kosher, observing Shabbat and accusing him of not being Jewish enough! "God is Great...I am Small" is an unusually smart and contemporary comedy/drama that builds its story around controversial issues affecting today's Jewry: Who or what is a Jew? Is a secular or Reform Jew really Jewish? Is it important to speak Hebrew? Can a relationship be successful if one partner is observant and the other is not?