The Bronx is alive with this film.This is the neighborhood that I came up in. It's so actuate to the New York flavor and it was filmed right in my upbringing.It starts on the streets of the Bronx and spreads all over the place, the village, Queens, etc. It hits the mark of everything New York is now.And the cinematography helps to give it that realness.Two best friends plan to graffiti bomb the Mets Home Run Apple by getting enough money to bribe a friend to let them into Shea stadium(not Citi field(perfect). They'll gonna get this money anyway they can. But the movie is about more than this, It's about being a teenager and having a relationship with the only person on the planet who gets you. Malcolm is lucky cause when I was his age my Significant other was a dude, he got pretty girl in Sofia who was as gangsta as she was pretty.The movie is all about capturing this moment, and using the city as a beautiful background. It made me relate more, but who doesn't known what it's like to have a friend to battle the world with.Loved it! This is my New York!!

A Jewish kid from trendy Greenwich Village embarks on making a film that shows the gritty underbelly of the Bronx, assisted by his high school chum, a NYC tour guide. One of the film's producers suggests using 2 white actors "to increase marketability", but the filmmakers resist, enlisting 2 mostly unknown African-American talents as well as an ex-con with no acting experience, all the while shooting covertly in many locations because they didn't have a film permit.If that sounds like a wacky plot, it's not. That's the true backstory of "Gimmie the Loot" which, as a film, is no less quirky than the odd circumstances that spawned it. Shot on a micro budget of $65,000, the cinematography and authentic feel put it squarely in league with the big boys, if not a cut above, due to the filmmakers' intimacy with the city. Some shots were done with zoom lenses at a great distance so that the actors could seamlessly blend with the urban reality. Thus by removing the Hollywood polish from the apple, we get a true taste of what lies under the surface of New York City.The plot, while quite original, isn't the focus of the film, but I'll tell it to you anyway. In the 20 years since a gang of graffiti artists attempted unsuccessfully to spray paint the Shea Stadium apple (an enormous prop that pops up whenever the Mets hit a home run), nobody has succeeded. Thus, to graffiti artists, or at least to our 2 main characters Malcom & Sophia, this caper is the urban equivalent of stealing the Hope Diamond. The movie follows 3 days in the lives of these 2 teenagers as they cook up their half-baked plan and set it in motion.But the movie itself is far more than this. It gives us one of the most entertaining & charming views of the 'hood, yes, with its moments of menace & violence, but mostly in a light-hearted, enchanting way. This is a story of innocence in a not-so-innocent world, and it succeeds brilliantly. For example, Meeko the "ex-con" I mentioned in the 1st paragraph may frighten you at first with his imposing stature, forceful speaking and many tattoos, but he soon becomes one of the most entertaining, childlike criminal misfits you've ever seen. Watch the DVD bonus feature which features Meeko on a public access show "All City Hour" alongside Sam Soghor (the "tour guide" I mentioned above) being their hilarious selves.Yes, the film has some great comedy, but it's not a laugh riot with punchlines galore. Instead the humor is low key like in "Pulp Fiction" with strange, almost surreal banter between the actors during tense situations. I absolutely loved the scene with Meeko & lead actor Ty Hickson pulling off a heist and suddenly stopping to argue about whether stairs begin at floor 1 or floor 2.So even though the film has frequent references to drug use, drug dealing, robbery, gang violence, and oh yeah the F word used in practically every sentence, "Gimmie the Loot" is very much a sort of urban fairytale, full of innocence and naïve idealism, all encompassed by the gritty streets of the Bronx.This film is a fantastic experience for anyone who likes watching interesting characters, impressive urban scenery, and exotic cultures... even if those exotic cultures are in your own back yard. I feel comfortable mentioning "Gimmie the Loot" in the same breath as the foreign masterpieces "Bicycle Thieves" (1948), "Alice in the Cities" (1974), and "The Summer of Kikujiro" (1999).

Sometimes, it's not always good to read too much about a film before you go to see it. When entering the cinema, I was already at the point of expecting a film with some good graffiti action, with a plot thrown around it. But, as the film went on, I became more and more disappointed.The plot is simple: Adam Leon starts with a clip from 'All City Hour', in which writers talk about tagging the Mets' apple at Shea Field, sorry Citi Field. Seeking revenge on a rival gang, two writers, Sofia and Malcolm, look to make a name for themselves by achieving this very feat. Needing $500 for a blind eye to be turned to gain access to the stadium, the pair take to the streets to try and hustle up the money.What follows is a two-day journey around the city in a similar style to 'Kids', as the duo repeatedly struggle to raise the cash. This is where my expectations went missing. What I'd read about the film made me expect a lot of graffiti, a bit of a tagging war and maybe a bit of Notorious B.I.G.. Instead, the film is more about the failings of the two leads – and for me, this is the film's failing.The two leads, Sofia, played by Tashiana Washington, and Malcolm, by Ty Hickson, don't particularly live up to their image: Sofia, while described by Malcolm as being hard and tough, spends a lot of her time naively getting scammed and played for a fool by people of all ages, with whiney shouting her only reaction; Malcolm, among fellow taggers, seems to command respect and sometimes fear, as if he got the juice – to use a Nineties phrase – though again spends much of the film foolishly, coming across as a bit of an idiot. Being that this is such a character- led story, it needed some stronger characters.Though, with this, perhaps Leon is trying to create more realistic characters, full of flaws and inconsistencies, making them seem like the ordinary idiots you know. With the cast and director not having the longest careers in film on their CVs, there is a slightly amateurish feel throughout, that gives it a charm, but also some drawbacks. 'Gimme the Loot' is not a bad film, and has its moments, though by the end it's not wholly satisfying and leaves one feeling of 'gimme a little more.'politic1983.blogspot.com

What you can expect here is a very happy, upbeat yet disturbingly accurate depiction of how a lovestory in a graffitiwriting community works. Something to watch with your girlfriend :)Think; Realism with a happy soundtrack.I am seriously impressed with the acting talent and the direction here, not to mention the soundtrack. There are not that many Graff movies around, sadly. Let alone anyone that upbeat, save for this pearl right here. And as such this one pretty much automatically is up there with such other great Graff titles as Quality Of Life, and Bomb The System. Just got a tip about this very movie tonight actually, from one of my crewmates,and when it rains, it pours.Make it an indie flick at that. I hear It's crowdfunded??? Much respect to that. I am impressed, and hope forward to see more work from mr. Leon and the rest of the great actors/actresses in this movie.They really GET that awkward feeling when you are an awesome writer.... and you step into a room full of girls, where your behearted is also sitting at, you know?-MonstreOne, VSDL crew, Sweden.-