Many important observations about this minor ghost story have already been made by others. The plot has a gaping plot hole and two long, irrelevant sequences - Ian Carmichael's drunk act and Hugh Burden's demonstration of unusual vibrations - that must have been added merely to increase the running time. The film is one of several shot on director Vernon Sewell's own yacht and the story has a flavour (wife encourages her lover to kill her husband) of Sewell's later film "Rogue's Yarn" (1957), shot in the same Shoreham boatyard. Most interesting, however, is that this is the third film Sewell made of Pierre Mills and Celia de Vylars' one act play, "L'Angoisse." The first was "The Medium" (1934), now lost. Then came "Latin Quarter" (1945). After "Ghost Ship" Sewell had one more crack at the tale, "House of Mystery" (1960). The common factor, apart from the psychic gobbledygook, is the sadism of the murders. I'd like to point out that none of this information comes from me. It was first pointed out as long ago as 1973 in David Pirie's book "A Heritage of Horror". Jonathan Rigby added more details in his 2000 book "English Gothic."

Ghost Ship (1952) ** 1/2 (out of 4) This forgotten British "B" picture isn't the greatest film out there but it's unique enough to make it worth viewing by those who enjoy stories dealing with ghosts. Guy and Margaret Thornton (Dermot Walsh, Hazel Court) buy an old ship that has the reputation of being haunted because years earlier three people went missing aboard it. The duo don't pay any attention to the stories until one day the husband actually sees the spirit of a man and soon they call in a paranormal expert. GHOST SHIP has pretty much been forgotten by everyone over the last several decades except for fans of Court who will search out everything the cult actress has appeared in. While the movie isn't a complete success it does feature enough interesting moments and a rather nice story to make it worth viewing. With that said, there are still some major problems in the film including one very big one. The film runs just 71-minutes but it actually feels a tad bit longer due to some pacing issues. I think part of the problem could have been avoided how two very bad scenes been left on the cutting room floor. One sequence involves a party on the boat where we get a rather long sequence dealing with a drunk. I'm going to guess this was meant to be comic relief but it's just really bad. Another horrible sequence is when the couple invite the paranormal expert on the boat and we get a long sequence where the man tries to explain various "sounds" that we can't hear. I believe this entire sequence is meant to make the viewer believe in ghosts but I think this could have been achieved in a much better way. I do think the best thing going for its film is the actual backstory to the hauntings. Early on we get a sequence showing the court hearings, which explain what happened to the ship and how it was discovered after being thought to have sunk. Another sequence happens at the end when we learn what actually took place on the ship and the twist in the story is actually pretty effective. Another major plus is that both Walsh and Court are very good in their parts as they're easy to believe and both are effective. The actual hauntings in the picture are kept quite low and I will admit that the first time we see the ghost it's rather unspectacular and it really doesn't stand out. However, it almost seems as if director Vernon Sewell has no intention on building up any type of atmosphere instead it seems as if he just wants to tell a good story, get it on the screen and do very little else. GHOST SHIP isn't a masterpiece and it's easy to see why it has been forgotten but fans of the genre should enjoy it.

Not to be confused with "The Ghost Ship," one of four (!) classic Val Lewton films from 1943, OR the 2002 horror fest "Ghost Ship," 1952's "Ghost Ship" is an obscure little British picture that should just manage to please. In it, real-life husband and wife Dermot Walsh and Hazel Court play Guy and Margaret Thornton, a Canadian couple living in England, who buy the Cyclops, a 40-year-old steamer yacht, and realize, after a series of freakish incidents, that the darn thing really might be haunted. An aged biddy of a medium (a pale knockoff of the marvelous character brought to indelible life by Margaret Rutherford in 1945's "Blithe Spirit") holds a seance on board and, via a series of flashbacks, the viewer is allowed to witness the events that led to the ship's current state, culminating in a surprise ending of sorts. A fast-paced 72 minutes, "Ghost Ship"'s major lure for modern-day audiences is perhaps Hazel Court, who over the next 10 years would become one of British cinema's reigning queens of horror. With a perfectly shaped mouth that might make Angelina Jolie envious and a pair of zygomatic bones that could turn Deborah Harry green with envy, Hazel was indeed luscious to look at on screen, especially in this relatively early role; sadly, her striking red hair and green eyes cannot be appreciated in this B&W film. The picture in question is a lighthearted affair that is not a bit scary (even an initial glimpse of the ship's ghost fails to raise any hackles) but always engaging, thanks to some pleasant performances, a crackling, no-nonsense script from director Vernon Sewell, and a sprightly score by Eric Spear. In all, a minor affair, but an entertaining one, presented here on a surprisingly crisp-looking DVD courtesy of Wham! USA.

A young couple (Dermot Walsh & Hazel Court) buy a steam yacht despite warnings from the salesman that it is haunted. They restore the boat and throw a party on board to celebrate its trial run along the Sussex coast. However, it looks as though the vessel may be haunted as two engine men resign claiming to have seen a ghost on board. The couple decide to call upon the services of a medium to get to the bottom of it. They hold a séance which reveals a horrifying secret about the previous owners of the yacht who disappeared from it in mysterious circumstances while at sea years before.All in all, Ghost Ship (not to be confused with the CGI laden effects blockbuster of 2002) is an unpretentious little second feature, which provides an hour of pleasant if undemanding entertainment. The acting is above the normal standard you would expect for this sort of thing even though Walsh's attempt at an American accent is questionable. Hazel Court offers a bright performance as his wife and she would go on to appear in a number of notable British horror films such as Hammer's groundbreaking Curse Of Frankenstein and Roger Corman's marvelous Edgar Allen Poe adaptation, The Masque Of The Red Death. The script was clearly a variation on the classic real life mystery of the Mary Celeste that comes off reasonably well though more in the general handling than in the script which includes a few plot inconsistencies and the film shows that quite a lot can be gained from a small budget.Director Vernon Sewell was an interesting though sadly neglected film maker who apart from a small handful never got many A features and spent most of his career turning out quota quickies such as this. A number of these featured his own steam yacht, The Gelert, which is the vessel featured in this film which he often managed to use as an excellent set. The cast of Ghost Ship includes Sewell's wife, Joan Carol.