"Gerontophilia" was a very difficult film for me to watch and I am sure it would be for most viewers. This isn't a criticism--just a statement about the sort of topics you'll see addressed in this odd film. It's very challenging and isn't the sort of movie I could strongly recommend nor is it something for kids, but it is worth seeing if you are a patient sort of person and don't mind being shocked.This Canadian film is a creepy story about a young man who works with the elderly. Why is it creepy? Well, over time Lake finds that he's become sexually attracted towards some of the elderly men in his care...and this isn't really the creepy part. However, his interest soon goes far beyond a passing fancy. Lake begins to not only fantasize about them sexually but even peeks at a naked man while he's sleeping and he pleasures himself while doing so. Clearly, this is NOT just about sexual attraction but crosses over the border...a very uncomfortable one indeed. After all, even if his love interest were younger or a woman, such behavior would most likely get Lake arrested! Fortunately, the film doesn't dwell on this too long...but I am sure that many viewers will be turned off by this. It's a shame really, as the film seemed to have too many interesting ideas but all together it just made the film confusing. In other words, having a young guy fall in love with an elderly person (male or female) could have been very good in a film that isn't a comedy like Harold and Maude. After all, while a taboo, what is wrong with a May-December romance? Most films that broach the topic give us the message that the younger partner must be a woman, so it is nice for a young guy to fall in love with an elderly person in a movie. But the film goes far beyond just love...and that is what is troubling. The bottom line is that while I did think the plot was overly complicated and muddled by Lake being what many would consider a sex offender at the nursing home, the film dares to be different. More importantly, however, the film has some excellent things going for it. The music is just terrific and really works well with the movie. The directing (aside from a bad edit where Lake inexplicably changes sides of the bed in the same scene without getting up) is also very sweet and deliberate. I'd really like to see more from the director and I wouldn't object to a gay or gerontological theme- -just not these AND a creepy guy who goes way beyond friendship or even love.

I think it helps a lot to be an old man to fully appreciate "Gerontophilia" in all its affective and humane dimension. In a condition as old age, in which we become invisible (something Mr. Peabody expresses in one scene), if invisibility does have its advantages at times, in others it becomes very dramatic because our dilemmas seem to have no space in the young people's perception and, as the evaluation given to this motion picture demonstrates, they only perceive half of its implications. A lovely little movie, maybe quite necessary, in which a young Canadian man who works in a geriatric clinic discovers his attraction to very old men and that it is not only a sexual attraction, but that he is capable of feeling love for them. A rarity in audiovisual production from all over the world and a highly welcome one.

Despite its subject matter, 'Gerontophilia' could mark Bruce La Bruce's entry into polite film-making society: in contrast to his earlier works such as 'Raspberry Reich' and 'Skin Gang' it is possibly his most accessible work to date.Lake (no really), a young man in his late teens/early twenties, gets a job in an old people's home. This is close to being all his Christmases rolled into one, because Lake is turned on by the elderly. He becomes especially close - in more ways than one - to 81 year-old Melvyn (when a nurse describes Melvyn as being 'a very sick man' one might think as this is a La Bruce film that's to be expected, but she actually means he is very ill. I think.) Melvyn wants to see the Pacific Ocean one last time before he dies, and Lake tries to make his dream come true. But how will Melvyn fare outside the controlled environment of the home?In terms of storyline, this is an interesting film, told in a linear, non-confusing fashion. And the acting is acceptable: if Pier-Gabriel Lajoie, as Lake, is a little stilted when speaking in English he's a lot more natural in his (I assume native) French; and Walter Borden, as the elderly homosexual, keeps the queeniness on a subtle, unembarrassing level. But let's be honest: what attracts a lot of people to La Bruce films is the promise of nudity: although a lot of it is cinema of the grotesque, there'll usually be some young, firm flesh on display. But there's precious little of it in this film: the very handsome Lajoie provides just one quick shot of his bare backside (and it seems unlikely the full-frontal shots of Borden will excite anyone except, y'know, gerontophiles). So while this may bring La Bruce to the attention of a whole new audience, his old fans may miss the chaotic nature of his previous films, as well as the flesh.

Bruce LaBruce's 'Gerontophilia' exists on one level as a bold and thoughtful exposé of the shocking treatment of geriatrics in some care homes, whereby they pass their days under heavy sedation so as to make them less of a problem to handle. Though well-scripted and acted, this theme is hardly novel, having been seen in many earlier films, including Henry Koster's delightful mixture of the tragic and comic in 'Mr Belvedere Rings The Bell'. What makes 'Gerontophilia' unique is its other level - an unusual account of the developing relationship between the octogenarian Mr Peabody (Walter Borden in a complex and completely convincing performance) and a youthful student, Lake, who decides to intervene and improve Peabody's quality of life. This decision is not, however, completely altruistic since Lake is one of that minority of young males who are turned on sexually by old men. It is to LaBruce's great credit that he treats this controversial subject with just the right amount of restraint, avoiding the lurid, but not being afraid to call a spade a spade. There are no actual lovemaking scenes in bed, but sufficient moments where Lake's attraction to old flesh is made manifest, at the film's ending through the medium of humour, earlier in a poignant scene where Lake sketches Peabody with, as one might say, no holds barred. The film of course has its flaws: Pier-Gabriel Lajoie as Lake is just too impossibly good-looking, though this is to some extent offset by the charisma of his performance and his unerring sense of fun. Also there's the suggestion, inferred rather than stated, that his curious sexual preferences stem from his relationship with his drunken mother, but this comes over as a trite rather than illuminating idea. These, however, are small matters. This movie is a charming and unpredictable insight into a sub-world which is not just French-Canadian but universal, and will be a welcome addition to the programmes of those art cinemas brave enough to show it.