i just love this movie. i must have seen it over fifty times by now. i can't stop watching. it's so pleasing and congenial and so Disney. it's a return to 'Disney' live-action musicals like 'Mary Poppins', 'Pete's Dragon', 'One and Only Genuine Original Family Band', 'Happiest Millionaire',etc. i always love 'Disney' musicals and this is one of their best.the detractors of this have been so unfair. isn't it funny how this was written before Stephen Schwartz's 'Wicked' became a big Broadway hit. this show preceded 'Wicked' by a few years. many critics who skewered 'Geppetto' should have to rethink their position. how could anyone skewer a musical by Stephen Schwartz? i mean he wrote 'Godspell' and so many other musical theater classics. 'Gepetto' deserves more serious consideration than it has been given in the past.the cast is excellent. of course Drew Carey's beautifully sensitive performance as the lead role is the focal point, but the rest of the cast, Julia Louis-Dreyfuss, Brent Spiner, Rene Auberjonois, and Usher Raymond are all absolutely perfect and incredibly entertaining.i've always loved Walt Disney films and this one stands out for me. and yes, i have seen the original 'Pinocchio' cartoon which happens to be my favorite of the animated classics. i have also read Collodi's book. as someone who is very familiar with "little woodenhead" i found this version to be charming,hilarious, musical, and above all pure 'Disney' magic. after all, it did premiere on the 'Wonderful World of Disney'. that's where i first saw it and fell in love with it. God Bless Drew Carey and the rest of the wonderful Disney cast.

This movie reminds me of the classic musicals of the 50's. I LOVED IT. The cast was excelent... Drew Cary did an outstanding job (and boy did he sound better singing in this than he does on who's line is it anyways LOL). Julia Dreyfus also was terrific as the Blue Fairy. Their dance numbers together are pure magic. The rest of the cast was also truly excelent. My only problem with this movie is that it was made for TV. Due to time constrictions they rushed the ending. They could of stretched it out in to a 2 day mini series or somthing... But other than that it was great. Disney has been quite the disapointment to me latly with movies like Inspector Gadget and Tarzan... They were horible comparedf to this The musical score was also great. With Dreamworks one step behind Disney needs more movie like this to keep up and notr fall behing.I give it 99 out of 10...

The Disney folks must be applauded for reviving the live-action movie musical (albeit on television); it wasn't hard to improve on John Huston's gruesome film of ANNIE, but the Disney version actually seemed an improvement on the overrated Broadway show. And it's always fun to see stars not primarily known their for singing and dancing kick up their heels (if you haven't seen Kathy Bates' spectacular turn in ANNIE, rent it now.) So it's disheartening to report that GEPPETTO isn't even in the ballpark. Ostensibly a retelling of the Pinocchio story from his father's point of view, it will probably bore kids and puzzle most adults.Admirably, Drew Carey as Geppetto displays none of his sitcom or stand-up personae, but hasn't found any persuasive replacement. It doesn't help that the character as written is pretty much a simpering wimp or that his wig appears to be the one originally worn by Patty Duke as the American twin on her old TV series; Carey could be auditioning for a biopic about The Turtles. In fact, the whole production has the look and sound of the kind of expensively cheesy sixties musicals that helped bury the genre: technically slick and impressive without being attractive or appealing. The tone, however, is pure nineties: guilty parents can only find happiness by learning to obey their children.Hearing just a few bars each of "When You Wish Upon a Star" and "I've Got No Strings" here is enough to illustrate how uninspired Stephen Schwartz's score is. Schwartz seems at fault too for pushing Carey, who has a more than adequate singing voice, beyond his range; he could and should have sounded a lot more comfortable. As a hazily-conceived Blue Fairy, Julia Louis-Dreyfus attempts an unsuccessful homage to Billie Burke in THE WIZARD OF OZ, but also reveals a very pretty soprano behind the affected diction. Poor Usher Raymond gets stuck with the worst song, and though he looks like he could dance up a storm he's barely given the chance. Brent Spiner, with vocal chops to spare, comes off best, but then again he is playing the villain (and gets the best hair, too.)It would be churlish to complain about Seth Adkins' whiny performance as Pinocchio; nearly all of the child actors have been directed to whine and sulk brattily, the better to manipulate their supplicatory parents. But the sheer awfulness of his costume and makeup is indicative of the production's creative clumsiness. With a grotesquely streaked face and awkward, artificial "puppet" joints, Pinocchio looks less like a little wooden boy than the unfortunate victim of some horrible real-life disease.

The Disney Company has rediscovered the magic of the live action musical (a magic that seemingly vanished toward the end of the 60s); although, it might have considered the wide screen a better source for the release of "Geppetto."In simple terms, this is a motion picture-sized musical extravaganza for the small screen that depicts the tale of "Pinocchio" from the eyes of his "father" Geppetto. Starting with his "son's" creation, Geppetto quickly learns that children are not perfect; what he fails to understand is that such imperfections may be derived from the parent. Subsequently, when Pinocchio runs away with the evil gold-loving Stromboli and then to Pleasure Island, Geppetto requires lessons in parenthood and of the heart and inner soul. In hilarious fashion, the Blue Fairy assists Geppetto on his journey to eventually find both understanding and Pinocchio.Drew Carey is surprisingly strong in a title role that relies more on emotion than one-liners. Brent Spiner's Stromboli is evil personified, although in a comical light that should not leave the kiddies afraid to go to sleep in the dark. Julia Louis-Dreyfus initially appears over-animated as the Blue Fairy. We discover later how this plays into her role when she displays her magic powers to Carey in a series of hilarious dance sequences. Usher is ever-so-sly as the singing Ring Leader in Pleasure Island. Seth Adkins is the penultimate Pinocchio, reminiscent of the 1940s animated version. His extensive makeup leads one to believe that this talented boy is genuinely made of wood.The rest of the cast play their roles with abundant energy and warm-hearted feeling that transmits beyond the screen and directly into the hearts and minds of the audience. These feelings are intensified by Stephen Schwartz's highly enjoyable musical score and songs, with no less than two showstoppers: in "Toys" three tracks sung by the parents, children and Geppetto run simultaneously yet we clearly understand each one. "Satisfaction Guaranteed" sung by Rene Auberjonois and a chorus of golden-voiced youngsters adds exuberant, vibrant energy to an active and complex choreographed sequence; the townspeople and their "perfect" children create a visual delight with their routine.Equally incredible is the scenery in the Pleasure Island sequence, a colorful, attractive yet eerie amusement park of sorts where Pinocchio connects with the "bad" children of the world. Particularly funny are the run-ins that Stromboli has with the Pleasure Island children as he races against Geppetto to find and catch Pinocchio before he can suffer the fate of all Pleasure Island kids.Monstro fans, take heart. The giant whale makes a cameo appearance. Kids especially will laugh at Pinocchio's idea to hopefully save Geppetto and himself from that mighty stomach.Finally, the live action musical extravaganza has come back to the screen, albeit a smaller screen than for major musicals of the past. Before viewing "Geppetto," one may wish to watch the original Disney animated version of "Pinocchio" to become familiar with the story and characters. Consider that an optional homework assignment, not a necessity as this film can and will stand on its own for future generations of families.