Genesis
Genesis
| 20 October 2004 (USA)
Genesis Trailers

An African narrator tells the story of earth history, the birth of the universe and evolution of life. Beautiful imagery makes this movie documentary complete.

Reviews
nosignal

Just saw this movie and was throughly entranced and impressed. Its a French film (with English subtitles), taking an artistic view of creation and what it means to be human. But as another reviewer said, don't be mistaken for thinking it is another Discovery Channel show. The visuals are captivating, and perfectly reinforce the 'story', often in very innovative ways. A couple of fascinating ideas discussed: We are all products of the cosmos - literally made from atoms that were once stars, nebulae, and then rivers, trees, volcanoes. Once we pass on, our atoms will once again become those wonderful works of nature.We are not made of atoms. Atoms flow through us like water in a river, but our life is more like the river - directing the flow of matter. Defying the laws of entropy that pull us towards decay. This refers to the fact that much of the tissues in our body is replaced every few days/months/years. So we are in fact a different 'person' to ourselves even just a few years ago.

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jldmp1

Yes, the visuals are dazzling. The pacing and camera stance are almost Kubrickian, which alone reminds us that we are seeing a movie, and not a Discovery channel feature. There are three narratives at work here, the visuals, our collective knowledge of science/nature that we have before experiencing these visuals, and the narration. Of these, the narration is the weakest link, nearly broken when we get to the conflation of biology with poetic 'love'. That is before......we get to Entropy. Movies themselves are a kind of struggle against entropy. Starting with a flood of chaotic images (elements), the movie's task is to go against the flow and try to impose a higher state of order -- a sort of life of its own in the viewer's mind. Through this device of self-reference, we are given the target criterion with which we judge the movie's quality: does the new order in your mind hold up against degradation? I would say yes. Not only visually, but narratively -- by looking at ourselves from outside ourselves, the trap of melodrama is avoided.Watch this and pay attention to the sight of a drop of milk dissolving in water, or the smoke rings...these are inherently cinematic notions: notions that belong with us among the tribe of the living.

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Danila Medvedev

Clearly not everyone will like this film. It is very different from Microcosmos and Winged Migration in that it doesn't have enough imagery to woo the viewer, but adds some sort of narrative unlike the first two films.Unfortunately, the narrative is extremely simplistic and not creative or beautiful enough to hide the fact. It consists of a Negro elder somewhere in Africa, who in rather accessible, but very simplistic language explains that Earth emerged, cooled down, life evolved, organisms have sex and this is how he came to this world. This might be interesting to children or people not familiar with science and nature documentaries, but for a refined viewer such narrative doesn't offer anything compelling.Unfortunately, there isn't much in the film for them. The visuals, while pretty, are not original at all (some molten lava, some birds, some insects, etc.). We have indeed seen most of it in countless other documentaries, which was not the case with visually revolutionary Microcosmos and Winged Migration. There are some funny scenes that usually involve anthropomorphic behaviour from animals - perhaps revealing the intention to target this film towards kids. :) If you go to see this movie, please don't expect to see anything deep, don't expect to see but most cursory description of genesis and don't expect visual breakthroughs. It's just a nice small movie with pretty pictures and some funny moments.

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s-kelle

This movie is a quiet and meditative work of art. At first I thought it would be something like a school movie about evolution, but it turned out as a work of plainly contemplative (at some points almost voyeuristique) piece of art. The movie will disappoint people who expect a plot line. It comes rather along like a slideshow, intriguingly framed by Bruno Coulais' experimental soundtrack (which, however, gets out of hand at the end). Beautiful colourful macro pictures. The movie's best actor, the mudskipper, almost gives you the impression that you are being watched by the movie. A joyful avantgarde experience. For those who enjoy little offstream movies.

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