And they lived happily ever afterwards. A rather simple minded allegory of bored youth evolving into gangs. Outside of a Catholic mass there appears to be no external influences. No family. No school. No female temporizing of male spirits. Eventually the stilted intervention of the police, like the apostle Paul to the misguided flock of Ephesus, turns unexplained badness to equally unexplained goodness. Yet in its earnestness I see no better explanation of gangs today - a rather sad commentary on the male psyche steeped in pointless machismo. The documentary is unfortunately marred by a total lack of cultural, economic or sociological explanation. The redemptive ending is as predictable as it is puzzling.

The people who made this short film were very sincere and tried to make a nice film about the evils of gangs and how everyone can just get along. The problem is that even though the film uses real gang members and was in some ways a positive thing, the production is so badly made that it made me laugh! I assume you'll probably feel about the same.One problem with the film is some of the acting. In particular, the cops could barely read their lines and sounded quite robotic. However, the supposedly poignant scene about the boy dying by falling off the cliff--that was amazingly bad! It's OBVIOUSLY a dummy being tossed own the hill and looks just horrible--so bad that you might think it was meant as a joke!! I am sure gang members that were shown this film thought is was hilarious--and you really cannot blame them. A truly awful public service film that was dated when it was made.

Based on a true story that took place in California. There is a Mexican gang and a white gang who hate each other with a passion. They're going to have an all out war to see who's better. The police hear about this and talk to Danny the leader of the Mexican gang to try to prevent it. The movie goes back in time and shows how,and why, the Mexican gang started. Then it comes back and shows Danny making a decision. It all leads to an unbelievable but predictable happy ending.Back in 1954 this must have been hard-hitting. Fights between interracial gangs were not shown in movies at all. Seen today it comes across as obvious and simplistic. They used real gang members to play the roles of the kids to add authenticity...but they were horrible actors. There was some very obvious overdubbing and the "fights" were obviously staged and ineptly done--it's pretty obvious that none of the kids were hurt. Still this movie is well intentioned and shed some light on a subject that most Americans didn't know about. For that alone I give it a 6.

Interesting artifact, very much a reflection of its time. During those post-war years, juvenile delinquency grew as a national concern as a teenage sub-culture began to emerge. In urban areas, gang "rumbles" often made headlines as youths clashed with chains, fists, and sometimes, knives, as dramatized in this 30-minute short. These could be seen as "turf' wars or, at times, as racial clashes, but rarely—if I recall the LA area of this short correctly— was anyone killed. Note how the solution portrayed here can be described as a "liberal" one — that is, by appealing to youths' better instincts, instead of the more traditional reform school path.However, gangs-- at least in the last 50 years-- have evolved from street-level "clubs" into criminal enterprises, trafficking in drugs, guns, and other illicit activities that are often connected with adult-level prison gangs like the Mexican Mafia or the Aryan Brotherhood. Unlike the 1950's, rivalries are now routinely settled with "drive-by" shootings, at the same time, the bodies pile up in poorer and minority neighborhoods. Younger kids can easily be recruited since gang membership offers both status and the prospect of a money-making future. Just as importantly, liberal solutions, as portrayed in the Davis short, offer little prospect of success, while only those programs addressing the deeper causes of poverty and racism hold much promise.Nonetheless, this earnest little docu-drama presents an interesting contrast to such sensationalized youth films of the time as Rebel Without a Cause (1955) or The Blackboard Jungle (1955). I am curious, however, where the producers expected the 30-minutes to be shown and to what effect.