G.B.H.
G.B.H.
R | 14 October 2013 (USA)
G.B.H. Trailers

Damien, a London copper has a past he's trying to forget. Before joining the force he ran with a football firm, getting involved in tear-ups up and down the country. Now he's on the other side of the law and faces a tough decision, side with his old crew or protect London as it burns and rioters run amok. Falling in love with fellow cop Louise, he is quickly alerted to a street-level uprising that is about to shake London. Amidst the brutalities presented by the riots, he fights for justice at Louise's expense. Having been raped by a rioter known to him, Damien finds himself levelling with the rioters, fighting a war he cannot win, as much against the rioters as against himself.

Reviews
kosmasp

Not the rating here on IMDb at this moment. Though it's higher than the 3 points/stars that another reviewer mentioned I was surprised this being under 5 at the time of writing. But I guess people might get fed up with movies about hooligans (though to reduce this to just that would be unfair to the movie).Maybe it's the time-line and the jumping around events that got people annoyed, it's tough to say. Though I have to admit the "german" title for the movie is pretty "simple" - London Pitbulls - I don't think it makes any difference in the rating here. The main actor might not always be up to the task (a bit over the top, not enough charisma to pull certain things off), but the story itself is still worth watching

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paul david

There is absolutely nothing to commend about this film other than the main storyline which is not reflected by the title of the movie.For me, the main story theme was not about riot at all but about the damage football violence had done to two families, Damien the cop and his girlfriend cop Louise. Louise lived with her physically and psychologically affected ex-cop Father and Damiens Father was in prison as a result of violence which had a football-related history, a middle aged thug who refused to let go of the past.All the other bits of storyline within did not connect to that at all and the only riot was a bunch of hoodlums towards the end in a shopping mall, can hardly be called a riot on the scale portrayed in the opening clips of the movie.The confrontation between characters played by both Nick Nevern and Peter Barrett has been a common theme in many of the Paul Tanter films. Though I understand he did not direct this movie, he did produce it and he did act in it.Nick Nevern I feel needs to move on. He is a sort of passive Jason Statham and has the potential to step up.Paul Tanter needs to move on too. Football violence in the UK has moved on since the 1990s, just as Northern Ireland has for different reasons, and the film could have been directed and produced in a different way for a much more receptive and appreciative audience.Making a film on principle to include sex violence and bad language does not mean as a movie fan I always want salt and vinegar and dollups of tomato ketchup on my fish and chips!

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marnew

I saw G.B.H. at the film festival and found it to be very good. I think most people want to wrap things up in a neat box and make the police either good or bad. The police are just people, and they too can be effected by the stresses of everyday life. I found this film to portray this in a very realistic manner. Of course with all films that are of an indie nature, the budget is lower than those done by a studio. so you can somewhat see that in this film... but, it is really good, and has an effective method of building tension. I am glad to see that there are those out there that can think outside the box and show the human side of the police. If you are of a prudish nature, I am not sure you will like the film, but I don't think it's meant to offend, but rather to expand your mind. After seeing the film a couple of us talked about it for the next hour, and to me that is the keystone to a good film. So, if this film is available for you to see, I would recommend it very much.

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robertasmith

Cinema always takes liberties with the truth but this film is just awful. The depiction of the Met Police is so wildly inaccurate it is almost laughable. Where do I start? Berkoff is far too old to play the senior police officer and his acting is confused and unconvincing.The police officers, supposedly in the same unit/division, have different shoulder flashes, one with CO and a number (which means commissioners office) and some with just a number. They seem to patrol huge swathes of the metropolis both as tactical support and ordinary beat bobbies. There is so much more that is badly researched and portrayed.If you can ignore all these howlers, you still have to believe that a football thug, with a father in prison, is a police officer. You can do that except for the fact he still has his only friends in that social setting and still acts like a thug when he is in the pub and around them.The final scene where he beats to death one of his old friends in front of another 10 or so, is just barking mad, as are the scenes where he gets people off, or gives prisoners a severe beating.I am not naive. Some of these things no doubt happen on rare occasions, but to have one rogue police officer commit so many offences is just totally unbelievable.The tragedy is, there is the germ of a good story here, but it is ruined by wooden acting, a poorly researched screenplay, jerky direction that lacks continuity or purpose and very poor production values.

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