The only pleasant aspect of this movie is the beautiful Anna Rapagna. The only thing futuristic about this movie is that we are watching it in their future. Terrible soundtrack, terrible movie.

In the future, law enforcement will essentially be out-sourced. These new police, known by the unimaginative acronym COPS, will not only arrest criminals, but also, in many instances, act as judge and juror. But the system can easily be manipulated. When a reporter threatens one of the owners of COPS, he has the reporter's name added to the wanted list with a sizable bounty and a message to kill. One of the COPS named Tucker (David Carradine) sees the system for the flawed mess it has become, decides to help the reporter, and is put on the execute list for his trouble.If I had to use only two words to describe Future Force, I'd say it's lazy filmmaking. As an example, Future Force is lazy in the sense that, even though the movie is set in the future, very minimal effort was taken to make it look like the future. The only real futuristic aspect is the all-powerful glove used by Tucker. And, the filmmakers were so lazy they used it sparingly. Tucker uses a regular old non- futuristic pistol in 99% of the movie. Another way Future Force is lazy can be seen in the acting. I can't remember one acting performance that stood out. Every one of them seems to be just going through the motions. The worst offender is Carradine. His performance is a fantastic example of an actor in it for the paycheck. It's easy to see he doesn't care at all about the finished product. Speaking of Carradine, he looks horrible in this movie. I can't remember ever seeing him look this out of shape. He doesn't look well. You can see Future Force's laziness in the writing. The film is full of filler. There are scenes that add nothing to the plot. In fact, there are scenes where literally nothing happens. There are a few example I could name (people driving cars with no purpose, people doing absolutely nothing while hiding out, etc) but my favorites are a couple of rather lengthy shots of a guy having a drink. That's all he does – he pours a drink, sips it, sets the glass down, and picks it up for another drink. And it happens at least twice in the movie. It's about as lazy a job of writing as I can remember. Future Force is another of those movies I could write about for days. The laziness extends to set-design, music, costuming, and on and on. But, as I always say, what's the point. It's a bad movie that doesn't deserve any rating higher than 2/10. In some ways it's not as bad as it is sad. Future Force is truly a depressing experience.

David Carradine has done more than his fair share of stinkers throughout his career. This delightfully dreadful doozy rates highly as one of poor Dave's more entertainingly awful films. A seriously dumpy, weary, and out of shape Carradine stars as John Tucker, a rugged bounty hunter who pounds a gritty city beat in a bleak lawless near future that's right around the corner. Tucker has to protect perky TV news reporter Marion Sims (the cute Anna Rapagna) from the vile clutches of corrupt police chief Jason Adams (essayed with snarly hambone aplomb by William Zipp) and his brutish henchman Becker (leering veteran chromedome heavy Robert Tessier). Moreover, Tucker has to fend off his fellow bounty hunters after he's wrongfully accused of murder by Adams. Written and directed with staggering incompetence by David A. Prior, further undermined by dismal dialogue (sample line: "I want her dead in a box six feet underground"), poky pacing, clumsily staged action scenes, drab cinematography, a horrible head-bangin' rock soundtrack, several gnarly strip club sequences (WARNING: fleeting gratuitous nudity alert!), slack editing, and a woefully unconvincing depiction of the future (all the clothes, hairstyles, automobiles, and so on look like the present circa 1990), this hilariously horrendous honey makes for often unintentionally uproarious viewing. Gut-busting highlights include one of the single most lame car chases ever committed to celluloid, the ridiculously fake-looking exploding plastic helicopter, and the simply glorious moment when Tucker's nerdy crippled electronics whiz sidekick Billy (the insufferably geeky D.C. Douglas) gets blown away and falls out of his wheelchair dead. But the funniest moment period occurs when Tucker's funky metallic glove gets activated so it can fly throw the air, repeatedly punch Becker, and eventually strangle the mean no-good baddie (said glove also fires these cool blue lasers and can punch through cardboard doors). A deliciously cheesy hoot.

One of my first trash movie , here David Carradine reaches his top (or bottom) : fat and excessively slow , he tries to make us believe he is the best future COP which has a futuristic glove best used with a remote controller. With that , he makes it fly against his enemies and emit lightnings. As often seen , he stands in the open with enemies firing at him and he always win , never being hit.