Friendly Fire
Friendly Fire
NR | 09 November 1980 (USA)
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In March 1970, a U.S. Army officer arrived at the Iowa farm of Peg and Gene Mullen and informed them that their son Michael had been killed in Vietnam by "friendly fire." Their determined attempts to learn more about the circumstances of their son's death are the subject of this true account film.

Reviews
mark.waltz

Millions of American families have been through tragedy like this, and nobody but a family who has gone through this can imagine the pain of losing a child through war. The pain of the mother is probably even greater, and this TV movie chose America's "funny girl" to play the part. Carol Burnett takes on her most unique role, playing it straight, simply and beautifully. From the moment she asks son Dennis Erdman if he's packed (to which he responds that he will after performing his regular farming duties), you can see that she is hiding her fear. When she tries to hide tears, it's as if she's seeing into the future, as this is 1969, and this is the Vietnam war he is heading off to, and unlike he tells her, it will not be over in six months. Letters from their son describe what he's going through, read by her husband (Ned Beatty), keep her jumping, writing letters to everybody from Nixon on down. Then, there's that fateful day that they receive a visitor, and you have a sense that she already knows, such is the power of motherhood. In disgust to the way Beatty keeps asking if his boy is dead to the almost abruptly cold way a preacher says yes, and all Carol Burnett can do is look blankly as she questions the definition of what friendly fire is. In sitting there watching it, I wanted to scream out in anger (and in not such polite terms), "Just say somebody screwed up!" No war death is "friendly", no matter what caused it.Coming out around the same time as several other films on the Vietnam war, this TV movie was a ratings giant, one greatly publicized, and one that even school aged kids got to stay up late for because of its themes of anti-war, the rights of families to demand the truth, and the right to question why young men are continuously being killed, especially in a war we still believe we had no reason to be there in the first place. Burnett's mother is a no nonsense woman whose grief erupts into anger towards a government that seems intent on ignoring her or sending form letters and respond to her with standard, pointless answers. Burnett is outstanding, Beatty brilliantly supporting, and a young Timothy Hutton aw the younger son representing what she intends to not go through again or see any other mother suffer without getting to the truth.

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johnp234

Like other reviewers, I was reminded of the "heroic" death of Pat Tillman. The misguided attempts of some in the armed forces to console the families, friends and country about the loss of a favorite son resonate deeply into the heartland.Seeing this movie made in 1979 showcases how little we have learned from the lessons of Vietnam, or the Colin Powell doctrine (if you don't know it, Google it). What a rich and fortunate country we are that we can afford to throw away our best young men, over and over and over.I lost 6 men from my squadron on February 11, 1971. Non-combat related, but dead just the same. Years later, Clyde's heartbroken daughter asked me why he had died. I had no answer for her, just as the Sam Waterston character has no answer for the Mullens. I still don't know. At the time, I didn't even know why I survived. I since have learned that lesson. It's so I can keep the memory of those 6 men alive, and remind others that they once walked among us, and are still loved by those who knew them.Friendly Fire is not perfect, but it's good enough. See it. Reflect on it. Go out and change the world.

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Susan Schmitt

I saw this movie many years ago on television and I was deeply moved by it. I don't agree with the comment another reader posted that the Mullens were trying to start a revolution about their son's death. What they were mad about, and rightly so in my opinion was the apparent cover-up the military did on the death. They only wanted the real truth about how their son died not a lot of lies which is what they got. I thought Carol Burnett was marvelous in her role. Up until that time, I had never seen her in anything but a comedic role and it was refreshing to see her in a dramatic role. Ned Beatty, as usual, was his stoic self. I would have liked to have seen his character display a bit more emotion but that was how the male society was at that time, very unemotional. Has this movie ever been released on video or DVD? I would love to get a copy.

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gbrumburgh

A stunning, sobering look at the crumbling lives of a heartland farm couple who are forced to deal with governmental apathy and red tape to learn the truth behind their eldest son's death in Vietnam. Superbly written and directed with careful detail as to period and attitude, this already rich and poignant production is all the more enhanced by powerhouse performances. Comedy icon Carol Burnett is handed THE dramatic role of her career and passes with flying colors. As flag-waving mother-turned-war activist Peg Mullen, Burnett buries her legendary elastic face and broad gestures with startling, subtle conviction and lends bitter truth to the quietly distraught but unstoppable Mullen, a woman on a mission who learns to fight back with every untruth she is being fed. The scene where she visits her son's casket at the funeral home will haunt any viewer for a long time to come. Who would have thought Burnett would be up to this arduous task? Kudos to the producers for such a daring, valiant choice. Mullen, who grew up red-white-and-blue proud, went on, by the way, to serve as a significant symbol of protest against the Vietnam war, prompting the government to give unbiased, accurate accounts of military casualties.Ned Beatty provides able support as the dutiful, grief-stricken husband who finds it just as difficult coping with the fact that his son died mysteriously by "friendly fire" (American artillery fire)during maneuvers than by heroism. Less committed to tackling government indifference and lies, he shows the inner turmoil of a man forced to stand in the shadows of his wife's newly-found obsession and celebrity, a move which threatens home and hearth. Timothy Hutton effectively portrays the neglected younger son who handles his grief in silence as well. Dennis Erdman as the older, ill-fated son, is superior appearing in war-time flashbacks to reveal the sad truth behind his unnecessary death. Sam Waterston as a well-meaning journalist shows appropriate strength and exasperation as a man caught between helping Mullen and fighting department politics himself. But first and foremost, this is Burnett's show. For anyone who thinks of her as a limited, one-note slapstick queen will think again after witnessing this performance. Surprisingly, she lost the Emmy award for this once-in-a-lifetime role to Bette Davis, better known for her larger-than-life acting histrionics as well.A must see TV mini-movie.

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