I won't bother describing the plot here, as that can be found everywhere else on this page. I just want to add that many reviewers appear to have missed two giant holes in the heart of this movie. The first is that Grimandi, the French film maker, played by Eric Cantona, is at the same time presented as a parody of a Frenchman, and as the all-knowing hero on the issue of love.And so we have two couples from the British Isles, fairly stereotypical in their stuck-upness (apart from Irishman Marcus, who, frankly, appears rather mad) falling in love and rediscovering their passion for life, inspired by the completely inane musings of chain-smoking Grimandi, which are, even as they are parodied, taken as the gospel. If the movie had taken some of Grimandi's advice with a grain of salt, or at least cast doubt on it, the audience would have been pushed to make up its own mind over its merits. As it is it's accepted hook-line and sinker, and hence the movie comes across as naive and one-dimensional. Are the Brits that gullible and naive and desperate for love to accept anything a Frenchman says on the topic? This relates to the second hole, which is that it is true that the French culture in general (I live in France, so should know) seems to be in the thralls of one particular kind of love, romantic love. So intense, passionate feelings are sought and celebrated, falling in love is glorified and often happens despite oneself, and even the law here allows for 'crime of passion' as a defence. There's a lot to be said for the idea of following one's passion and letting things hang loose and not be so stuck up and repressed, but at the same time many wiser people have noted that none of these things have anything to do with love in the deeper sense, ie what the Greeks call agape, and which has to do with responsibility, commitment, kindness, caring, understanding, and so on. Instead Grimaldi, and with that the movie, glorifies what can also be described as hormone-driven infatuation. Even a light, humorous movie like this could have played on this theme a bit. But it didn't. So yes, the movie did make me think, but not in the way the makers intended, I'm sure!

Hugh Bonneville plays a reporter who will interview a French film director whose best works are about love films between men and women. He has been with the same woman, his girlfriend for 10 years and she doesn't want to marry him. His best male friend has reunited with an old girlfriend but is still involved with somebody else/ The film is about the British traditional view of relationships against the French film versions of love and romance. The acting is first rate with co-stars Victoria Hamilton and Ann-Marie Duff. This film was made for British audiences. I was lucky to have got and see only half of it because my DVD copy (I bought it from Blockbuster) at a discount rate before the store closed forever. I would like to know what happened in the end to all of them.

British films have a certain flavor of sophistication even when they are dealing with stories about Brits in their long time foes - the French! Aschlin Ditta came up with this little story that is subtle, thought provoking, and warmly humorous as directed by Jackie Oudney and acted by a superb cast - a film that engages the audience's own life and relationships.Jed (Hugh Bonneville) has been in a ten year relationship with Cheryl (Victoria Hamilton), plans to marry her, but discover they don't love each other after all. Jed is a magazine feature writer who, as the movie opens, is grumbling about his upcoming interview with a fatuous French cineaste and love guru Thierry Grimaldi (ex-soccer player Eric Cantona) whose theories about love Hugh finds ludicrous...and overly 'French'. Jed's best friend Marcus (Douglas Henshall) madly loves his girlfriend Sophie (Anne-Marie Duff), or so he says, before a chance encounter with his first love of 20 years before. Marcus wants to run off to Paris to marry her, leaving Sophie behind, loveless and forlorn. Of course it all works out for the best, but it is the getting there as acted out by these fine thespians that make the film a joy. Subtlety, innuendos, and halting conversations make this an adult romantic comedy able to carry enough weight to make is significant entertainment. Grady Harp

I caught this is a repeat on BBC i-Player and I was very pleasantly surprised. This was the best film that I have seen in a few years. Not pretentious at all, but a well-made sweet film with some very human themes. The acting was just great and really believable. Cantona adds a nice touch - especially for those United fans who remember that Kung-fu kick and the sardines... What I liked most was how the script was so realistic and yet incorporated so many funny lines; I was cracking up with laughter and then almost had tears in my eyes... Really nice one!This won't appeal to everyone though - a couple of the reviewers tried to compare this to Notting Hill - please!!!