Although Joel McCrea, as Ross McEwen, plays a small town bank robber in NM, this is not a shoot 'em up type western. As others have noted, no bullets nor arrows are fired, nor brawls instigated. Also,there's no cattle stampede or drive. It's a remarkably peaceable story, although there are a couple of stick ups. It was shot in crisp B&W, and the mostly rocky or sandy terrain is photogenic. It was shot mostly in several NM locations, including Inscription Rock, or in Red Rock Canyon, CA.Joel is his usual laconic self. So, what does this screenplay offer that's of interest? It tells the story of an atypical bank robbery by a lone gunman, in broad daylight, with lots of people gathered in the street to welcome the new Federal marshal, Pat Garret(Charles Bickford), of Billy the Kid fame. Initially, Joel asked for a $2000.loan,but when he needed collateral to secure this, he pulled out his gun and demanded the $2000., backed by an IOU signed by Jefferson Davis. He wanted to take or send this money to his father, who needed it soon. Joel left the banker out in the desert with no horse and no shoes. He was hopping mad and slapped a $3000. reward for Joel's capture or corpse. As one companion said, "It's more profitable to catch a thief than to be a thief"(at least in this case).There's a mysterious man dressed in all black, including hat. We meet him on the train when Joel hops on after ditching his horse and saddle. This man, whom we later discover is the famous Mexican gambler Monte, takes an inordinate interest in Joel. In fact, he seems to end up wherever Joel wanders throughout the film, sometimes helping Joel. Eventually, he figures out that Joel must be the bank robber the wanted flier talks about. However, he makes no move to try to collect the $3000. reward. He even throws away the stack of reward fliers remaining for the next town on the mail buckboard. He gets a horse for Joel at one point, and agrees to win some gambling money to start Joel's payback of his 'loan'. We never do discover an apparent motivation for Monte's favoring of Joel. It appears he just decided to like him.Joel also meets a nurse, Fay,(she claims the train nurse?) on the train, who looks after his rattlesnake bite wound.(Don't know how she could help?). She also is destined to keep bumping into Joel, wherever he wanders. She too eventually guesses that he is the bank robber, but he seems like too nice a guy to be a badman. In fact, they kiss and hug a couple of times, and she rides with him for a stretch when he's trying to lose Garrett and Deputy. Joel claims he plans to pay the 'loan' back gradually. But, at a cowhand's wages, that will take years.Still trying to evade Garrett, at one point, Joel takes the saddle off his horse, sending it on it's way, and puts it on a steer to confuse Garrett. He eventually comes across a cabin containing Mexicans, who are all sick, apparently of diphtheria. He decides to stay and do what he can to help them, like feeding them. He tears strips of cloth and soak them in fuel for the lantern(probably, kerosene!), then stuff this in their mouths! Well, a doctor and nurse eventually show up and do what they can(probably, essentially nothing, as no modern antibiotics or anti-toxin was then available.) Guess who the nurse turns out to be? Yep, Fay, played by Joel's real wife: Frances Dee. Garrett wasn't fooled by Joel's steer act, and arrives at the cabin, seeing what Joel is doing to help. He acts rather friendly, but later he and Fay finally convince Joel that he should turn himself in, and probably the judge will be lenient, given his subsequent behavior.See it on YouTube

Four Faces West (AKA: They Passed This Way) is directed by Alfred E. Green and collectively adapted to screenplay by C. Graham Baker, Teddi Sherman, William Brent and Milarde Brent from the novel Paso por acqui written by Eugene Manlove Rhodes. It stars Joel McCrea, Francis Dee, Charles Bickford and Joseph Calleia. Music is by Paul Sawtell and cinematography by Russell Harlan. Ross McEwen (McCrea) robs the bank of Santa Maria but requests only $2,000 and issues an I.O.U. to the bank manager with the promise of paying back the money. The bank manager, aggrieved and agitated, puts a bounty of $3,000 on McEwen's head and quickly finds the law, in the form of Sheriff Pat Garrett (Bickford), aiding his cause. But McEwen is no ordinary thief, and as he makes his way across the lands during his escape, revelations and relationships will reveal something quite extraordinary. All the things are in place here for a conventional 1940s Western movie, with the robbery of a bank followed by a posse pursuit, a serious sheriff on the case, a pretty gal turning heads and some card playing of course. Yet this is far from being a conventional Oater. Old fashioned? Yes! Definitely, but it's a beautifully crafted picture that relies on characterisations - locations - and a story of such humanistic redemptive qualities; it demands to be better known. It has rightly been pointed out before that no blood is shed here, no bullets are fired; in fact bullets play a key part of the story for a different reason, but the action quota here is still very high. With blazing fire tactics used at one point and pursuits through the rocky terrain very much in evidence, the pic often raises the pulses. Tension is also provided by the efforts of McEwen to evade the attentions of the posse and the law, with some intelligent and believable methods put into action. The romance angle is also thoughtful and never cloying, given credence by real life lovers McCrea and Dee, while non white actors play South American characters without charges of stereotype or fodder being brought into play. With first grade black and white photography from Harlan (New Mexico Tourist Board done a favour here), unfussy direction by Green, and a quartet of great performances by the principal players leading from the front, Four Faces West (not the best of titles to be fair) is a treat for the Western fan. It may lack a "shock" outcome but it sure as heck fire casts off cynicism and makes you feel better about people in general. Bravo! 8/10

This is a great Western. McCrea shows off some great horsemanship as does Frances Dee, something rarely seen in female leads. I was intrigued with the authenticity (for the time) of the Hispanic and Native Americans portrayed in this movie. Joseph Calleia, playing against type, is a middle-class Hispanic, rather than just a poor Mexican, with property and a very large extended family in the region, something that was very common in New Mexico but rarely understood outside of its borders. There are surprising Spanish phrases used throughout and I was even impressed with the McCrea character's good Spanish -- so different from other Westerns of the era. The Native Americans, shown only in the opening scene at the Pat Garrett welcome, look like they could have been Mescalero Apaches from southern New Mexico. This movie really respected all the different cultures of southern New Mexico. Finally, El Morro aka Inscription Rock, now a national monument, was a significant symbol in this movie, a testament to its importance to the many different people and cultures that "Paso por Aqui" over the ages.

A decent man facing a desperate situation robs a bank and leaves an IOU. This is a strange Western in that not a single gunshot is fired or a punch thrown. It is not dull, however. There is enough action to keep it interesting, but the script, based on a novel by Western specialist Manlove (cool name) Rhodes, seems to be all over the place, including a hokey episode involving a dying Mexican family. McCrea is as earnest as ever as the hero (why he robbed the bank is not really explained) and gets to ride a cow across the desert! Dee (real-life Mrs. McCrea) makes a comely love interest. There are good performances from Bickford and Calleia.