The only thing raising this movie to the level of a B-western is Ben Johnson in the unusual casting of being the movie's lead, Capt. Thompson. All other aspects, the dialog, plot, production values, you name it, just don't add up to the low expectations one expects of a middling B-lister. The plot is standard for this type of movie: A rabid Army officer bent on making a name starts an Indian war. The much more competent (and noble) lower ranking officer Johnson can do nothing to stop it, nor can he stop his colonel from becoming needlessly jealous, believing Johnson is having an affair with his wife. Any sane individual would only need to look at the wife and then at the Indian love interest played by Maureen Hingert to know Johnson would need to be daft or blind to go for the wife (OK, Hingert is Ceylonese, not Indian, but Ceylon is pretty close to India so in that respect, one could argue she's closer to Indian than most actresses in these westerns). Everything comes together in a battle for Ft. Bowie that must be seen to be believed. Like Hitler, forced to fight on two fronts, the Indians are on the fort walls fighting to keep the cavalry out of the fort while also fighting to break into buildings inside the fort. Bodies from both sides pile up on the walls and then mysteriously disappear to make room for more bodies. It's also in this fight that we get to see Jan Harrison turn on her "love switch" as she suddenly realizes her true feelings for her colonel husband (Kent Taylor, soon to be demoted to Captain and become one of the three Rough Riders for one season of TV) who stands fully exposed in front of a window even between shots. This leads to the worst scene in the movie as Johnson and Larry Chance (Victorio, who actually died in Mexico) fight it out forever while Taylor stands with drawn gun refusing to pull the trigger and end our misery.As for the noisy arrows in the summary... I don't know where these Indians got their bows but they need to buy some silencers for them as the noise they make when they release their arrows would alert a sentry miles distant. Except for the novelty of seeing Johnson headline a movie and maybe the eye candy of Ms. Hingert, there's nothing to recommend this film. Most Audie Murphy 1950s Westerns are more fun so if given a choice, Murphy is the way to go.

The west started to grow up in the Fifties and Fort Bowie was not the kind of film that would have been a Saturday matinée feature for the Gene and Roy crowd a decade earlier. It deals with sexual attention and suggested infidelity stuff that was not covered by those Republic cowboys in this United Artists release.A pair of biblical stories served as plot devices for Fort Bowie. Jan Harrison is the bored wife of commander Kent Taylor and one day in a fit of pique like Potiphar's wife after Ben Johnson rejects her advances says that she and Johnson got it on. Taylor reacts like King David and sends Johnson on a Uriah the Hittite like mission to try and talk to Larry Chance as Vittorio leader of the Apaches to surrender peacefully.Quite understandably Vittorio is in no mood to talk peace with any white men. An eager for promotion officer played by J. Ian Douglas massacred a bunch of Apaches who came in under a flag of truce. By sheer luck and rescue from an unexpected source Johnson escapes.The climax of the film is a slam bang see saw battle for Fort Bowie is the highlight of the film and western fans who crave action will have no cause for complaint.Color might have added something, but Fort Bowie is a western fans dream.

At a cavalry outpost, the colonel (Taylor) dispatches a captain (Johnson) on a suicide mission among the Apaches because of rivalry over his wife's (Harrison) affections.The colonel loves wife Allison, but she loves the captain, I think. And, the captain loves her, at least some of the time. However, the rest of the time, he loves Chanzana, but Chanzana is half Apache, and I think she loves Apache leader Victorio. Oh well, I may be wrong about all this, but then the script can't seem to make up its mind either. So maybe you can sort it out.Good thing there's lots of action to interrupt this frontier soap opera. In fact I don't know when I've heard more shooting. Seems like somebody's always wiping out somebody else. Boy, was I surprised when the major shoots all the Indians carrying that white flag of truce. Pretty rotten thing for our guys to do, which sets off all the shooting because now the Apaches want revenge.But then it seems like the Indians like roasting our guys over an upside-down spit. That's pretty rotten too and not in any multi-cultural handbook I know of. Then too, that part reminds me of another good Apache movie, Ulzana's Raid (1971), where the Apaches also practice some strange culinary arts. Even stranger, however, is when the Indians defend the fort against attacking cavalry (I love that wagon-ramp trick). Now where has any Western fan seen that upside-down world before.Anyway, it's an okay Western with some interesting sidelights and the great Ben Johnson. I'm just wondering why they went all the way to scenic Kanab, Utah to film, and then didn't didn't do it in Technicolor. Then again, maybe they spent their budget on all the big shoot- outs. But-- bottom line-- if you can untangle the big who-loves-whom puzzle in this movie, I'm sure there's a place for you at People magazine. Otherwise, you might want to catch up with this cowboys-and-Indians on an especially slow night.

When a ruthless and bloodthirsty major slaughters a band of Apaches who have come with a white flag looking to surrender, the U.S. army finds itself in an all out war with Apaches under Victorio, who has left the reservation. The commander of Fort Bowie, Col. Garrett, finds his job to contain the hostiles complicated after his wife, unhappy in her situation, makes false allegations of improper advances against Captain Thompson. The colonel then decides to send the captain on a suicide mission, to find and order Victorio back to the reservation.Very much a "B" western, with script and acting to match, it features the always entertaining Ben Johnson in a rare leading role. His horsemanship is very much on display, at one point jumping his horse over the walls of Fort Bowie to get at the Apaches, who have overrun the fort. Beautiful Jana Davi also graces the screen as the half Mexican, half Apache Chanzana, one of Victorio's former wives. She has her heart set on landing Captain Thompson, but he is distracted by Alison Garrett, thinking her an ideal army wife.Though "Fort Bowie" will never be mistaken for one of John Ford's western classics, there is plenty of action to satisfy most fans of the genre.