Following Sean
Following Sean
| 05 May 2006 (USA)
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Filmmaker Ralph Arlyck first met Sean while living as a graduate student in Haight Ashbury at the height of the 1960s. The city was awash with the trappings of America’s cultural revolution-the San Francisco State University campus flooded with cops in riot gear, the Haight filled with drifters and idealists, and, on the third floor of Arlyck’s building, a come-one-come-all crashpad apartment. It was from this top floor commune that the precocious 4-year-old Sean would occasionally wander downstairs to visit and talk-and one day Arlyck turned on his camera. Sean’s casual commentary on everything from smoking pot to living with speed freaks was delivered in simple sincerity throughout the soon-to-be famous 15-minute film. This First Child of the notorious decade may have shaken the audience with his simple sentence- “Sure, I smoke pot”-but it was his barefoot impishness which would encapsulate the hope that lay in front of the nation: a promise of infinite possibility.

Reviews
dlatreset

This was a good film with some major flaws. I was drawn to the film because of its purported primary subject, depicted on the cover - Sean. I read the back-story, which serves as the premise for the new film, and assumed we'd be delving into the life of this compelling character.While there were many satisfying tidbits throughout, we aren't introduced to 'modern-day' Sean until we're more than 20 minutes into the movie. This should serve as an indication of the film's primary flaw. Bottom line: For a film entitled, "Following Sean," we're not really given much time with the title character. We're left guessing about his true thoughts about his hippie upbringing, his parents' decision to allow him to experience said hippie culture unabated at such a young age, and many of the details of his adolescent years and early adulthood. We're given only fleeting glimpses of his parents, both in 1969 and 2005.What the film fails to acknowledge is the basis for its own appeal - we're drawn in by that little child who is obviously in need of adequate parenting. What were his parents thinking? Why would they allow him to be filmed making references to using drugs at four years old? What sort of backlash did the film's release cause for them? Did it contribute to the breakup of their marriage? Do they wish they had done things differently? I never got the sense that the filmmaker got close enough to his subjects to truly answer any of these questions. Instead, we're given updates on Arlyck's life since the original film's release - almost in slideshow form at some points. It felt, at times, like getting a family update letter that had arrived at the wrong address. You take it all in on a curious level, while all the while realizing it wasn't really meant for your eyes.We're also not given enough of the 15 minute original short. If we had known our subject, his parents, and even the filmmaker a little better, we could have invested in the updates on a deeper level.That said, the film is nicely shot, and contains a great soundtrack. Its strongest suit is its title character. I only wish we'd gotten to know him a little better.

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MartinHafer

Back in 1969, Ralph Arlyck made a small film about a neighbor boy named Sean. At the time, the film gained some notoriety and audiences were curious what would one day happen to this boy since he grew up in a Haight-Ashbury home with practically no structure or guidance. At four, he was walking the streets, taking pot and being his own boss.FOLLOWING SEAN is ostensibly a follow-up film in which Arlyck re-establishes contact with Sean and follows him in his adult years. However, Arlyck never really maintains this clear focus--often diverging into interviews and visits with Sean's extended family as well as Arlyck's. Because of this, the film seems, at times, less of a documentary or attempt to show cause and effect and more a long string of home movies strung together. This isn't all bad, as you do really get to know and care about the characters. However, if your goal is to really make a definitive statement on how these 60s "do as you please" morals affected them in later years, this isn't quite so clear--though there is a pattern, to a degree, of failed relationships--though this, unfortunately, would also mirror recent trends on marriage overall. So you are left wondering just how good or bad this odd childhood was long term--and the film kept me wondering. I did enjoy it--I'm just not sure what it all meant in regard to Sean, but it did have a lot to say about the tenuousness of relationships in general.

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ronzo13

At first I found it a bit predictable,style wise, sixties home movies ,hippies,the Haight, Sean as a little boy talking to the camera ,all cool,your basic documentary type film,I wasn't really that interested in meeting Sean,as an adult, there are so many other things going on. Really , before I knew it, I was well caught up into Sean,his family ,the film makers family and their intense ,admirable lives all around. There are some very poignant scenes that brought tears to my eyes,Sean and his Fathers relationship particularly. Sean is a great guy,kind of hard to read, maybe mixed up maybe not,Mr Arlyck has done an amazing ,deft job of pulling the viewer into this tale.My favorite type of film experience,right here.

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raphaelrajendra

I know we tend to rate most highly those movies we've seen most recently, but I cannot recommend _Following Sean_ too highly. Engaging, funny, brilliant, simultaneously comforting and uncomfortable, and observant, the movie asks us to confront our own lives' narratives; received wisdom about the 1960s and more recent American history; the meaning of adulthood, and a thousand other things. It made me think in a way films rarely can -- the way books more often can -- but couldn't possibly give me a headache. And as for technical elements, the editing and narration are perfect, and the granular texture of the film itself complements that of the families' stories. I actually loved _Following Sean_, and came to IMDb to look for information about whether it will ever be released as a DVD. (The message board says it'll be released as a DVD in Oct. 2006.) I rarely buy movies, but I'll buy this one.

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