A rather trashy early account of the Vietnam War when it was the French still fighting it is Five Gates To Hell. It's as if someone got all those yellow peril warnings out to create this film.If you believe this the Vietminh were really interested in our women folk for sex. Well proportioned females weren't all that prevalent among their own women.Neville Brand plays a Vietminh guerrilla leader who kidnaps a hospital staff to treat a local Vietminh leader, doctors and nurses. The patient dies and the hospital staff effects an escape, the doctors die but the women wind up defending French colonialism and the virtue of white womanhood with the exception of nurse Nobu McCarthy.A number of reviewers have already commented on Nancy Kulp, better known as Ms. Jane Hathaway of the Beverly Hillbillies lobbing handgrenades like she Nolan Ryan on the pitcher's mound.As if this oriental depravity isn't enough these people are even raping nuns among the nurses.Pure unadulterated trash.

So what do you have to "get over" to like this movie? The fact that standing sets and one American are used to be Vietnam. Those are small faults in a tightly put together potential exploitation film that instead manages to actually be dramatic and yes it's nasty in a war that's realistic to war in general and Vietnam in particular.Due to a fast pace and tight dialogue this one won me over very quickly. It's well acted and there are things you won't see coming. The faith elements--both of the nuns and the doctors--are changed and broken realistically.Unlike other Vietnam films--those made while the war was still being fought--this one presents the war in a way that time has supported, not torn down. There is no flag waving here. Also given good context and excitement to it all is a good musical score by Paul Dunlap.James Clavell--as he proved with his novel turned movie KING RAT and with his later last film as director, THE LAST VALLEY, doesn't shy away from rape and death and nastiness in war but manages to make it about characters and drama not cheap exploitation. Which isn't to say that fans of just that wouldn't find this enjoyable and maybe even a little bit educational as well.It's a good movie with limited production values--but makes the most of itself.

I first saw it very early (about 1970), and didn't see it again (as far as I know) until just a few years ago, but somehow the general idea of it always stayed with me. There have been many movies, I think, about women guerrilla fighters, but as far as I know, they usually do it for patriotic reasons. These women were doing it partly to stay alive and partly to get even, which gave it a different "feel", along with the fact that they were NURSES turned guerrilla fighters. Because of this, in the back of my mind, I always think of it as an exploitation film (the kind about "girl gangs" and so on). Which are fine with me, but it isn't one. It also isn't a "yellow peril" story, or really any kind of propaganda film (for France or any other country being in Vietnam). And where else can you see Nancy Kulp (Miss Hathaway) holding a hand grenade? (Unless maybe in some broad comedy routine.) And in how many other films (until a few years later) would you see a nun firing a machine gun? (Even though she did it very briefly.) And I know that people either laugh or get mad when they see an Asian (or in this case Eurasian) character played by a Western actor, but Neville Brand was very good in the part (again, he wasn't a "yellow peril" villain and nothing else). It isn't a perfect movie, but I think it mainly works.

I believe Clavell was a great historical novelist, and when he tried out the silver screen, with all its limitations, he maintained his integrity. The sheer quality of this flick shines through. It's set in Vietnam in 1950, and, as usual, if it's Eastern society, he can teach it.