So we all know Clint for his westerns, but you should also know him for his political thrillers. 'Firefox' was one of his first political thrillers in the midst of some tough cop/crime action flicks and stupid crap involving an orangutan. Naturally it was based on a novel of the same name which I've never heard of or read, so I am unable to compare the two.The plot: Put simply, Major Mitchell Gant (Clint) is a Nam veteran who can fly anything and can also speak Russian (thanks to his Russian mother). He is brought back into action on a joint Anglo-American mission to steal a highly advanced Russian jet fighter (code name Firefox) which can hit mach 6, is invisible to radar, and can fire missiles controlled by the pilots mind. He is dropped into Russia undercover. He must reach and secure the jet fighter with the help of Russian dissidents. However, the KGB are aware of his presence and are hot on his heels. Yep, its a fictional cold war thriller.The film is kinda split into two halves really, the first part follows Gant as he enters the Soviet Union, meets up with Soviet dissidents, and moves from place to place trying to stay one step ahead of the KGB. The second part follows Gant piloting the Firefox jet as he tries to evade Russian attempts to bring him down whilst trying to flee Russian airspace.For the most part the first half of the film in Russia is slow moving but with solid tension. The film wasn't actually shot in Russia due to actual American-Russian cold war unease so Austria stood in for locations. This is made abundantly clear in a shot showing Gant walking past Red Square in Moscow; its a horrendously obvious and amusing bluescreen shot. It is also kinda amusing watching Clint in this role because if anyone stood out from the crowd as a possible US spy in Moscow, it would be Gant. The man is clearly on the ropes every time he speaks to an official. He's twitchy, sweating, his eyes are darting about the place, he just looks worried. Its so stupid how no Russian official ever pulls him in for further questioning.I can't deny it is quite exciting to watch Gant evade the KGB one scene after another. The sequence where Gant is trying to leave a subway station quickly before a killed guard is discovered is very good. The Russian dissidents were slightly over the top though I thought, a bit too gruff and merciless, but well acted. They also came across as too obvious for my liking, basically everyone looks so damn guilty in this film. At times it did feel like you were watching a film set in Nazi Germany, but I'm assuming its relatively accurate for the period. Seems very odd that people had to show their ID papers constantly, almost everywhere, but hey it was effective.I do think the film would have been even more effective if all Russian characters had spoken in Russian with English subs, ditto for the Americans. Although listening to Clint speak Russian did sound rather off, an understandably difficult task. I'm still not entirely sure if Gant was supposed to be talking Russian (when speaking English) when communicating with various Russian dissidents at certain points in the film. Don't think so but its possible.The second half of the movie sees Gant stealing the Firefox jet from within a Bond-esque Russian military base complete with white coat scientists who get brutally gunned down after exposing themselves as dissidents. The whole sequence isn't quite as thrilling as Bond but instead quite dark and sobering. The jet itself is a very impressive full scale model which looks a bit like the Lockheed Blackbird aircraft. Whilst the air suit Gant wears is a very cool sexy and futuristic all black affair with slick helmet and visor. All the interior cockpit shots and sequences do look very authentic and of course very cool. The constant light and cloud reflections zipping off Gant's visor (along with the cockpit interior) does sell the illusion perfectly.The exterior sequences for the aircraft (and dogfight sequence) were filmed using a new technique from John Dykstra called 'reverse bluescreen'. This essentially enabled the shiny black model aircraft to appear to be flying against clear blue skies and glimmering white snow without bluescreen leakage on the model. This does work but naturally things have moved on somewhat since 1982 so by today's standards it still all looks a bit hokey. Some shots do look good, the flyby effect on land and sea is quite nice as the jet zooms overhead. The odd model shot does look pretty sweet but in all honesty a lot of it looks very fake. The more elaborate the aerial manoeuvre, the more fake looking unfortunately.All in all this is definitely a movie of two halves (have I mentioned that?). The first half is a far more serious affair of infiltration and espionage. Its dark tense and engaging despite how simplistic it all is. On the other hand the second half becomes much more of an action movie with a more jingoistic vibe. Eastwood certainly seems to feel more at home when in the cockpit of an ultra cool armoured killing machine being an all American action hero (who somehow forgets about rear firing missiles despite being the best of the best). Yes in all honesty Eastwood probably wasn't the best choice for the main role here (I know he gave himself the role). He's as wooden as a very wrinkled narrow piece of wood and is clearly outdone by his Russian dissident costar (Warren Clarke), and pretty much all of the Russian military cast.A good solid reliable Eastwood film which ironically would probably have been much better if Eastwood wasn't in the leading role. He is easily the weakest element in his own movie.6.5/10

I saw this film when it originally came out in the theaters...well over 30 years ago. I'd enjoyed it, but times have changed, I have changed and technology has changed...so do I still think it's a decent movie? Well, surprisingly, yes...it still is pretty good.The film is a real change of pace for Clint Eastwood. In this one, he plays a Vietnam War fighter pilot who is called out of reserves to help his country. They need an excellent pilot who can think in Russian to go into the USSR for a covert operation....to steal the Firefox fighter jet!! Why is it that important? Well, because they plane can apparently do about mach 6 AND it has a new neural interface...and it's much more advanced than American fighters. Much of the film consists of the mission getting into the Soviet Union and then to the plane. To me, this was the most interesting part. Then, the final third or so of the film is flying the plane home...and avoiding all the missiles and the other Firefox fighter. This was amazingly made for 1982 but does look a bit dated today. You can't blame anyone for this...CGI technology just has improved tremendously since then. Overall, it's an exciting film and one that is far deeper and more interesting than a standard Eastwood shoot 'em up picture. Worth seeing.By the way, although the film is mostly extremely well made, in the first of many (too many) flashback scenes, Eastwood's Phantom II jet turns into a Thunderchief fighter-bomber. This was a pretty sloppy use of stock footage.

I saw this at the movies in 1982 (I was 7 yrs old) and remember being exhilarated. I still think it's a good film (although biased due to nostalgia). But passing himself off as a Russian officer with an American accent is silly; Mitchell Gant (Clint Eastwood) knows Russian (evidenced by him activating the Firefox's weapons)...it would've been better if the Russian characters when speaking among themselves spoke Russian (with English subtitles). And the music could've been better (I don't like Maurice Jarre - admittedly I haven't heard all his music). Someone else's IMDb review criticized the special effects but I think they're okay. Firefox is well edited and nicely structured; it's got violence, suspense, aerial combat, cold war intrigue; a psychologically wounded protagonist, explosions, a cool underground train station, an awesome plane (or two); helicopters, a submarine, a battle ship and war rooms. It's like the James Bond film Octopussy (without sexuality) crossed with The Empire Strikes Back's air-to-air combat scenes on the planet Hoth. Is that good or bad? Let's just say that Firefox is a memorable film.

The American's have a problem – the Russians are beating them once again, and that is embarrassing, because totalitarianism isn't supposed to work, where as democracy does. They have a plane that is much better than any of the planes they have, which means that if they decide to duke it out, the might lose – we can't have that can we. So, we do what everybody spoilt brat does when the kid he doesn't like gets something that they want – they get Clint Eastwood to go and steal it.But Clint Eastwood is, well, Clint Eastwood, and he also suffers from Post Traumatic Stress disorder because he was locked up in a bamboo cage in Vietnam. That doesn't matter because he can speak Russian, and he can fly a plane, so he is the perfect person to go an steal this particular plane.So, the first half of the movie Clint wonders around Russia trying not the be Clint (because if he does everybody will know that he is American) but he fails in that attempt because he has to beat up a KGB agent (old habits die hard, don't they Clint), but still, the KGB can't be all that bright because they decide to let Clint go (because, well, he's Clint) and then he manages to disguise himself as a Russian Major, sneak into a heavily guarded airbase, punch out another person (but this time he doesn't kill him because he has an attack of compassion), and steals the plane.So we have the second half of the movie – Clint flying a plane. And he flies the plane, and then flies the plane some more, and then lands the plane in a place where he shouldn't have been able to land the plane, but he can because he is Clint, and then he takes off again, and flies the plane some more, and then the movie ends. Oh, there is a dog fight thrown in for good measure, but that is nothing, because Clint is flying a plane.