One review said "all style and no substance". I used the same words with my friend only 3 minutes before. Not a coincidence. This is the biggest rip-off(or pointless homage at least) of Blue Velvet(and Twin Peaks) ever created. Which really enrages me cause David Lynch is my favorite director. The acting in this is atrocious. Some of you will be allured by the indie style it's shot or the quirky/dark subject matter and I suppose you'd like David Lynch too. Or perhaps you just dig the shock value of this type of movie. I hope you see one of his films and see how it takes more than just bizarre imagery to make something brilliant. What he does is brilliant and distinctly him. Yea i know maybe i didn't do my research, it could be an homage which is a sweet gesture. Regardless, this movie is clowshoes drizzled in failsauce.

Encountered this one tonight (11/5/06) for the first time. Wow! This isn't easy material. It appears the filmmakers try to help by developing characters beyond what's necessary, but even at that, many won't think they can relate. The in-your-face result is interesting. It could well mimic how it feels in real life, where the action doesn't relent just because you've gotten the point.The cinematography is gripping, but can't possibly exceed the story(s). The film's value is in the validation it provides those who are aware they've lived through it. Not literally, necessarily: just being around these characters, you pick it up.In reality, fate isn't easy on anyone. For those who know it, this is a must see.

This film had an enormous amount of potential as a drama/murder mystery, but the two ends do not meet. Firecraker would easily leave any viewer asking what the point of this film was, and I don't blame them. It asks far too much of the viewer for interpretation, and quite frankly it doesn't seem intentional.I really enjoyed some parts of Firecracker. There were moments that were truly gripping and sent chills down my spine. But most of that was counteracted by incredibly poor acting. Don't get me wrong - Jak Kendall was brilliant, and Mike Patton was as vibrant as his music (perhaps too much). Yet others like Karen Black and Amy Kelly are almost laughable at points. I can only blame it on amateurish direction, and it's a shame, because these people can do better.Despite that, there's a lot to appreciate here. The editing, cinematography and colors of the film are brilliant and beautiful. Yet the story, while gripping at its core, is presented in such a hollow form that the whole package really falls flat.I would regretfully not recommend this film to anyone. It is at more time painful to watch than captivating. And that is truly unfortunate. This story should definitely be re-visited with better direction. The art of this film and good storytelling could co-exist to create something truly brilliant - but this is not it.And upon further review, I think it is worth noting that almost all 10/10 reviews on this film are from accounts that were made solely to put a positive face on this movie and were probably done by those involved with the movie. If you don't believe me, click on their accounts and you will see that this is the only film they've reviewed.

"Firecracker" is a film that I can't stop thinking about. Maybe I'm over analyzing it. The film is based on true events of a murder that took place in Kansas in the early 1960's. Jimmy is a shy and sensitive musician who is constantly abused by his older alcoholic brother and misunderstood by his religious fanatic mother. He meets a carnival singer, Sandra who also faces sexual abuse by Frank,the leader of the carnival freak show. After Jimmy commits a murder, which is more of an act of self defense; he dreams of running away to join the carnival with Sandra. Jimmy's world is filmed in black and white and Sandra's in eye-popping "Wizard of Oz" like color. Actress Karen Black gives an amazing performance as both Sandra and Jimmy's mom. Mike Patton of the band "Faith no More" plays both Jimmy's abusive brother David and the villainous carnival leader. Since Mike Patton plays the abuser in both roles, Jimmy and Sandra's lives are a mirror reflection of each other. Both Jimmy and Sandra dream of escaping their own personal prison. Jimmy dreams of the carnival and Sandra dreams of regular society. There is no escape for either of them, since both environments are as equally cruel. They feel trapped, and their lives seem to be a metaphor for sexual abuse.Some parts of the film are left unexplained. Example is the mysterious schizophrenic girl who lives under a tree with glass bottles that hang from the branches. She seems to be a psychic in some manners. I've never seen a bottle tree in an American film before, it looks like something straight out of a Czech film or Easter European magic realist drama. Although some very small flaws, the film still works as a bleak and haunting surrealist portrait of middle America, Not to mention all the cool circus freaks like "the Enigma", with his body covered in blue tattooed puzzle pieces. This is definitely not a film for everyone, but for those who enjoy bizarre and challenging directors like David Lynch, Todd Solondz, Fellini and Jodorowsky. Even if you can't get into the sad story, it's still visually breathtaking. Just don't forget to have a box of tissues ready for this film to help soak up all the tears. I'm still haunted by the films strong and sometimes disturbing imagery.