Richard Young plays as Vince Deacon, a much honoured veteran of the Vietnam War, and subsequently a supervisor of a Los Angeles Police Department (L.A.P.D.) SWAT team. Action opens in 1972 with Vince in a combat situation crammed with slaughter deep inside of a Laotian jungle (performed by a Philippine jungle) where a former Army comrade, Slater (John Dresden) has turned traitor, thereby siding with the Viet Cong. Deacon naturally finds such apostasy to be unacceptable and, going on a rampage, thrashes Slater to a pulp. With the war past, the film's locale shifts to another form of violence-filled civilisation, in Los Angeles, where Deacon, married and having had a son, does his fighting to the service of the L.A.P.D. Slater, discovering Deacon's whereabouts through television news reporting, arranges for thugs to attack Vince's wife and child in their home. Deacon frustrates this felonious attempt, in the process killing one of the intruders. Although quite possibly the only person in the world who would not be supportive of Vince's resolute defence of his family, Deacon's supervisor, in expected Hollywoodian fashion, demands to be given the hero's badge, while suspending him from active duty, thereby allowing the Deacons to immediately take a much-needed vacation. A weekend of camping is planned in a somewhat bucolic forested region, this seeming to be just what is needed to lift Vince's spirits, but Slater has not been dissuaded by the failure of his henchmen, and renews his assault against Deacon's wife and son. A mania for revenge then possesses the former Green Beret. He soon discovers that he must confront not only the treacherous Slater, but also the latter's rural sheriff brother, an assemblage of imbecilic rednecks, and even the National Guard, all of whom must be vanquished before he may be declared the winner of what has become a brutal contest of wills. It may not be surprising if a viewer decides that much of this action seems familiar, since a good deal of the narrative is derivative from films of a similar forgettable nature, notably, and virtually scene for scene identical with, the initial "Rambo" movie: FIRST BLOOD, that was completed two years prior to this thing, but with a much larger budget. As Deacon avenges himself upon his sundry tormentors, it becomes increasingly obvious that due attention has not been paid by the production team to the film's dialogue as to its action sequences. Yet after all, this is a stuntman's picture, explosives specialists following close behind in importance, each within a pre-CGI environment, and even though the work offers essentially only an assault upon a viewer's sensibilities, this has an advantage of eliminating any need for a decision as to whether or not it will be watched more than once.

"Armed with an MG-82---It will take an Army to stop him!" Who can resist another story about a guy who comes back from Vietnam and gets revenge on some bad guys? NOT US! "Final Mission" is trying to ride the coattails of the contemporary classic "First Blood". There are many similarities but "Mission" has its own charm.Vince Deacon (Young) is fighting in the jungle of Laos. It turns out his former buddy Slater, is a traitor working with the VC. After an unnecessary but surprisingly welcome decapitation, we are brought into present day L.A., where Deacon is a tough guy working for the LAPD SWAT team. He breaks up a kidnapping dispatching "Ogre" with ease. He gets suspended for excessive force by classic Irish Captain, Captain O'Riley.Deacon goes on a vacation with his wife and son (who has a bowl haircut) to Pinesville, a rural fishing area. The family is cavorting around and having a grand ole time, then tragedy strikes. A boat explosion kills Deacon's wife and son. Now Deacon is roaring through the small town and trying to get answers and bloody revenge. The sheriff in Pinesville, who resembles Bocephus-era Hank Williams Jr. is a corrupt yokel and his deputy "Moose" is no better. Slater lives on a ranch in town and the local police which may or may not include his brother are all against Vince. But Vince has two tricks up his sleeve, one is his partner Isaac who comes to his aid and the other is breaks into a weapon store and steals a gigantic machine gun. Which is apparently called an MG-82. Most small town gun stores have an MG-82 and unlimited ammo right behind the glass.What ensues is a barrage of gun-shooting, grenade-throwing violent assault and it goes so out of hand the Army has to step in to stop one man. It's the actual army vs. the steadily-going-insane one man army. Luckily, Vince is the woods just like in "First Blood". Will the war ever be over for Deacon? Find out today! One of the best parts of the movie is the theme song to "Final Mission" called "Always on my mind" by Steve Butler. Not to be confused with the Willie Nelson song of the same name. This is a rockin' tune in the A.O.R. vein of Foreigner and Rainbow. The filmmakers know they have a hit song on their hands because they play it at least four times.Accept this "Mission" and watch this classic tonight! Comeuppance Review by: Ty & Brett For more insanity, check out: comeuppancereviews.com

Of all the "First Blood" ripoffs that hit the screen in the eighties this filipino-made movie is clearly one of the better ones. Acting is pretty lousy (with the notable exception of Kaz Garas as the sheriff) but the movie has its good moments.

I bought this movie for .99 cents at a video store, and to tell you the truth, it wasn't even worth that. It's low budget with bad editing and is a total rip-off of Sylvester Stallone's "First Blood". Don't bother, rent the "Rambo" movies instead!