A very artistically playfully free film with the use of stop motion which must take a hell of a lot of work. This film is full of alchemical humour with the use of marionettes and what not. This film gave me that nostalgia to visit Prague again. This film is not exactly scary but tremendously haunting and is bound to remain imprinted in your mind. It is so dreamlike that to some it can be pretty disturbing. I think that this film is bursting with magic. Svankmajer is profoundly imaginative and consistent in his creativity, his work is pretty astounding. Here he plays around with the myth of Dr Faustus with the use of very diabolical life size marionettes and demons from hell who offer our main Czech actor all that he could possibly want in return for his soul. This is shockingly unique stuff.

Jan Svankmajer's telling of the German folk tale "Faust" is--like his rendition of "Alice in Wonderland" (simply titled "Alice")--a refreshingly surreal treat of a film. It's confusing, disconcerting, and grotesquely tongue-in-cheek (the Jester character is at once obnoxious, amusing, and creepy). The plot plays out like a Greek Tragedy, with the ill-fated Faust (Petr Cepek) wheeling and dealing with the Devil and his minions, manipulating Old Scratch until finally succumbing to a seduction that results in his demise. The intricacies of story are thrown at the viewer in a consistent flurry, to the point where it's best NOT to try to piece it all together. Throughout my viewing, favorable comparisons to Homer's "Odyssey," David Lynch's "Eraserhead," and the early short films of Roman Polanski were crossing my mind. While the English dubbing is atrocious and Svankmajer sometimes lets the film lull too far into a dream-like state (to the point where I had to take a brief nap halfway through), that shouldn't inhibit you from seeing "Faust."

Jan Svankajer's feature film follow up to his masterpiece Alice is a rather free interpretation of the classic and often referenced tale of Faust. Like in 'Alice', Svankmajer approaches the story in a unique and original fashion, both conceptually and visually - as usual, he mixes various genres and art forms, combining live actors, puppetry and claymotion. Faust is sometimes an ordinary man playing the role of Faust, sometimes a puppet and sometimes Faust himself. The film shows Svankmajer's brilliant creativity and imagination, and his fantastic and unique stop-motion technique, at their best; even though I find it only slightly inferior to 'Alice' (the overdubbed voices are again annoying, but much better than on 'Alice'). It has a wonderful surreal and dark atmosphere, some brilliant character designs and even a couple of scenes that are quite entertaining (like the old man who collects legs). I adore the way Mephistopheles turns himself into a clay mirror of Faust himself, the head-changing puppet which is both devil and angel, and the delicate transformation of Faust turning from man to puppet and back. If for nothing else, then for the visual side by itself Faust is well worth seeing. If you're a fan of Svankmajer, or are interested in classic animation and puppetry, buy Faust now.

"Faust" is a wonderful blend of real-time and stop-motion storytelling by a master of the surreal. An apparently ordinary everyman is led by curiosity into a dilapidated building which turns out to be a strange blend of alchemical laboratory, theater, and puppeteer's workshop. Suddenly, the man finds himself becoming the legendary Dr. Faust, selling his soul to the devil in exchange for magical powers.Jan Svankmajer is the true sorcerer here. He blends stage sets with real locations and seven-foot puppets with live actors, making magic of it all.The film has been dubbed for English audiences, but there has perhaps never been a less obtrusive film dub. The voice performances are excellent and actually add to the surreal quality of the film.