There has been numerous stage and film adaptations of Goethe's tragedy Faust, where the eponymous hero sells his soul to the Devil in exchange for the Devil serving Faust during his time on the Earth, as long as upon death, Faust will serve him in return in Hell. F.W. Murnau's 1926's Faust is probably the most acclaimed film adaptation, whilst Istvan Szabo's 1981 masterpiece Mephisto transformed the setting of the play to WWII-era Germany. I would imagine that there has never been such an imaginative and unpredictable interpretation than animator Jan Svankmajer's 1994 effort. Combining live-action, stop motion animation, and puppetry, the Czech's various talents come together to make a surreal, and brilliant, piece of art.The film begins as Faust (Petr Capek) finds a map on a train that leads him to an abandoned theatre. When there, he accidentally creates a clay baby that develops quickly from a foetus into a fully formed baby. It quickly starts shifting its face into adults, as the Devil starts to attempt communication with Faust. He destroys the baby, and ends up unwillingly on a stage, in costume, accompanied by large wooden puppets who act as the supporting characters. The play and reality start to blend together, as even when our hero pops outside for a cigarette, the puppets follow dressed in human's clothes. The play/story goes on, as Faust plays with his new powers, and is frequently influenced by the Devil.It's quite hard to write a formal review about a film that had its impact on me a couple of hours after the credits have rolled, and some scenes where I genuinely did not know what was happening. It plays out like a sort of medieval Punch and Judy show, with some strangely creepy characters. It's undoubtedly quite childish and playful, but at the same time it is dark and complex, and more than anything else, frequently surreal.In my favourite scene, the Fool character who is reading Faust's textbook discovers that he can the Devil whenever he likes and dismiss him just as quickly. When dismissed, the Devil quickly legs it out the door, dressing himself up in an overcoat and hat and passing the smoking Faust in the street. As he is called back, he is forced to shed the clothes and rush back to the stage to make a explosive entrance. He goes back and forth for about 5 minutes. I couldn't help but laugh at the sheer absurdness of it all.While quite not as stunning as Alice (his Alice In Wonderland adaptation), Faust does constantly surprise, entertain, and bewilder.www.the-wrath-of-blog.blogspot.com

i watched this movie and it took quite a long time before i understood what was going on.this movie definitely is a very different movie and i only continued to watch for the experience of the movie.it is very creative though. like the use of claymation,stop-motion and life sized puppets for some of the characters. these creative ideas and the movie's massive "what the?" factor about it is probably why i gave it a 6 out of 10.i would recommend this movie more for the cultural experience of different movies but thats all i can really give it.

Jan Svankmajer(Alice/Conspirators Of Pleasure), who I've been watching a lot of, as of late, has a story that incorporates elements of the Faust play, book, and folk tales, in a unique stop animation/claymation/ and puppetry driven surrealist film. A man receives a map on a subway from a stranger follows it to strange theater, housing life size puppets manipulated by always out of sight puppeteers(only their hands are visible), where he sells his soul to Lucifer, making himself Lucifer's servant until death, and is unmade by his hubris. It's edited much better than Alice was, and is immediately rewarded for it, its much faster and has less boring bits. It's a lot funnier and more horrific, as well. A good addition for Svankmajor fans.

"Faust" is a wonderful blend of real-time and stop-motion storytelling by a master of the surreal. An apparently ordinary everyman is led by curiosity into a dilapidated building which turns out to be a strange blend of alchemical laboratory, theater, and puppeteer's workshop. Suddenly, the man finds himself becoming the legendary Dr. Faust, selling his soul to the devil in exchange for magical powers.Jan Svankmajer is the true sorcerer here. He blends stage sets with real locations and seven-foot puppets with live actors, making magic of it all.The film has been dubbed for English audiences, but there has perhaps never been a less obtrusive film dub. The voice performances are excellent and actually add to the surreal quality of the film.