This TV movie is well worth watching especially if you are a disaster movie fan. The movie shows events from several points of view (a nurse, soldier, politician, a family and a pandemic expert) and builds on most of the characters quite well.The acting is acceptable as is how the story flows, the ending is clearly left that way to allow for a follow-up TV series which obviously did not go ahead, so does have a feeling of wanting it to continue to conclusion but the movie does progress far enough to make this a stand alone story.Certainly thought provoking and one of the more believable and credible potential disasters that could occur.

Once again the disaster-movie format is given the TV movie treatment, this time in the form of a thriller about a deadly virus spreading across the world. Think OUTBREAK, except done on a low budget and without much skill.The problem with Fatal Contact: Bird Flu in America is the usual problem that television movies face: there's not one jot of originality to be found anywhere in the production. The whole look and feel of the movie is predictable, with tired actors saying their tired lines half-heartedly and with the minimum of effort. Disaster films should be all about the panic, but this one's frankly dull.As usual, there's a certain frank appeal in seeing which actors are slumming it in which production, and this one features a couple. Stacy Keach manages to come away unscathed as he's in a relatively minor supporting role, but what happened to Joely Richardson? She must have been desperate to sign up for this.Genre fans expecting the worst may find this mildly entertaining at times - there's a certain verve, inherited from E.R., to the medical scenes - but you'll need to be in a forgiving mood to really enjoy it.

Films like "The Day After" and "The Towering Inferno," bring to life people's fears of death and destruction... As ABC News Correspondent Brian Rooney explains, the latest incarnation of disaster flick envisions a world where bird flu has reached the shores of America…Twenty million dead… Bodies in the streets… Mass graves… Looting… Hoarding... Panic across America… The killer avian virus hits this country and what happens here is beyond imagination… That's according to tonight's ABC made-for-TV-movie, "Fatal Contact: Bird Flu in America", a purely fictional story of what might happen if bird flu arrived on these shores… The film depicts what could happen as the virus spreads and people react to the catastrophe

Made-for-TV movies hold a dear place in my heart, for some reason I totally fail to grasp. There's just something I love about the inherent "B" quality that always seems to crop up in them. Not everybody sees it this way.I gather from reading the other comments here that many of you tuned in hoping to see a movie. This is a common misconception about TV movies. You aren't really watching a movie, you're watching a two hour long episode in a TV series you will never see the rest of.Actually, the last TV movie I saw about a pandemic disease was the multi-part adaptation of Stephen King's "The Stand," which came out embarrassingly well done. There was none of that here, but what, really, were you expecting? I have no idea how accurate the disease information in this movie is; I don't really care. The fact is that I've seen a fair amount of TV movies by ABC and CBS (none from NBC, though I hear there's one out this week) and I'd have to say that ABC makes a consistently better movie than CBS does.CBS likes to make disaster movies. I saw BOTH "Category 6" and "Category 7" on CBS, and I'm glad to say that "Fatal Contact," though cheesy, is "Citizen Kane" compared to either of these. The characters here are fairly believable, the special effects were not overplayed (TV movies always have terrible special effects, and even their regular effects aren't that hot), and I even liked the ending. I felt it was satisfactory.All told, TV movies are never that good. The case for most of them is that if they turned up in theaters, you would walk out and demand your money back. But with direct-to-TV productions everything's a little bit more freewheeling. Relax, and immerse yourselves in the the heavy-handed plots and shallow budgets of network feature films...