Fat City
Fat City
PG | 26 July 1972 (USA)
Fat City Trailers

Two men, working as professional boxers, come to blows when their careers each begin to take opposite momentum.

Reviews
Martin Bradley

One of John Huston's late masterpieces. In fact, if "Fat City" were the only John Huston film you were ever to see you would still know you were watching the work of a great director. Leonard Gardner adapted his own novel about a punch-drunk boxer hoping to make a comeback and Huston transformed it into a sad, funny elegy on the themes of loss and survival; every scene makes a point, every scene hits home.It's also magnificently acted. Stacy Keach is Tully, the boxer who's a born loser. Jeff Bridges is the younger boxer who's 'soft in the middle' and who's no more likely to make it than Tully. Nicholas Colasanto steals almost every scene he's in as their manager, sadly another loser and there's a phenomenal performance from Susan Tyrrell as the lush Keach takes up with. She was Oscar-nominated and she should have won. This is also one of the greatest boxing pictures ever made.

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PimpinAinttEasy

To the fans of Charles Bukowski, you guys might want to check out this film. Its about the boxing scene in Stockton, California - described through the lives of two boxers, their lovers and their common trainer. It is a sad film about the ups and downs (mostly downs) in the boxers lives as they grapple with all the bad luck, the women, ennui and sloth. The characters were extremely fatalistic, seemingly unable to conquer the devil inside their minds or conquering it for a short while before it starts working on them again.Sex is an important part of the film. One of the boxers, Billy Tully (Stacy Keach) cannot seem to get over his wife leaving him. A spiritually wounding affair with an alcoholic woman does not allow him to forget his wife whom he loved dearly. Even when he tries to revive his flagging boxing career, it is in the hope that he can win his wife back. The other boxer, Ernie Munger (Jeff Bridges) is deeply insecure about his new wife. Another important aspect of the film is its shabby run down small town vibe. I love American films like these with its gas stations, small town bars, long empty roads, side streets, orchards, barren fields, levees and ugly one room apartments. There is something very idyllic yet bleak about these landscapes.The wiry Stacy Keach excels in a role that was offered to none other than Marlon Brando. Jeff Bridges plays a mildly talented but ultimately bland young man without any real personality. Susan Tyrrell is brilliant as an impulsive and alcoholic woman who befriends Stacy Keach's wounded boxer. Nicholas Colasanto steals the show despite the presence of all the other great actors. His turn as a cynical but persistent trainer added so much to this film. I was thinking about some of the Charles Bukowski novels that I had read while I was watching the film. I recommend the book by Leonard Gardner too. Best Regards, Pimpin.(9/10)

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namashi_1

The Late/Great John Huston delivers a gritty, complex film with 'Fat City'. It's a deeply stirring tale about human emotions & the silences we have within. The Terrific Performances only add to its pluses.'Fat City' Synopsis: Two men, working as professional boxers, come to blows when their careers each begin to take opposite momentum.'Fat City' is unapologetically saddening & emotionally charging. Leonard Gardner's Screenplay, which is based upon his own novel, moves from being tragic to realistic. However, the slow-pace is a downer. The film unfolds in sleepy mode, luckily, the drama keeps you moving. Huston's Direction is excellent. He's captured every moment with flourish. Cinematography is top-class. Editing is the only weak link. Performance-Wise: Jeff Bridges is absolutely fantastic, delivering a great early performance. Stacy Keach is outstanding, as well. The Late Susan Tyrrel is slightly over-the-top. On the whole, 'Fat City' isn't entirely perfect, but its a worth watching film anyhow.

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elevenangrymen

Billy Tully is a broken down boxer approaching his thirtieth birthday, and one day he goes to the gym to work out, when he meets Ernie, a young boxer. He tells the boxer to go see his old manager, and he does. Then Billy goes to a bar, where he meets Oma and Earl. Oma is a loud mouth, and she is drunk. Then Billy goes home and Ernie goes to meet Ruben, Billy's old manager. Ruben sees talent in Ernie, and immediately signs him on.Meanwhile Billy, unable to hold a job, goes out to pick onions, looking for some work. After work, he heads to a bar and meets Oma. Earl has been sent to prison, and she is all alone. They talk for a while and then Billy convinces Oma to let him take her home. They start to live together, and Ernie begins losing fights. Then Billy goes to Ruben, as he has decided he is going to box again.This is an unusual film. Up until now, I've always been able to pinpoint Huston's style, maybe it isn't continuous, but usually I can identify a film as a Huston. This is an exception to the rule. When I was watching this film, I could find no link at all to Huston. The closest cousin to this film's style would be an early Scorsese. It is the grittiest of the gritty, and the whole thing sparkles with 70s grime. It feels nothing like a Huston.In the lead role, Stacey Keach must have known this was his shot, and he plays it like it. His portrait of a down on his luck boxer is intense, especially with his scenes with Susan Tyrell. Their scenes are frighteningly realistic. Keach fills his role with great gusto and life. Billy Tully feels like a real guy, and Keach doesn't make him sympathetic either. No, that job belongs to Jeff Bridges. Bridges is certainly very good, but his character seems very one note.However, his scenes with Candy Clark are well done, and he is certainly a good actor, but Ernie is really a one note guy. Nicolas Colestano as Ruben is excellent, and his manager is full of life. However, aside from Keach, the film's greatest performance comes from Susan Tyrell. She is excellent as Oma, a bundle of nerves who alienates everyone she loves, it's a great performance. Her scenes with Keach are some of the film's best.The film was written by Leonard Gardener, adapted from his own novel. The film isn't breaking any new ground with a story of a down on his luck boxer, but Gardener fills his script with enough interesting scenes to keep it from being tired. The score is good, and the opening song sets the mood nicely. Earlier I spoke about the scenes between Keach and Tyrell as being some of the films' best. That is true, but the films best scene is definitely the ending. It speaks volumes without saying much.The cinematography by Conrad Hall is very spare, shot in brown, dingy hues. It succeeds at showing a world that exists, but no one wants to admit exists. This brings me to Huston's direction. It's very interesting. As I said earlier, the film seems more like it was directed by someone else, but what does that have to say about Huston's direction? Well, for one, it shows exactly how much range Huston had as a director. To compare this to something like The African Queen seems odd, but that they were directed by the same man shows exactly how much talent he had, and how he wouldn't conform to a single genre.The film is certainly very well made, but it can be hard to watch. I don't quite know how to describe it, other than to say that it just feels too gritty and depressing. It gets hard to watch after a while, until near the end. Then there is the film's subject. It is about boxing, so there are scenes were characters box. To be fair, this isn't exactly Raging Bull, so the boxing scenes aren't outstanding. They are well shot, and because you care about the characters, you have some investment with them, but they go on for a little to long and they could have been cut.Overall, this is not a bad film at all. It's quite good actually, but it feels draining despite how excellent the performances are. If you feel like a boxing movie, this is one of the best. If you feel like a Huston, this is about how atypical it gets. If you like a good movie, you're on the right track.Fat City, 1972, Starring: Stacey Keach, Jeff Bridges and Susan Tyrell, Directed by John Huston, 7.5/10 (B+).(This is part of an ongoing project to watch and review every John Huston movie. You can read this and other reviews at http://everyjohnhustonmovie.blogspot.ca/).

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