Falling Overnight follows the story of a man, Elliot Carson, who finds love at the worst time in his life. Scheduled for brain surgery on the next day, he tries to pass the dreadful hours of waiting time by going out. What he didn't expect was that he'll meet her match a day before his possible last day here on earth. It is basically, life giving him the finger if you look at it in a mad perspective. Or it could be a sign of hope. Maybe, a reason for him to weigh on waking up after surgery.At first glance, the concept behind Falling Overnight seems familiar. A look into love limited by time. Something already established in the love story classic, Before Sunrise (1995). The setup is two strangers meeting for the first time and falling in love despite the short amount of time they spent together. What makes Falling Overnight different from the classic is not just the presence of the lead character's illness. It is the treatment to the concept that sets them apart.While Before Sunrise tries to show you how sapiosexually-inclined the two lead characters are, 'Falling' takes you to the actual emotions of the characters on screen. They're not trying to prove to the audience that you can indeed fall in love in a short span of time. The film succeeds in portraying human emotion rather than make up through conversation for the otherwise silly little concept. Don't get me wrong. I'm not hating on Before Sunrise, it has its own merits and I love the film as well. This is rather a clear cut distinction between the two great movies. Most people would probably tell themselves, "why would I want to watch another Before Sunrise?" You might miss this little cinematic gem because of that presumption.Yet another difference the film has from its predecessor is the characterization of the lead. Elliot was not the resident shy boy although it is pretty evident how he chooses to distance himself from the people around him. Maybe, if it wasn't for the illness, he'd be that friend you'd like to hang out with. It is possible that after finding out about his condition, he deliberately chose to separate himself from the rest of the world. This is more evident on the unanswered phone calls from his mates and his brief phone conversation with his mother. Apart from him and his mom, it even appears as if he never told anyone of his condition. Maybe, he didn't want people to worry about him too much. It felt like, he was prepping himself to actually leave.What makes it more interesting is that Elliot never set out to fall in love. This movie wasn't the bucket list type of picture. He had no intention of splurging it all on his possible final hours. Hell, he only wanted something to drink when they met. And when he realized what life just did to him that night, all he could do was laugh about it in his car. At first you might think, this movie is going to be a definite cryfest. While it may work for some, it might never even be the main goal. The movie had every chance to exploit the drama behind the situation but it never does. Instead, it showed the characters as people. Not a tool for drama.If you want to see a love story that feels more real than idealistic, this is the right one you're looking for. It kind of reminded me of the quality HBO's Girls had in its first season. Raw and gritty, hits close to home. It wasn't relying on smart, existential thoughts, and witty dialogue. It's pure emotion translated into film. As Parker Croft's debut as the writer/executive producer for this film, I must say he gave a very defined performance as the character he wrote. But the biggest breakthrough comes from Emilia Zoryan's performance. This was her first film yet she acts as if she's been doing it her whole life. Very natural and captivating.Falling Overnight is a raw, delicate piece that could possibly become a sleeper classic if more people see it.writelikesundance.wordpress.com

Not exactly sure how this made it into the top 10 of my Netflix queue, but my guess is that I read an article about it getting 9 awards from various film festivals.Two things I have concluded from this experience.One. When any movie's plot has the slightest possibility of belonging to the "mumblecore" genre make sure to read a few critical reviews PRIOR to watching it. If the term "mumblecore" is used in any of them stay the hell away!Two. I need to give up on movies easier. Being a huge film buff I tend to stick with a movie even when it's quite obvious in the first 15 minutes that it's absolute garbage. Somehow I keep hoping that it's going to get better. The first and last rule of "mumblecore" is that it never does.The premise of the movie is that a twenty-something super dorky looking male who was diagnosed with a potentially fatal disease meets a beautiful twenty-something woman, they fall in love and spend a day together. Sounds like it could be interesting, but what the premise doesn't include is that these two are incredibly boring people who have absolutely nothing of consequence to say to each other. They don't talk about movies, politics, college, traveling, music, families or anything else of any value. Their whole interaction consists of completely inane subjects and they seem to be too cool to even pronounce words in a comprehensible way. At one point I tried turning on the subtitles to make out what the hell they were saying, but Netflix did not have them available for this excuse of a movie (which all hearing impaired people should be thankful for).After watching it I found out that the main character was also one of the writers and producers. Now it made sense why the film was so unrealistic. It was his and every dorky man's fantasy. Just by showing up and existing he somehow got a very attractive girl to be so interested in him that she did all the work pursuing him. There isn't any point in the movie where he does ANYTHING to gain her interest (possibly with an exception of showing up at her art show). He mumbles about nothing and acts pathetic the entire time and we all know that this is the way to win the heart of a gorgeous young woman, don't we?Neither one of them displays much emotion until the end and overall the film, which was shooting for sympathy, made me want his fatal decease to be infectious because neither one of these two, (or the people they hung out with, for that matter) were gonna contribute anything to the world. The only reason I can think of why this film is rated highly on Netfix is because other hipsters (read excruciatingly boring, entirely useless people who at the same time think they're better than everyone) can identify with these characters.The pretentiousness of the film is what got me the most. The makers clearly think it's about something deep when it's about nothing at all. The whole script could've fit on a napkin ("let's have two twenty-somethings schlep around and mumble utter nonsense for a day").I could've made a more interesting film by following a homeless guy with a camcorder.

There are very few moments in life when you understand you've met the person you are supposed to be with, at least at that point of time. Director Conrad Jackson's take on the movie makes you feel like you are a part of such a moment. Both the lead actors portrait such naivete and at the same time great depth that it makes the story believable. The chance meeting, to the night they spend together, have been woven together so methodically that you never feel out of sync. You feel the pain, the anguish, their love, hope for a future, dreams and just understanding how precious life is in even its most mundane moments.Watch the movie for a good story made excellent due to its direction and great acting.

The question here isn't "Is this film good?" (it is... it's very good) the question is why? Why is Falling Overnight different from films like Restless or Like Crazy. I think the answer is simple... It's real, it's not faking real. If you go to the cinema to be bombarded like an amusement park patron you will hate this film. The Falling Overnight ride is much more subtle and should not be subjected to the crude tastes of those who seek distraction for their movie fix. However if you have a pallet for the intimate, the vulnerable and the honest then you have found your next meal. There is no dish more satiating to those desires then Falling Overnight.