If you know about the Hollywood Production Code - which was still in effect when "Face of a Fugitive" was made - you will know early on in the movie, after it's been established that Fred MacMurray's character is a bad guy who hasn't paid for his crimes, that there will be only one of two possible fates for this character. Despite the ending being somewhat predictable, the movie isn't all that bad. MacMurray does pretty well as an outlaw who goes through a (believable) change in character. The rest of the cast also does well, and it's fun seeing James Coburn in an early (but fairly meaty) role before he became famous. The movie is kind of leisurely paced, and there isn't much action (though the climax is kind of exciting.) But the movie has a kind of old fashioned charm in this day and age, kind of refreshing in an "R" rated world. While the movie won't change the minds of people who dislike westerns into liking them, western fans should find this one pleasant enough.

This is another example of a fine 50's B western -- one which in many respects outranks a number of it's "big brother" cousins. The action begins with Larson (McMurray) escaping from a deputy transporting him to prison for a bank robbery. Larson's kid brother shows up unannounced in the midst of the action and gets fatally wounded in an exchange of gunfire with the deputy as they are escaping. They manage to stow away on a train, where we find out some of the history of these men and their motivations. Along the way the brother dies and Larson takes the alias of Kincaid while plotting how to evade the law, which is now seeking him for murder (of the deputy, which his brother shot). Kincaid ends up in a small town and in short order gets involved in various ways with the locals while needing to escape the roadblocks before the wanted poster with his picture arrives! On the surface, this is pretty standard fare for a western. It stands apart from the typical film of its genre, however, because of the thoughtful way the characters in the story are handled. One gets a sense of realism, not so much from the clothing or set designs, etc., but from the way the characters in the story respond to circumstances and each other. The people in this story are real, genuine, believable people -- unlike the stereotypical "invincible, tough as nails" western heroes that dominated the genre in this period, or the mysterious, aloof personas found in the spaghetti westerns that followed. For example, there is a barroom fight in the film with the clichéd "one man vs. the group of bad guys". However, instead of the whole group mobbing the protagonist and beating him to a pulp, they allow the fight to be one-on-one between the two who are truly in conflict, preserving their own dignity and that of the ones actually fighting. That is not to say that they have no involvement or investment, but what part they do play is sensible and believable.It is this interaction and sincere character development along with an engaging plot which makes this a movie that is not only a decent way to pass time, but a true pleasure to watch. Oh, and it has a fun early part by James Coburn and a thrilling climax, too. And if you watch this and enjoy it, I would also highly recommend another similarly forgotten B-western of this era: "Gun the Man Down" with James Arness. I give both this and the aforementioned title a solid 7.5. Easily recommended.

If the big idea of "High Noon", which this movie resembles, was "Duty", then the big idea of "Face of a Fugitive" is "The Rule of Law". The plot hinges on a young sheriff's devotion to the law against the power of wealth and force ... and on a criminal who while trying to dodge the law, ends up defending it. Two lines stood out to me. In one, someone describes the sheriff as always reading his law books, "the way other men read the Bible". In the other notable line, the sheriff argues with his girlfriend that the law, not guns, must prevail, while the girlfriend says that he's wrong, that guns are more powerful. This movie suggests that both are correct, to a degree, but that ultimately, the law is both firmer and more generous, even to a fugitive.

I must admit, I have never before liked any movie that starred Fred McMurrey. This is a first.The action moves slowly here, as much of the tension has to do with how the characters think and interact. However, that's exactly what makes it special. Even the female lead has important lines, which is exceedingly rare in this genre. McMurray's character is one you would expect Gary Cooper to have played, and he pulls it off surprisingly well.While not a classic, this is an extremely well-made Western, and I highly recommend it.