I'm one of those people who will never get Johnny To movies. He specializes in "re-imagining" the modern HK gangster and urban crime drama by sloppily superimposing it with classic western mythos. The problem is Exile suffers just as the rest of his movies often do from over exuberance and a significant director's attention deficit disorder when it comes to keeping the audience enthralled like Leone or Peckinpah did rather than snickering from the implausible scenarios presented on screen. The character interaction in Exile is often cheesy, melodramatic, and while there is loads of charisma from the 5 HK co-stars there is not a single line worthy repeating in this review.Exile obviously doesn't exist in any kind of real world but a parallel universe in which doors can fly off hinges and twirl around in mid air from the impact of gun shots. You also get plenty of mugging for the camera and slo-mo pose offs with constipated grimaces by the actors. There is also some obvious product placement (Red Bull) which gives the entire movie a ridiculous campy atmosphere. The entire experience borders on self parody and if it weren't for some interesting action scenes and good music his movies would be about the equivalent of made for cable trash that you would find on U.S. cable channels. With that being said, even at To's worst his movies are made on a relatively tiny budget and look like they cost much more. So on a dollar per quality ratio I suppose he's pretty profitable and I can understand why HK studios shower him with projects.

If you favor your gun play elegantly crafted and choreographed-EXILED is the film for you. This Asian action pix could have worked just as easily as a western for Sergio Leone had it been set in the American old West. And, Hong Kong cult director, John Woo has covered this same ground in many of his films. EXILED is set on the territory of Macao just before the Communist takeover in late 1999. Two groups of hit-men meet up again for a few bloodthirsty and challenging capers, yet we more than suspect that no one will get out alive. Johnny To, the director, has consciously placed the action in the forefront at the expense of the storyline. However, in these types of action/adventure yarns it is not the tale, but the execution which is of prime concern. The narrative is glacially paced, rather than suspenseful, yet the 'pink mist' of the stylishly orchestrated gunfights more than make up for it. In the case of EXILED, 'Style' trumps 'Substance', and it works!

Unrealistic, plodding, stupid and unsatisfying is what springs to mind to describe this gangster flick. I found the editing to be very clunky with way too much dead time that continually wiped out any momentum this movie could get going.The scene near the end with the river and the field on the opposite shore was comical it was so bad and so pathetically unrealistic.An important thing in an action film is suspension of disbelief- this never occurs in this dumb movie- it's always you sitting there going jeez- like that could ever happen that's lame.This movie is not slick, it is not high action, it is high body count but the violence is stupid, cartoonish and very boring.I could not make it through this stupid wretch and wound up fast forwarding in the hopes it might have a good scene- but none were to be found.Blow the dust off of HARD BOILED and watch that instead.

Exiled (a.k.a. Fong Juk) makes me feel as if the memorable French gangster/Italian Spaghetti Western genre is being revisited.Director Johnny To has the wisdom to reunite the same 4 out of the 5 main actors in The Mission, his 1999 gangster classic. For some unknown reason one actor was left out and substituted by Nick Cheung (playing Wo in this movie). It seems a pity to me because, not saying Nick Cheung is no good, the original cast of five could have made it possible for making Exiled a genuine sequel to The Mission.As it stands, Exiled tells a self-contained story (not exactly well-written but reasonable enough as a vehicle for the excellent gunfights it stages): When a Hong Kong mob boss Fay sends two killers, Blaze and Fat, after a renegade ex-gangster Wo found hiding out in Macau, another two hard men, Tai and Cat, turn up to intervene. The five actually know each other. In the face of Wo's wife Jin and baby son, Blaze and his sidekick Fat unwittingly agree to change plan, inadvertently setting things into a violent downward spiral. The final confrontation inside a hotel captured in slow motion is expertly crafted. After the dust is settled the viewers are abruptly reminded that what has just happened only takes as much time for a can of Red Bull drink being tossed up in the air and drops back down on the floor.There are evidences to prove that Director Johnny To did not dwell in past success of The Mission, because Exile has adopted new techniques not seen before. Being made on location in Macau, Exiled smartly uses a lot of Look-down shots in overcoming the lack of open space provided by this former Portugese enclave some 40 miles west of Hong Kong. The exotic background scenery chosen gives people a surreal sensation, especially for those who know Macau, much more akin to what I'd get from those French and Italian movies of years gone by. The gun play action in Exile is yet another level above that seen in The Mission.Although overall speaking Exiled did not surpass The Mission, mainly due to its storyline is even weaker than that of the already flimsy Mission, fans of Johnny To would still find it very enjoyable for the directing, acting, editing, music and of course, explosive action.