Ever Since the World Ended
Ever Since the World Ended
| 21 April 2001 (USA)
Ever Since the World Ended Trailers

Twelve years ago, a plague swept through, wiping out most of the population; in San Francisco, only 186 people remain. Two of them use jury-rigged batteries to power a camera and make a documentary. We see a variety of approaches to survival, from the artist and engineer who trade for their needs, to the surfers and woodsmen who fish and hunt, to the scavengers, and a communal farm. We also see how the community deals with those who threaten it, and how the youth are growing up with different values from those who knew our world.

Reviews
Beagle Pilot

A thought provoking pseudo-documentary about life after a plague has wiped out the majority of San Francisco and the rest of the world.Shot on an obvious shoe-string, it covers common science-fiction territory about life for the survivors in the aftermath of such a calamity.The focus is on the people and the remains of society. Adam Savage as the "engineer" provides the technical aspects of how people are coping, but the movie primarily focuses on how individuals choose to exist and their relations, if they choose to have any, with others. Some choose to work with others in a town-style setting, some like to live on the outskirts but still interact with those in town and a few have gone completely isolationist. It includes one "execution", not seen on- screen, of a person who was deemed dangerous to the other survivors.For avid readers or viewers of apocalyptic movies, they may be a bit bored. For those new to the topic, I think they will find this movie to be very thought-provoking and enjoyable.

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Bill Thierfelder (BillThierfelder)

I teach a upper-level class on The Apocalypse at a Long Island College. This film was one that I chose, first for its brevity--75 minutes--but also for its totally thought-provoking exploration of humanity. Of course, one could quibble over some of the unexplainable aspects--for example, how do most of the characters remain so smartly dressed if there haven't been department stores in 12 years? But overall, it's important to see this film as an allegory, not unlike the Medieval play "Everyman," in which every character represents a "type," a "concept," or an "ideal." The acting is so absolutely natural that the viewer completely forgets that this is a scripted film. More than anything, it raises profound questions about the human condition for days after a viewing--always a good sign. I strongly recommend this film to anyone interested in stretching themselves philosophically. Good story, fine editing, terrific acting.

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maybemily

So a plague hits San Francisco (and presumably the rest of the USA &/or world??), and 10-12 years later only 186-200 people survive in the Bay area. The punchline: the survivors shown (about 40) in a "documentary" being made by a couple other fellow survivors, all wear polished haircuts; makeup; clean, fashionable clothes; clean-shaved faces, or perfectly groomed goatees and soul patches. Judging by their diction, they almost all sound like they wandered off a college campus or out of a coffee house. The man who is supposed to be menacing to the documentary makers when they enter his property, swings a hammer and grunts, but it just looks like a random clean-cut person pretending to be threatening. The houses shown are freshly painted, the streets have no vegetation popping through cracks, and the only sign of oddity is a shot of the Golden Gate Bridge looking sort of dilapidated. People seem minimally traumatized, there's no explanation of how the plague disappeared or how it was caused or how likely it would be to return. The current generation of kids is happy to live in a quiet peaceful world, there are plenty of supplies left in the huge city so sparsely populated, city water will last at least 20 more years, as will some backup generators and solar panels. Surfer-looking dudes fish and talk about getting back to the land by hunting. Pot is smoked freely. Kids are taught lessons in renaissance art while sitting cross-legged in a circle on a floor in a sparkling clean room. A well-mannered white-haired woman houses a small commune in her large home on a hill, where they eat salad and fresh bread at dinner. Trouble only strikes when a jaded emergency worker who once burned peoples homes, returns to town. He's shot off-camera and people are relieved. Some other anonymous shooter wounds one of the pot-smoking documentary makers when he and others venture out of city limits. He's mercy-killed by one of the friends and no mourning is shown. Um, DUDES? There was a PLAGUE!!!! It killed millions!!!! There's hardly anybody around except corpses!!!! Since when would you have time to teach art? Or keep your house freshly painted? Or put on makeup? Or lounge around smoking weed? Where would you even get fresh makeup? Or such clean, fashionable clothes? Who's doing your hair??? Wouldn't you all be too busy growing the veggies and baking the bread you're eating in your Pier One decorated living room? I'm all for utopia, I'm all for a movie about a utopia, but perhaps this plague wasn't the best premise to use as foundation for how great the world would be with less people. And if the real-life film makers did want to show the flip-side of this utopia, they wouldn't even have needed a bigger budget. Just scout locations for run-down houses, and tell your actors to cut each other's hair for a few months as opposed to getting professional haircuts. Especially the actor who was supposed to be living in the woods, camping in the forest canopy -- unseen by his friends for years. You might want to tell him not to wash his freshly bleached clothing for a few months, and ditch the soul patch.

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Terry-23

I really wanted to like this movie, and I think the concept is a great one. I also think a fair amount of the footage is good, but there were just too many things wrong with it to give an above average rating.The biggest thing I got out of it was, the more things change, the more they stay the same. Society is supposedly gone, yet these people are still trying to fit into old stereotypical groups. You've got your rationalists, scientists, slackers, conspiracy theorists, the feminist coven, crazy people, violent people, my way or the highway people and just about every other group that exists today. And teenagers still thing they know more then the adults.I just couldn't buy into it 100% for several reasons. I won't go into some of the massive plot holes (the whole "Mad Mark" story) and just stick to some of the small things. First of all, the Golden Gate Bridge falls apart in 12 years (which I can maybe accept) but everyone is very well groomed, and the women still wear makeup? Not only that but everyone's clothes are in perfect condition. And people still dye their hair? This is really glaring with the character who has been living in the tree tops for several years, by himself, yet he has a perfect haircut, sideburns, a soul patch, but otherwise cleanly shaved? If those kind of things don't bother you, you'll probably like this film much more then I did. It does have potential and I like the documentary style, but there were too many things that didn't seem right too me.Of course, perhaps the virus that killed most of the people had a weird side effect for the living in that it stopped all hair growth. After all, this is sci-fi.Not a complete waste of time, but it is flawed.

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