There is nothing more fun to watch than a good mystery and the truth is that I loved every minute of the film, Endure, but it did have a critical flaw. Similar to what you see on TV, the film tells us who the bad guy is almost right away, making the film about the investigation rather than the mystery. A fatal car accident on a desolate highway has led to a shocking discovery. Inside the car, police find evidence that a woman has been abducted. Now the clock is on to find her and to see if in fact the man was working alone or had help. The cast pairing in this film appealed to me before I'd even seen the film, as in 2010, you have an investigative team made of an 80s teen idol and a 90s teen heartthrob. Right away, I knew there would be an interesting dynamic, but it was far an above what I expected. 80s party animal, Judd Nelson, stars and this time he's the seriously uptight, by the book guy that he despised and challenged for a decade. Nelson is paired with Devon Sawa, a favorite actor of mine, who long ago proved that he had a lot more going for him then just his looks. Together the pair are complete opposites, and go about things in completely different ways in order to achieve the same goal. As horrible as it sounds, this film was just a lot fun to watch. The material may have been dark and serious, but watching each man do his own thing and then try to work together was fantastic. I am just really bothered by the fact that we know the whole story twenty minutes into the film. That's fine for an episode of Law & Order, but in a film with such a unique dynamic, I would have loved to have seen a surprise ending. All that aside, Endure has a great cast and really does stand out from the dozens of other films produced every year about simple police investigation.

Overall a good movie that grabs you for the 1st few minutes and then kind of drags a bit. I wish the movie would have explored the psycho killers more so you knew what made them that way... The movie was only 1 1/2 hours so even if they added another 15 minutes, it would have helped. Also, there was no urgency to find the girl. The detectives upon discovering the photo and other evidence in the car should have brought in search dogs and at least made an attempt to find her. They wouldn't have had to go into the woods very far. But then, we wouldn't have had the movie.... But overall a good film. The filmography was beautiful.

I don't know what the other reviewers saw - but I was blown away by the movie particularly the performances by Judd Nelson and Joey Lauren Adams. The rest of the cast were just going through the motions but every scene these 2 were in was mesmerizing. Main story is a girl is brutally kidnapped and left in the woods, her kidnapper dies in a car accident and a photo of the girl is discovered in the car wreck. Meanwhile a seasoned detective who is put on the case has his own story - his wife is dying. Also he gets a new partner - a college kid still wet behind the ears.I loved the script -especially the scene at the end where Judd Nelson visits the girl they saved and his partner in hospital and then walks past the newborn babies in the hall. Brilliantly filmed, brilliant scene - definitely worth watching again just for Judd Nelsons acting and the final scene. Where has Judd Nelson been hiding?

A bound and gagged woman in central Florida is driven to an out of reach location in the middle of the night by a stranger and has her photograph taken as she's tied against a tree in the woods. Leaving her alive and alone, the man drives off and somewhere on his trip suddenly has a deer go through his windshield killing him. An experienced detective named Emory Lane (Judd Nelson)--who's at home with his terminally ill wife Sirena (Joey Lauren Adams)--is called out to what initially looks like a normal car wreck but because there is a photograph, blood and handcuff keys the police want to look further into the suspicious evidence that might point to foul play.A young, former west coast detective named Zeth Arnold (Deven Sawa) is called in as an apprentice in account of Lane being tied up in his personal life. They frequently butt heads as Arnold is over-confident and has a somewhat brash way of handling the case than the by-the-book veteran. Judd Nelson plays the character somewhat reserved and contemplative to the point of appearing detached. His character has trust issues, but gives some leeway as he can't be two places at once. Devon Sawa delivers some dry banter and his character speaks what's on his mind, which comes off as cocky but might actually have something to offer under that rookie demeanor.There are hundreds of miles of roadway and five hundred thousand acres of swamp to comb through, so the detectives start with what they know. They question the dead man named Macey's neighbors, who explain that he was a loner, not right in the head and doesn't have any living relatives that he keeps in touch with. The girl is identified as Daphne (Clare Kramer) by a friend who said she just talked to her last night but is currently missing. A profiler is called in and suggests that there might be an accomplice that he seeks approval from. Taking cues from John Lithgow in "Dexter" of who you wouldn't expect, Tom Arnold brings a good-guy face to his role as Simon but makes you think twice about what's underneath. From one revelation to the next the detectives uncover an underground network, which gives them more to contend with to save the young woman's life before it's too late.This is a gradually paced drama about searching for answers. It also deals with saving a life and watching one depart. Lane's wife is cooped up with nowhere to go, and he wants to stay but has everywhere to be; though he eventually uses the time away to push aside his feelings and in an odd sense cope. What a viewer gets: a basic story about human suffering that isn't confusing or muddled with layer upon layer of twists as it keeps it conventional as far as crime plots go. This is more held back than the typical shoot-'em-up-warrantless-bustin'-down-the-door-alcoholic features you normally see in the genre. This injects some feelings and leaves ample room open for the viewer's own interpretations, as well as the actions and motivations in the movie seem reasonable.The major issue with "Endure" is it doesn't always capitalize on its own story line due to trying to meld two different subplots and be thoroughly realistic while at it. This isn't going for the usual cinematic experience, as the editing and cinematography are restrained, the dialogue is close enough to how real people speak and the situation isn't glamorized or sensationalized. There's drama to be had here though the delivery felt somewhat flat and the characters didn't end up being as memorable as they could have. At times it comes across as cut and dry, even when a piece of evidence is unraveled to get closer to finding the victim while she's still alive. Not until the latter portion is there much in the way of being gripping. There's no sense in over-dramatizing the story like so many do and force it, but the atmosphere feels calm and relaxed to the point of being dozy and less important than it should be, as the dire circumstances at hand don't always have the capability of captivating one's undivided attention for the then and now. (Also submitted on Cinema Freaks, http://docuniverse.blogspot.com)