This was one of those real slow burner horrors that has a single mother moving into a new house with her autistic son. Things get bad for them when a chubby naked man and a toothless woman turn out to be the house ghosts. The ghosts are creepy as hell because they are physically there tossing people around and then just disappear. The family gets torn apart as people don't believe she's being haunted but instead abusing her son.They did this one well with the gradual build up and then it just starts freaking you out. When you see those redneck ghosts the hair will stand up on the back of your neck. Not a huge budget film but I liked it better than those Paranormal Whacktivities. Check it out.

Don't misunderstand me ... I wasn't particularly impressed by the direction before the end ... And the characters were somewhat annoying ... The film is fairly mediocre modern horror ... All set in a middle class world ... No visual style ... Obviously grew up in front of the television ... The main actress does OK ... The child is fine cos he doesn't have anything to say ... The sister is hugely annoying ... But nothing is really wrong ... Just same old same old ... Until the end ... Then the next end ... And basically it completely goes into this silly badly done mess which it attempts to get out of by using clichés ... Its awful and looses the director any respect that he had for at least trying

I really enjoyed this film.Refreshing to see a low budget horror flick with some thought and heart put into it.Amazing to me see movie after movie made with 1000 times the resources these guys had that don't demonstrate any feel for telling a story.The acting performances are right on, the writing is superb, and the look and feel of the movie is cohesive and chilling. It is obvious from the start that they knew what story they want to tell and do so without apology.The sometimes frustrating while simultaneously loving relationship that a single mother has with her special needs child is unexpectedly heady fare for this genre. Ramlah Yavar and Adam Llamas deserve serious kudos for bringing this to this movie and making it so accessible.Tegan Ashton Cohan is also adorable as the "new age auntie". It would have been so easy to make this character a caricature, but Ms. Cohan manages to make her lovable and real while also bringing a lot of weight and power when needed. This girl means it when she tells somebody they have to do so something and we the audience can not help but agree; an impressive accomplishment considering we also get see her dancing around like a drunken yogi while burning sage in an attempted 'energy cleanse'.Really hope to see more from these guys. Great work!

I recently saw the world premiere of this film at the Thriller! Chiller! film festival in Grand Rapids, MI. Although I did not get a chance to see many of the films over the three day weekend, this was definitely the best of the ones I caught, and in fact it went on to win best feature. In fact, I can honestly say it is one of the best of its genre I have seen, on or off the big screen, in a very long time. The film maker has stated in interviews that he was going for the 1970s horror film vibe and particularly those which built up intense emotion without the use of a lot of gore, and that is exactly what he accomplished. Besides being a great story, the quality of the film itself (cinematography, acting, sound, etc.) were great, and if I had seen it in another venue I probably would have thought it was a studio film. I love horror, but not much scares me film-wise, but I was definitely on the edge of my seat for much of this one. I am really looking forward to what's next for the film-maker!