Ernest Borgnine is the meanest sonofabitch on the railroad and Lee Marvin is the hobo who gives him a hard time riding the rails. The period is the Depression when hobos rode the rails with impunity and it was up to hard-as-nails guys like Ernest to stop them. Robert Aldrich's "Emperor of the North" is one of his male-orientated pictures, displaying a good deal of his signature brutality and while it's a minor work in the Aldrich canon it has much to recommend it; here it's the duel to the death between Marvin and Borgnine who makes for a truly nasty villain and is just one of the reasons why this is such a ridiculously entertaining picture. Nice work too from a young Keith Carradine as a fellow hobo with aspirations to take Marvin's crown as 'Emperor of the North'.

Having been a supporting actor for years in pictures such as Marlon Brando's 'The Wild One' ( 1953 ), tough guy Lee Marvin unexpectedly acquired leading man status as the '60's drew to a close. His Oscar-winning turn as the drunken cowboy 'Kid Shelleen' in 'Cat Ballou' ( 1965 ) helped, of course, but the role that really turned round his fortunes was that of 'Major Reisman' in Robert Aldrich's 'The Dirty Dozen' ( 1967 ). 'Point Blank!' and 'Paint Your Wagon' ( 1969 ) followed in due course. He was an unlikely star; for one thing, he was not young, and his distinctive deep voice and white hair precluded him from doing too many roles that did not cast him as some grizzled, hard bitten adventurer. In 1973, he was reunited with Aldrich, producer Kenneth Hyman, and actor Ernest Borgnine for this splendid adventure film, scripted by Christopher Knopf. Set in Depression era America, unemployed men - nicknamed 'hobos' by the railroad companies - travel across the country in search of work by stowing away whenever they can on passing trains. The companies fight back by hiring guards to ensure their trains stay hobo-free. One such guard is Shack ( Borgnine ), a sadistic monster who apparently regards the train as his personal property, and any tramp who tries to get on can expect to be either maimed or killed. One poor soul who does this at the start of the film receives a hammer blow to the skull, followed by the removal of his legs as he tumbles onto the track.But a threat to Shack's kingdom appears in the unlikely form of an unnamed drifter ( Marvin ) calling himself 'A No.1'. He decides to take Shack on. Spotting A No.1 climbing into a train compartment, Shack bolts the roof hatch, trapping him. He starts a fire, and when the wooden walls have burnt sufficiently crashes through them to freedom. A younger man, Cigaret ( Keith Carradine ) is impressed. A No.1 becomes a folk hero to other hobos, earning himself the title 'Emperor Of The North Pole', setting the scene for an epic confrontation between the tramp and the railroad man...As was the case with 'Dirty Dozen', the cast is mostly all male ( there are a couple of amusing moments which feature women - Cigaret spies a lady shaving her armpits, and a baptist pushes a woman into a river to cleanse her of sin and when she emerges her white gown has become transparent and her breasts can be seen ), and Marvin dominates the film. Watching the quick thinking A No.1 outwit Shack at every turn is a joy. Imagine a Charlie Chaplin picture with blood and you have 'Emperor Of The North Pole'. The film was criticised on its release for its violence, but I think it was necessary to show the audience what sort of a vile creature Shack was. It makes his final defeat all the more satisfying. Borgnine is terrific, throwing hammers round, a grin on his face, like an insane version of the Marvel Comics' super-hero 'Thor'. Another I.M.D.B. reviewer has made comparisons with John Frankenheimer's 'The Train' ( 1965 ) and I think its a realistic one. In the pre-C.G.I. age, action scenes on moving trains such as the ones seen here had to be done for real, making the film all the more exciting and believable.If you like outdoor adventure films and don't give a fig if the leading man looks old enough to be your grandfather, give this a go. In the U.K., the title was shortened to 'Emperor Of The North' so as not to give the misleading impression it was set in the North Pole.

This 1970s classic has hardly aged a day. Viewed in 2010, it looks like it could have been released last week. Bushy-browed Ernest Borgnine stars as a Depression-era railroad conductor who'll be damned if he'll allow hoboes to ride his train. Lee Marvin is a hobo and Borgnine's main nemesis, who decides late in the film to take on Borgnine. A very young Keith Carradine is Marvin's unwanted "student." Borgnne is incredibly ruthless dealing with not just the hoboes, but his fellow workers as well. Marvin is an unusual hobo,an introspective fella who is not like his fellow rail riders. Carradine's character is wet behind the wears, and due for a lesson in harsh reality, which he gets. The stunt fights are amazing -- no CGI crap back then -- and the interludes between fights are very entertaining. They are reminiscent of scenes from "Cool Hand Luke," at least to me. The location photography is magnificent. Director Aldrich draws the line at any graphic gore -- the blood looks like plain old red paint -- but the fights are damned convincing nonetheless. A real joy, and truly ageless.

Interesting, quasi-political film of depression era hobo (Lee Marvin) - famous within hobo circles for being able to ride any train - trying to ride one guarded by meanest guy in the world (Ernest Borgnine). He picks up a young protégé (a very young Keith Carradine) along the way who -- after much resistance - he accepts as the start of the next generation of men who live by their wits and go their own way.The acting is solid throughout. The score is a bit much at times, and some of the writing is variable, but there are good scenes and thoughtful ideas about the battle between 'freedom' and playing by the rules along the way. Aka 'The Emperor of the North'.