Finally something different and bold comes from South America. Elipsis is a puzzle that once you start playing with it, you want to complete it to see the big picture. This is a phenomenal feature debut from Arias-Nath whom I congratulate all the way from Mexico for taking such a big risk and offering a new voice to the film world. In addition to Arias-Nath's lyrical and comfortable direction, kudos must be given to the DP and the Art Director as well. I must say I also enjoyed the score very much. The colors are vibrant in this picture, contrasting the dark places the characters visit. Very cool. Edgar Ramirez (who's about to pop in Hollywood with The Bourne Ultimatum) does an amazing job in this film. Especially at the end, which unfortunately I can't reveal because if not, I will be giving out spoilers for no reason. The other lead, Erich Wildpret, is simply amazing. This actor has a bright future. The rest of the cast was very enjoyable, with Seu Jorge at the top of the list. What a presence this guy has. From Mexico I salute Arias-Nath and his hard-working team for revamping the Venezuelan cinema that is in desperate need of a face-lift. Great film. I want to see what Arias-Nath is working on next.

I'm not accustomed to writing Internet comments, but after seeing this film in Mexico, I feel compelled to do so. The premise of the story lies on the relationship of two central characters that are brought together by the consequences of their choices. Their achievements and shortcomings shape the plot. Interesting, as this may seem, much of the story is lost in the inconsistencies of the script and the lack of film criteria. Only one performance stands tall in the aftermath, and that is Erich Wildpret's. It takes a great actor to survive such circumstances (poor script, poor directing, poor editing). To acknowledge this fact is the main reason for writing this comment.

The plot of the film is weak, relying on visuals to compensate for the lack of substance but there is an AMAZING performance by an actor named "Erich Wilfred". He completely carries the film and is the only thing worth mentioning. MY 10 STAR RATING GOES TO HIM. The editing of the film also lacks language; leaving the audience with the all too familiar taste of a story untold. One thing is to leave expectations unattended and another to have structural flaws. In my opinion the attempt does not meet its goal. But again, if you want to see an outstanding actor giving a marvelous performance, with less than ordinary material, you have to see this film.

"Elipsis" is, probably, the most important Venezuelan cinematographic production of our times. Last year, all the country watched "Secuestro Express", a very interesting movie that shows the national reality and which I called 'a calling to the new Venezuelan cinema'. Since then, movies like "El Don" and most recently "Miranda" made theaters full.With "Elipsis", however, you can tell a difference. There's something in the trailer that shows superiority; you can see a high quality level. Giving details, the writer/director Eduardo Arias-Nath has got together the best representatives of the country in terms of cameras. With a production team that has recognized art directors, cinematographers and production designers, Arias-Nath arrives to the big screen raising the production level Venezuela is used to.Not just that, but his unpredictable script and his disordered time line and plot is among the most original things I've seen in the country in a long time. With a defined stile, the story walks us through the lives of different main characters who all spin around a same situation without us being able to realize completely.To reveal little parts of what happens would be a mistake, because "Elipsis" is a movie that astonishes from various levels (mostly in the peculiar edition in which the director also worked); and you have to watch it to discover it. With just saying that Gaby Espino's (beautiful Venezuelan model) performance surprises, you'll realize what I'm trying to say.The camera work is impeccable; the shots allow us to observe not only what's going on, but in a lot of parts the background of the main element, like a door opening and closing, and it is an adding for a moment of tension in the movie. There's always something more to see around the main thing; even in frames where the camera is shooting from above, generating an effect that gets the viewer dizzy. The image also highlights because of being very tidy, unlike cameras of movies like the previously mentioned "Secuestro Express".But what undoubtedly highlights the most is the cast. Composed by national and even international talent (the Brazilian Seu Jorge is a revelation as a drug dealer), the group of actors is of the highest caliber. Movie actors like Erich Wildpret leave us breathless; while television stars like Marisa Roman leave aside the soap opera style to give another touch to their characters. The cameos are uncountable, but recognizable; there's not one unknown person in camera. In the film's parties, you can see celebrities everywhere; and even a short appearance by the known actor Jean Paul Leroux ("Secuestro Express").However, is the already international actor the one who steals the show. His name is Edgar Ramirez, he is Venezuelan and his power of conviction and capacity to transmit emotions are two enough reasons to watch the film if nothing else seems interesting. I feel like giving away details of his portrayal, but I better stay quiet.