No context given. No story to narrate. No elaborate set pieces or character actors. Maybe about 2 lines of dialogue. What else is there? Only the brutal reality of a country's dirty little secret. Many films about touchy political issues are analysed through a character's interpretation of how they think or how a particular story plays out but Clarke plays it out simply: people are dying... never mind the other stuff, death is caused through our own inability to absorb other people's views. The end factor being death is all that really needs to be shown to get the point across. Clarke makes fantastic use of tracking shots, slipping left and right and around to follow a person into their death.It's provocative and probably the best TV movie ever made. I can't imagine people sitting down at night, tuning into the BBC and wondering what they should think about this mini masterpiece.

I remember watching this when I was 15 years and living in the country south of Belfast, it caused a bit of a stir. So what! It was a well aligned look at the madness that was going' those days.The film was great, but will serve as a dirty birthmark on future generations.The colors of the print represent the dark-blue rainy place well, the angles are fresh, but a camera and a filter can't elude reality. The silence is in-line with the unfortunate soul who may get finished off in this film, or?For the future generations in Ulster I would burn this film.

I already gave my comments as Bart-53. Gus vanSant made my day by putting this movie as a feature on his DVD by the same name (Elephant). It was quite a few years ago that I saw this movie on TV and I have regretted ever since that I did not tape it to VHS as I had done with all the other films by Alan Clarke (the BBC showed most of his movies over a period of some weeks). Other beauties by Alan Clark are Scum (introducing Tim Roth) and The Firm (introducing Gary Oldman). I thought I would never see this movie ever again until I recently rented Gus vanSant's Elephant. According to the interview with him, which is also a feature on his DVD, he was made aware of Alan Clarke's movie by a friend. Gus vanSant's Elephant is an entirely different movie (based on the Columbine killings), but he was definitely influenced by Alan Clarkes style of filming (long steadycam shots in which we follow characters). Although the topic is no longer an issue (Northern Ireland killings) this is still a must-see movie.

I saw Elephant when it was first broadcast on BBC TV in 1989. There was a certain amount of hoo-ha about it, as the BBC had already put it back for a few months - films about the North of Ireland were, and are, touchy subjects. Watching it is riveting. The complete absence of story, dialogue and explanation serves to bring home the fact that, after all the talk and propaganda and fine words about freeing Ireland from the British oppressors or defending Ulster from the filthy Taigs, killing is killing - people are dying, frequently and horribly, and can there ever be a "reason" for it? I grew up in sheltered south Dublin and witnessed the Troubles at second-hand, filtered through the language of journalism; Elephant brought home to me, in the most visceral way, the relentless insanity of the situation. The film should be compulsory viewing in UK and Irish schools.The major criticism of Elephant is that it's too simple - that the lack of context and explanation aren't enough. But the serial nature of it, muder after murder after murder, have an unforgettable power. It's not meant to be an attempt at the overall picture; it's a cry of horror against an appalling situation. I saw it once, ten years ago, and have never forgotten it.It was directed by the late Alan Clarke, undoubtedly the best director of TV Britain has ever seen (maybe the best British director since Michael Powell). He had already given early breaks to Tim Roth (in Made in Britain) and Gary Oldman (in The Firm - not the Tom Cruise vehicle, but a brutal TV movie about soccer hooliganism). The title comes from the writer Bernard MacLaverty, who said that the Troubles were like having an elephant in your living room. That's what it was like to watch this film.