Elaine Stritch, that gravelly-voiced, long-legged, larger-than-life singer/dancer/actress and Broadway legend, died less than six months after the release of "Elaine Stritch: Shoot Me," a documentary made when she was 86. At an age when most other performers have long since called it quits, Elaine Stritch went soldiering on, clinging tenaciously to the one thing that gave her life purpose and meaning - performing on stage in front of a loving and devoted audience.Director Chiemi Karasawa and her crew follow this grand dame of the stage around Manhattan as she preps for a new one-woman show, chats with friends, poses for pictures with fans and passersby, and speaks, with often brutal honesty, about her life, her career and her views on aging and death. Needless to say, her outsized talent and personality shine forth through every single moment of the film.On a personal level, the movie chronicles her struggles with alcoholism and diabetes, her marriage to John Bay, the one love of her life, who died of brain cancer in 1982, her affair with Ben Gazara, etc. Karasawa interviews a number of celebrities - Nathan Lane, the late James Gandolfini, the cast of "30 Rock," among them - to get a sense of what it was like to work with Stritch on a professional level. The movie buttresses this with a veritable treasure trove of photographs showing Stritch at various stages in her life and career.The movie doesn't shy away from showing the difficulties and diminished capacities that come with aging. For instance, there are moments of tremendous tension as Stritch becomes increasingly temperamental and irascible, struggling to do things now that came so easily to her in her youth (i.e. remembering lyrics during rehearsals and sometimes even performances). There are times when she even comes across as a bit of a diva or curmudgeon, going so far as to "direct" the documentary itself, molding a particular scene to her own liking. The fact that Stritch died not long after the filming of the movie makes watching it now an especially poignant experience, as what was initially intended as a tribute has now become an elegy.One of her non-celebrity friends describes Elaine Stritch as "a Molotov cocktail of madness, sanity and genius." That pretty much sums her up, all right.

A fantastic little documentary on this bigger than life Broadway and cinema star. We are given a look into the woman Elaine Stritch and not just the actress, singer, star Elaine Stritch.She talks about herself as the old woman she is (or rather was) and she talks about herself as the young and beautiful up and coming actress/star. She hides nothing about her life - insecurities, alcoholism, diabetes, her fashion sense, and what she expects of herself and others.Watching this documentary is entertaining even if you have never heard of her. It will also make you glad you didn't know her (as it did for me). She comes across as an overbearing woman with maybe unreasonable demands, but thats what goes into becoming a star in ones own time.

(I felt compelled to check the SPOILER ALERT box because standards as to what constitutes a "spoiler" vary widely among film lovers. Some people want to be told just bout nothing about a given film. Movie trailers generally reveal far, far too much. As a film reviewer I try to keep to myself that which I would not want to know before experiencing a movie.)> ELAINE STRITCH IS A FORCE OF NATURE!I've always appreciated her flamboyant performances, but after seeing this delightful and disturbing biopic about this great dame of stage and screen, I find it impossible not to adore her. Elaine would be the first to admit that she is a "difficult" woman but the last to apologize for it. (We see some behind the scenes footage on the set of TV's 30 ROCK where Elaine is playing Alec Baldwin's "difficult", borderline loony mother and we get the very strong sense that she is really playing herself! Mr. Baldwin receives no small amount of crap from this barbed cactus of a woman, but he gives as good as he gets, and the wonderful closing credits reveal him to be one of the films executive producers. Good move, Alec.)Just about to turn 87 at the time SHOOT ME was filmed, the determined octogenarian is attempting to mount yet another bravura one-woman review, and though they had all been triumphs in a long and storied career, this one may be a bridge too far. Her health and memory are fading fast, and the lyrics in the Sondheim tribute she is undertaking are many and complex. She can't so much sing as bark and growl, but nobody barks and growls better than this one-of-a-kind performer. Her outspoken directness both masks and reveals a profound vulnerability that is very disarming and endearing. Ms. Stritch effortlessly brings the term "feisty" to new extremes, giving (mostly) good-natured grief to everyone she encounters. We see amazing footage from her early career that reminds us that this singer/actor/dancer/comedienne/personality has been terrific for a long, long time.But there's not much time left. Elaine knows this, she thinks about it and feels it deeply, sharing her thoughts and fears nakedly to the camera disheveled and sans makeup in her sick bed. It's wrenching. She knows all too well that that final curtain is soon to fall, and fears that this time, there will be no curtain call. The segments about the horror, humiliation and indignity of growing old are heartbreaking. The segments showing this fierce, brave woman persevering despite a failing body and faltering memory are absolutely inspiring.Along with Rob Bowman, her longtime piano accompanist, we fret and worry for this irascible but lovable woman that she has bitten off more than she can chew. Rehearsals are disastrous. She can barely remember the opening lines of the first song. As the audience assembles for opening night, we know something they didn't: that the formidable Ms. Stritch was not vaguely ready for that curtain to rise, and in fact, may never be And then there is her struggle with the bottle to contend with. She keeps telling us she has cut down to one drink a day, as we see her prepare her third or fourth highball. (Denial, as Mark Twain quipped, is more than just a river in Egypt.)See this wonderful film prepared to laugh and cry and think and feel. The way this consummate professional handles the inevitable lapses in front of live audiences is a true feat of showmanship and a wonder to behold.I love to share my enthusiasm for great films like this, and direct people to great films that might be just off the radar for most people. On the flip side, I JUST HATE SPENDING MY TIME OR MONEY ON MOVIES THAT I JUST DON'T ENJOY. Life is too short- my wallet too empty for that crap. Fellow cinephiles! Please lend me your ear. I publish little-read essays constantly in the QUIET IN THE BACK channel of my KPKworld blog. This was my 100th post in the category. Find the other 99 at:http://lastcre8iveiconoclast.wordpress.com/.../quiet-in.../

This film is recommended.Elaine Stritch: At Liberty was a brilliant one woman show that chronicled the life of a Broadway legend, with wonderful musical interludes and wry storytelling about a convent girl making it on the stage that spanned her life through roughly 50+ years of Broadway musical theater. That show earned her that elusive Tony Award and became the pinnacle of her musical career. Elaine Stritch: Shoot Me never rises to that caliber of excellence. The film is in dire need of tighter direction, more concise editing, and better camera-work. This documentary focuses on Ms. Stritch's latter years and, while more serious in tone than the previous reincarnation of her biographical solo show, the film successfully tackles the ravishes of the aging process and becomes her swan song to a life upon that wicked stage.For those unaware of Ms. Stritch's many contributions to the theater (and there just may be a few out there), the film reveals her irascible nature and unique larger-than-life talent via some sparse film clips from past shows (Sail Away, Company) and some recent concert and cabaret performances at the Hotel Carlyle, where she took up residence for many years. She is the one and only Broadway Baby and Ms. Stritch unleashes her cynical humor and sage wisdom throughout the film. With her as the main subject, how could the film not succeed!Now, contemplating leaving the biz and moving back home with family in Detroit, Michigan, the film documents her journey. Her candid interviews and fond reminiscences of her past glories sharply contrast with her on-going bouts with illness and memory loss at the age of 86. Elaine Stritch: Shoot Me is a raw honest depiction of the aging process and its physical toil of the human body, but not its spirit. The in-your-face hand-held camera-work is, at times, startling and intrusive, but it captures her pain and stamina. One admires the documentary's frank treatment of this aging diva and her battles with various ailments that sadly beleaguers her. This aspect becomes the film's strongest point.Ms. Stritch has always been a master storyteller and her tales cover the lives of other celebrities that fell into her orbit like Rock Hudson, Ben Gazzara, and John F. Kennedy in such an entertaining fashion. Tributes from with other actors and close friends like Alec Baldwin, Tina Fey, the late James Gandolfini, and others attest to her powerful presence. But more seems to be said in words than shown in pictures in this film. One wishes there could have been more footage of her classic stage performances which would have made this film biography all the more encompassing. There are many lost opportunities here, moments begging for those musical interludes from her earlier years to intermix with her life today. The film ends rather abruptly, adding to an unfinished quality of a tale not fully told.Still, any time spent with the glorious Ms. Stritch is time well spent and Elaine Stritch: Shoot Me is a must-see for any theatergoer or moviegoer alike. GRADE: BVisit my blog at: www.dearmoviegoer.comANY COMMENTS: Please contact me at: [email protected]