Solid matinée western. Nothing like a barroom brawl to open the proceedings as the fists fly. The first part is action filled making good use of the Alabama Hills rock spires. Fortunately RKO popped for a lot of footage from that Neolithic scenery, the Sierras in the background. That's a good thing about many matinees—there's always natural wonders to compensate. Seems Ross and Chito set out to help build a public road through a hilly pass, instead of the toll road that baddie Dehner is strangling the town with. Trouble is Dehner has secret allies in town the cause problems for our guys. Catch Lynn Roberts as Mary who's anything but feminine adornment. She shoots a gun and gives orders as well as any man. And that's Cleo Moore as the cheeky blonde. She went on to star in a number of sleezy Hugo Haas films as a busty trollop. Note too the many familiar faces from the era in supporting roles, Pyle, Elliott, et.al. And catch the very last line that's between Mary and her husband. It's unusual for an oater of this type. Anyway, lots of hard riding, flying fists, and fast guns, enough to keep this front row geezer happy. And likely, you too.

I always think it ironic that some of the very best B westerns come from the period when they were finally on the way out, i.e.1950 onwards.This is a particularly good series entry, not because it is especially different or unusual, but because all of the necessary ingredients are neatly balanced. The plot is uncomplicated but wholly adequate, the cast (including stalwarts Toomey, Dehner, Harvey, Haggerty and Pyle) is well above average, the action sequences are well handled and evenly distributed throughout the film's short (61 minutes) running length and, this being an RKO picture, everything looks just as it should be. This may have been considered a "throwaway" item in the eyes of the studio but budget and facilities were still way ahead of those of the "poverty row" outfits responsible for the production of so many B westerns throughout the years.Tim Holt always came across in his movies as competent and likable: his performances were pleasantly understated. Sidekick, Richard Martin, was, I thought, a little on the dull side or, perhaps it would be fairer to say, the character he played was dull. There is, after all, only so much humour that can be squeezed from a long list of Mexican forenames and a penchant for pretty girls.But that is a minor quibble........

Tim Holt headlines this RKO low-renter from 1950. This one has Holt and partner, Rick Martin helping out a couple, Lynne Roberts and Regis Toomey. The couple are trying to build a road through the mountains to a small town.The only way in now is a toll road ran by John Dehner. Dehner and his gunmen charge a outrageous amount for people to move their goods to the town. Holt and Martin hire on to help.Needless to say bad types in Denher's employ are not shy in the six-gun area. Multiple gun-battles and horse chases keep the action going at a speedy pace.Denher's lead gunman, Denver Pyle is particularly good here. This 61 minute quickie was knocked off by b-film veteran, Lew Landers. The prolific Lander was know to be able to crank out a dozen features a year.The d of p was Nicholas Musuraca. Me worked on some of the best FILM NOIR put out by RKO He lensed the iconic film noir, OUT OF THE PAST. His other work includes, ROADBLOCK, WHERE DANGER LIVES,CAT PEOPLE, GHOST SHIP, THE SPIRAL STAIRCASE, THE LOCKET, DEADLINE AT DAWN, WOMAN ON PIER 13,BLOOD ON THE MOON, THE WHIPHAND, CLASH BY NIGHT, THE BLUE GARDENIA, THE HITCH-HIKER and SPILT SECOND.Well worth a watch if you are in the mood for a lightweight western that punches like it is in a heavier division.

Dynamite Pass is an enjoyable western. Although like all "B " westerns it had less than a substantial budget, it enjoys a good cast, storyline, and scenery. Whether starring in an "A" or "B" feature, the presence of Tim Holt usually guaranteed a worthwhile viewing experience. He had screen presence that is sadly lacking in most actors today.