I assume the low average score for this title is due to the difficult and realistically portrayed subject of sexual confusion stemming from paternal abuse. Matt Levett, as Smithy, does an impressive job conveying the internal turmoil of a conflicted young man. The editing of some key scenes was awkwardly done, adding confusion about time lines. But Levett's acting maintained my interest. He carries the film.I appreciate the film's ability to make sexy Smithy's dysfunctional sexuality stand out against the upbeat backdrop of a bustling gay entertainment district. This was an intelligent element. Less intelligent was the overly prolonged beach scene toward the end of the film. After a while, it had the flavor of bad soft pornography, while too subtly touching upon Smithy's victimization (presumably by his brutal father) which he appears to be acting out with Phil. Phil's passivity hints at his own possible history of sexual abuse. The use of the Meat character as more neutral observer wasn't really effective.

One of the worst films I've seen in a long time, gay themed or otherwise. There isn't one minute of this film that doesn't ring false. The relationships between the three characters is so far fetch that you spend every minute thinking that there is no way in hell these three would spend time together. If any one thinks this is an important gay film they must suffer from the same low self esteem and self loathing that the main character does. Are we really supposed to believe that someone who has a loving relationship with a seemingly very nice guy would give his antagonist the chance to repeatedly, and I mean repeatedly, torment and physically abuse him? Where is the logic in that? Any self respecting gay man would have had his tormentor throw in jail after the first scene and he could have saved us the torture that repeatedly followed. A total waste of time that is painful to watch.

Len is top dog at his surf club; he is the winner of everything and an alpha male with attitude. His 'mates' are al macho grand standing rugger bugger types who tick all the relevant cliché boxes and expect him to do likewise. He is also a top life saver and has a penchant for Budgie smugglers. His best mate is called 'Meat' in reference to him being overly endowed in the trouser department and is a simple soul who does what Len tells him.Then new kid turns up and saves a life on his first day and then starts to steal Len's thunder. This is Phil – Jack Mathews of 'Neighbours' fame. Phil is also gay and on a drunken night out things come to a head – no pun intended. Len is jealous of and apparently both attracted and repelled by this new man. The problem is the old adage of 'in vino veritas' hangs true – but not everyone can accept their truths.Now this is just excellent; Matt Levett as Len is exceptional as the troubled sports star and brings a menace to the screen that is tempered by the fear and loathing that make up his complex character. As Quentin Crisp said 'some roughs are pretty queer and some queers are pretty rough' this can certainly be applied to Len. The use of editing is brilliant and adds to the immediacy of the whole piece. There is a constant throb of homo eroticism that intermingles with the ordinariness of what is actually happening and juxtaposes all the emotions that the players are going through.The cinematography is truly brilliant too and that is by Dean Francis who co-edited; so I hope to see more good stuff from him. Please don't get me wrong, this is a hard watch in places and is painfully visceral when it needs to be; but I really appreciate cinema that pushes the boundaries – can illicit emotion and leaves you feeling that you have seen something special – absolutely recommended.

This is a very important film as it puts the the ugliness of homophobia firmly under the microscope. Fantastic performances by Matt Levett (in particular), Jack Matthews and Harry Cook keep this piece moving along, aided by razor sharp direction by Dean Francis (who also DoP'd the film). It's hard to define this film - it's original. Shot on a mini budget around the beaches of Sydney and the seedy night spots of Kings Cross, the film is edited (also by Francis) is a montage style which works well, and suits the subject matter and feel of the film. The best way to describe it is as 'a ride'. As an audience, one is challenged, terrified, ashamed, enlightened and enthralled - but best of all, one comes out of the screening changed, and thinking deeply about what you have just seen. Seek it out. Highly recommended.