This film took up three hours, including commercials, on the History International Channel last night. But it felt like three weeks. It wasn't the cheap, stagy and unintentionally funny depictions of the bombing of Dresden. It wasn't that the film is stripped of almost all context surrounding World War II. It wasn't even that the bombing itself was often made to appear as nothing more than a major inconvenience for a goofy love story. No, it was the wooden featureless characterizations that sucked the life out of the story. Oh, and the fact that if it is possible for a movie to be obsequious, then Dresden is that movie. Perhaps a better title would have been DRESDEN--AS URIAH HEEP WOULD HAVE EXPERIENCED IT.It is especially the latter point that so irritates. Was the bombing of Dresden a war crime? The makers of this movie believe so. But in the typically emasculated way that Germans have come to approach World War II, they can't bring themselves to say so without braying about "peace" and "no more wars--anywhere" like they're Mother Teresa. And, also typical of German obsequiousness towards the British in particular, there is an unwieldy effort to grovel before "Britishness", while loading all the "guilt" for Dresden on to one person, Arthur Harris.Did I say one person? Well, not quite. At the beginning of the movie, there is an exclamation from the leading character, Anna, with whom we are all supposed to sympathize. "Damned Americans!", she screams, while watching as far off bombs fall. And a few minutes later, a radio voice intones warnings about the "American Terror Bombing" being inflicted upon Germans.Note the word, "terror". Got that? It's really the Americans behind the inhumane targeting of German civilians. No matter that the American strategy for almost all the war in Europe was the "precision" bombing of industrial and war manufacturing sites. No matter that it was the British who enthusiastically adopted "area" bombing of civilian targets in Germany--before the Germans had themselves even targeted English ones. No matter that the Americans bombed during the day, suffering more casualties in the process than the British, in order to hit precision targets, while the British bombed civilians under the cover of night. No matter that the Americans, essentially, were brought into the RAF's true terror bombing campaign kicking and screaming against it. No matter that most American officials, from FDR to Gen. Dolittle, opposed targeting civilians, while Churchill and his generals couldn't wait to do so.No, in DRESDEN, both the Germans and British, except for "Bomber" Harris, are innocent of a doctrine, it is intimated, created by the evil Americans. And only the might and power of a love story between a German nurse and a downed British bomber pilot can adequately explain the "truth" of the atrocity. Right.Oh, by the way, for the younger and likely less well read readers of IMDb, the first and still so far only major literary effort to give a thoughtful voice to Dresden's bombing was the pacifist novel penned by Kurt Vonnegut--an American POW in Dresden at the time of the bombing. I guess Germany's ZDF couldn't find a pretty nurse for Billy Pilgrim.

Following a friend's advice, I just finished watching "Dresden"."Dresden" deals with two major themes: one dealing with the war itself, showing the German civilians living day to day in fear of severe retaliation on behalf of the British RAF. It also shows how the British pilots, who risk their lives to bomb the enemy, and how ruthless the Nazi's were.The other theme is a fragment of the previous theme, showing a love-story between a stranded British pilot and a German civilian nurse working in a local hospital during the war.Hence of course why this film is called "Dresden"; not because of the city but because of anyone and anything taking place in the city of Dresden.Also worth to mention is that "Dresden" is unlike other Hollywood movies dealing World War 2. It's not meant to only entertain the viewer but to educate as well. This is partially done by some intense dramatic moments and painful, shocking detailed images.About the rest of the movie; I was surprised by the good acting performances done by a relative unknown cast. At least I don't know any of them. It also was quite obvious that a large budget was available, looking at the good quality of production when keeping in mind that "Dresden" is 'only' a TV-movie.Conclusion: if you want to learn something more about World War 2 while 'witnessing' it from another point of view and at the same time enjoying an intriguing story about two 'enemies' falling in love, then "Dresden" is something for you.If you want American patriotism, a single sided view on World War 2 and lots of entertainment, then I'm sure that there are plenty of Hollywood-films out there.My score, keeping in mind it's 'only' a TV-film: 8 out of 10.

A fictional love drama set on the background of Dresden at the end of World War II achieves to illuminate the complexity of human characters under the life-threatening terror of the Nazi-regime and the war.The excellent cast with Felicitas Woll, John Light and Benjamin Sadler as main figures involve the viewer into a very personal drama. As the screenplay avoids black-and-white-painting, multi-layered characters invite the viewer to a differentiating point of view.Realistic fire-scenes, carefully computer-animated flying-sequences and the participation of both British and German historians in pre-production contribute to a gripping movie about a sensitive point in German history.

It was hard watching the film because it contained so much pain and fear that you could actually "feel" it. The filmmakers did a really good job by showing the "reality" of the war because "Dresden" is damn realistic. Maybe sometimes a bit too much and you often ask yourself if it was definitely necessary to show all these cruel details.But the film also does not just consist of the usual love story between two people who are actually not allowed to love each other but rather tries to show through that love both sides of the attack - the German and the British side. And that fact makes the film kinda special because it really works.