Downtown
Downtown
R | 12 January 1990 (USA)
Downtown Trailers

Officer Alex Kearney patrols an upscale neighborhood in Philadelphia, where he pulls over a well-connected white collar executive who promises to get even with the policeman. Soon, Kearney learns that he is off the cushy suburban beat and must now work in the deadliest precinct in Philly, where he is partnered with tough veteran cop Dennis Curran. Tensions are high between them, but Kearney soon proves he can play just as rough as the crooks.

Reviews
lost-in-limbo

Simply a boisterous, if run-of-the-mill buddy cop action comedy that won't offer much in a way of surprises, but delivers a good amount of laughs, action, "Beach Boys" tunes and actor chemistry between Anthony Edwards and Forest Whitaker as two mismatched cops. One that is a rookie, by-the-book civil officer compared to the other who's a rogue, street-smart cop who does anything to get the job done. This wouldn't have been the first time these guys shared the screen, as Edwards and Whitaker had worked with each other in the classic 1982 teen comedy "Fast times in Ridgemont High". The plot follows that of a idealistic young rookie cop Kearny of a rich, peaceful suburb taking a transfer to downtown; Diamond street the most brutal and crime-ridden district. When his ex-police partner is brutally murdered in the area, he goes about trying to get those responsible but he will need the help of a detective Curren who knows how to get around this neighbourhood. Director Richard Benjamin provides many chaotic situations, clichéd but amusing and surprisingly brutal at times with its war zone like feel etched out from its urban settings. The bad guys here really do earn their strips. David Clennon is perfectly smug and showy as a rich, important community figure and Joe Pantoliano is effective as the ruthlessly psychotic hired killer who goes out in a very memorable manner. But where the amusement arises is the constant clashes between Edwards and Whitaker. Also showing up is Penelope Ann Millar, Ricky Aiello, Art Evans and Roger Aaron Brown. Generic, but still a fine addition to the fold."See I have this problem with authority".

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aimless-46

"Downtown" is a box office crash & burn from 1990. Basically it is yet another unsuccessful attempt to follow-up on the success of "Beverly Hills Cop" (without the benefit of Eddie Murphy). These inter-racial, buddy picture, cop movie, comedy-action features simply don't work without a talented comic and Anthony Edwards of "Revenge of the Nerds" fame is only mildly funny. Add to this a more serious group of themes than Murphy had to deal with and the incongruity of mixing these conflicting genres makes the whole a lot less than the sum of its parts. Yet "Downtown" is more entertaining than its "bomb at the box office" reputation would lead you to believe. The production design, filming, and editing are first class. Although the action scenes are unconvincing, this is due more to lamely inserted comedy elements than cheap staging. Much is genuinely embarrassing such as when a PCP abuser holds a little girl hostage, with a gun to her head, and the subtext lamely plays the scene for laughs. What genius thought that scene would work? And they wonder why these things lose money? In this exercise in schizoid film-making, Anthony Edwards and Forest Whitaker are the standard odd couple partnering up to solve the murder of Edwards' former partner. Nerd boy Alex (Edwards) in his worst scenes listens to Beach Boys music and in his best scenes is paired with his girlfriend (Penelope Ann Miller). Alex is a suburban patrolman who has been banished to the worst downtown Philly division because of a confrontation with a slimy bigwig (unconvincingly overplayed by David Clennon). Dennis (Whitaker) is a detective with a lot of baggage that makes it difficult for him to warm up to Alex.But Alex and Dennis eventually bond (big surprise) and Whitaker turns in a pretty good performance (much too good for this material). Whitaker and Miller assist the marginally talented but generally likable Edwards enough that it is possible for the average viewer to suspend disbelief most of the time and actually get into the story. Just be prepared for a lot of extremely lame moments that would have been more entertaining had the editor relegated them to his deleted scenes bin. Then again, what do I know? I'm only a child.

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granthewitt65

I'm just watching this movie and I think it's great. One question, Kearney greets the bus driver on his commute "Downtown" as "Tim." I only caught a brief glimpse, but I think the driver is played by Tim Roth. Can anyone confirm?Anthony Edward's performance, in my opinion, is very much like Judge Reinhold in Beverley Hills Cop. In fact I think the whole movie has a Beverley Hills Cop feel to it, albeit without the knockout performance of Eddie Murphy. Forest Whitaker is good in this movie, as usual a very skilled performance,and I wish his character was given a little more emphasis and depth.All in all a great movie and a credit to the Buddy Cop genre.

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lastliberal

OK, so it's not Mel Gibson and Danny Glover, but this cop movie deserves a look.It's not really a cop movie. Yes, the scumbags are dealing dope and killing cops, but this is about a black cop that lost his partner (Forest Whitaker) and a fish out of water - a white cop in the worst precinct in the inner city (Anthony Edwards). One is afraid of losing another partner, and the other just wants to learn how to do real police work.It's funny, it's tender, it's sickly sweet at times, but it is really a good story about relationships; not only between cop partners, but between the wives and their husbands.Give it a chance.

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