This movie is like a "make a wish" grant for a dying child. In this case, the producers of the Dick Van Dyke show must have felt sorry for Morey Amsterdam as they killed the last big job he'd ever have when then ended the Van Dyke series.Consider the relatively sophisticated humor coming on television at this time, much less the movie. Addams Family, Munsters, Batman, etc. All with loads of adult based double entendre humor that would make kids giggle, yet make adults think twice.And these shows used many celebrity cameos like this movie does, but the other shows understood the point of having the celebrities make fun of themselves. This movie just parades stars through like they all took numbers at the studio cafeteria and were waiting in line.I've never been a big fan of Amsterdam's version of vaudeville humor (consider the Marx brothers were from the same era and how much bawdy and funnier they were), so jamming it into a full length movie doesn't make it any better.I have a feeling that Amsterdam was a great ad-libber on the Dick Van Dyke show, and they kept him around to sweeten scripts, but he wasn't really much of a performer - Dick Van Dyke could have done the show by himself.This movie IS fun to run in the background just to see how many performers whored themselves out for a few seconds of screen time, but other than that, this movie has little entertainment value.

I believe this movie represents the last gasp of vaudeville. Shot in beautifully clear black-and-white, on a set that is so obviously a set and not at all realistic, this film presents a stage on which we see the last great vaudeville act for the very last time.It's all about slapstick physical humor where the victim is hurt only for the length of the shot. It's all about one-liners, where the straight-man responds by making an exasperated face or rolling his or her eyes.And gimmicks stolen from other acts (e.g. Get Smart) that are familiar to the audience.And the long pauses between action moments -- giving time for the folks in the back of the theater to realize what just happened and start laughing before the people in front have stopped laughing.And the walk-on cameos of famous performers to keep the people interested, lest they realize that there is no plot worth caring about.Apparently many people watched the film (based on the rash of reviews) on its single showing on TCM. Robert Osbourne did not introduce the film, which is regrettable. I really would like to have seen how he characterized this piece of work.Fans of the The Dick Van Dyke Show (like me) may remember episode 40, "The Secret Life of Buddy and Sally" in which Morey Amsterdam's character and Rose Marie's character create and put on their own show at a club on the weekends. Well, this film is what would happen if Buddy and Sally sneaked off to make a movie on a long weekend, and Mel Cooley (Richard Deacon's character) actually produced and directed it. Vaudeville, filmed in noir, on the cheapest set money could rent.No offense to any of the terrific veteran actors in the movie -- most of them had great roles elsewhere. But you do need a cup of strong coffee and a curious mind to enjoy what they were attempting in ... whatever its title was.

Even by the dismal standards of mid-1960s spy spoofs (others have titles like "The Last of the Secret Agents?" and "The Maltese Bippy"), this is a forlorn little comedy, shot on Desilu sets and looking like a quickie TV show. Every Desilu TV star on the lot that day puts in a witless cameo (Irene Ryan, Danny Thomas, Carl Reiner); the rest is Rose Marie and Morey Amsterdam, Buddy Sorrell and Sally Rogers in all but name, exchanging lame repartee as a bumbling pair of friends to a nubile bookstore owner (the conspicuously untalented January Jones), all of them caught up in labored international intrigue. Amsterdam co-wrote the screenplay and thus has only himself to blame, but he and Rose Marie look distinctly unhappy amid the low-budget surroundings, and the movie's reputation as a legendary stinker is well deserved. Harmon Jones, who actually has a good movie or two to his credit, directs in a grab-the-paycheck-and-run style that's winceworthy.

One of the weirder things I've seem on TV. Turner Classic Movies has been showing some rarely seen stuff lately and some of the movies are gems.I certainly wouldn't call this a gem by any means. I mainly turned it on just to see why I'd never heard of it before. First I thought I turned on TV Land by mistake. Most of the cast of The Dick Van Dyke Show is in this. I noticed there was no laugh track when Morey Amsterdan cracked a one liner and something seemed missing. That sent me to IMDb to investigate. I then watched simply because of the cameo appearances in the movie.The movie has a lot of sight gags and wise cracks. A bit like an over length 3 Stooges episode and it does have Moe Howard in one of his final screen appearances.