With a small cast of unknowns, black and white film when colour was becoming the normal, only a couple of sets, and really just the one exterior, the outside of a call box in a quite country lane, shot just out of London i would guess, and all probably filmed in a matter of a few days i should think? This is a film that shows what can be done with a good basic story, decent writing and sound acting. It is a kind of public notice almost a public service in it's clear warning, well most teenage girls even in 1962 would of known better, but then it is all about how cleaver, attractive, and plausible a Psychopath may be. Soundly entertaining throughout, if just a dash dated but in a very good way i found the film very entertaining, just a programme filler of it's day maybe, but it impresses and makes you long for those good old days when the B film might just be better than the A picture.

DON'T TALK TO STRANGE MEN is one of those intriguing, forgotten thrillers that's a great for fans of British cinema. It's about a lively and beautiful young girl who randomly answers a ringing public phone and soon finds herself entranced by the voice on the other end: the man sounds attractive and is willing to meet up with her. However, can he be trusted? There were a few films with similar themes that came out around the same time (like Hammer's NEVER TAKE SWEETS FROM A STRANGER) and they do feel ahead of their time. The use of a telephone for sinister communication here brings to mind the later chills of BLACK Christmas and WHEN A STRANGER CALLS and of course the whole stalking-style plot line would eventually transform into the slasher genre of the 1980s.DON'T TALK TO STRANGE MEN is quite a dated film, with a slow and sedate pace, and nothing much really happens until the very end. However, it's richly atmospheric and also quite realistic in the depiction of the average British family and their lives. It might not be the most entertaining film out there but it's a curio worth checking out nonetheless.

A lonely ill lit road, a car trailing a girl who is then persuaded to hop in for a lift, a clap of thunder then the credits start for this disquieting movie that unfortunately is still topical today. Also unfortunate is that luminous Christina Gregg, who was just tremendous as Jean and who should have been knocking back film offers with a stick after this, chose not to pursue a film career, but soon vanished into obscurity after a few television appearances.While waiting for a bus on a lonely bush lane Jean answers a call that comes through at a nearby phone booth. The accidental caller sounds like a smooth voiced charmer who keeps the innocent girl talking, trying to persuade her to reveal her name and to let him call her the next day which she does agree to. He rings again, same time, same phone booth and by discreet questions learns that the box is in an isolated position and he then starts to "groom" her by preying on her vulnerability and youth - even confessing he finds her voice sexy!! Of course he asks her to keep their conversation a secret but luckily she can't help confiding in the local bus conductress (Dandy Nicholls from "Till Death Us Do Part") who tries to bring her down to earth and, more importantly, her younger sister Ann. Janina Faye is very good as the younger sister who has lately embraced Buddhism and is busily writing letters to the local gentry condemning blood sports etc. There was even a red herring thrown in involving a man in a sports car who tries to use the call box, then starts to chat Jean up!! And when Jean finally comes face to face with the man (we, the viewers never do, to us he is always the faceless man) her expression shows that far from being the suave man of her dreams, he is pretty ordinary looking and far older and uglier than she had imagined.It turns out to be Ann who winds up in danger. The initial hitchhiker turns up dead in a barn and the sisters' parents, reading about it in the paper put a ban on their activities that night but Jean and Ann try to outwit them by agreeing to go to the local cinema. Jean is intending to meet her mysterious stranger but Ann, who is worried about her being in such a lonely place at night follows her. By a series of fortunate mistakes Jean finds herself at her uncle's pub but overhearing a strange man on the phone to "Samantha" is convinced some other girl is in danger - never dreaming it is her sister. Her Uncle Ron comes across as a prize chump - with all the graphic details of the murder in the paper and Jean quite beside herself that a girl is in danger down by the bus stop, he is not at all fussed at trying to convince her that she should walk down to the bus stop to catch one home - at 10 o'clock at night!!! - but when he does act he acts fast!!An unsettling last scene, proving the problem will never go away - when the parents question how Ann managed to get to her destination, seeing no buses ran that time of night, she admitted she hitchhiked and was picked up by "just some strange man"!! Not very comforting for parents leaving the cinema!!Starting with "Never Take Sweets From a Stranger" to "Don't Talk to Strange Men", poor little Janina Faye was caught in a morality movie morass. She definitely moved on from sweet young things as I can remember her playing a very bratty Amy in a British production of "Little Women" from 1970 and being in all the teen magazines of the time ("Fab", "Jackie" etc). Just lately I saw her in a Thriller episode "Good Salary, Prospects, Free Coffin" as the flatmate you wouldn't want as a flatmate - you know the type who borrow your dresses without permission and steal your food from the fridge, so she must have relished playing obnoxious roles!!!Highly Recommended.

Don't Talk to Strange Men is just what a thriller should be; simple and effective. The film is very short, running at only just over an hour; but this time is put to very good use as director Pat Jackson wastes no time in getting straight to the point. The film would appear to be a cautionary tale for kids and the subject at hand is the idea of a minor being 'groomed' by an adult who plans to take advantage of them. However, the director doesn't preach anything to the audience; instead the story is just allowed to play out. We focus on a small town that has been upset by the murders of some young kids. Jean Painter is the naive daughter of an overprotective father. She works at a local bar and catches the bus home. One day while waiting for the bus, she hears the phone in the booth near the bus stop ringing; and innocently answers the phone. She begins a dialogue with the stranger on the other end, and becomes obsessed with his voice. Eventually, the stranger suggests they meet...and it becomes clear he has sinister motives.A major reason why this film works so well is down to the fact that all the major characters are easy to get along with. Christina Gregg's character does require the audience to suspend their disbelief somewhat as she is so easily infatuated with the stranger on the phone; but she plays the role well and is easy to root for. Gwen Cherrell's script is serviceable; but at times the dialogue can be a little strange, and it feels unnatural. The story itself also seems a bit hard to believe at first glance; but inadvertently falling for a voice on the phone is no more unbelievable than falling for someone in an internet chat room; and that is a story we hear often today, meaning the film still has meaning almost fifty years since it was made. The film flows well throughout and is always interesting; but the final third is the best of all. The director really cranks up the tension until it becomes nail-biting, and the final conclusion is well worth the effort invested in the film. The actual ending itself is a bit abrupt and too light-hearted for my liking...but this is still an excellent thriller that more than makes up for any flaws. Highly recommended viewing...if you can find a copy.