"Die Todesgöttin des Liebescamps" or "Love Camp" is the probably most known work by "filmmaker" Christian Anders. He wrote his one, directed it and also plays the central male character. It is from 1981, so has its 35th anniversary this year and there seem several version out. The one watched ran for only 75 minutes which was great as it was really not a good watch. The only thing memorable was probably the bright blond hair from the young Christian Anders. This is the story of a daughter of a senator, who ends up with some hippie cult, who live in accordance with their own free-spirit kinda ways. Or not really. As inside this cult, there is all kinds of violence, torture, sexual abuse and even murder. The cult leader is played by Laura Gemser, an Indonesian actress who is probably known to some. But neither she nor anybody else in this film has strong acting talent, although you cannot really judge that from the way the characters are written. I still would say it was not as bad as some other German sexploitation films from the 1970s and there are a couple bearable scenes and moments, but of course it is not even close to being good enough for me to recommend the watch. Thumbs down.

A hippie love cult led by the stern, yet charismatic the Divine One (perfectly embodied by the delicious Laura Gemser) lures young innocents for their money and corrupts them in the name of their cause. The blithely passive and brainwashed cult members fornicate like bunnies, frolic about in their birthday suits, prostitute themselves for cash, engage in ritualistic chants, and get brutally whipped when they disobey the stern rules. Complications ensue when loyal recruiter and disciple Dorian (blonde doofus Christian Anders) falls for the fetching Patricia (lovely and voluptuous Simone Brahmann), who's the wealthy daughter of a powerful American senator. Writer/director Anders offers an enjoyably oddball cross between "Hair" (the incredibly dippy disco theme song and a couple of crazy song and dance numbers are both totally sidesplitting, albeit unintentionally so) and the infamous Jim Jones religious cult that certainly doesn't skimp on either the plentiful tasty nudity or the equally abundant sizzling soft-core sex (we've got straight, lesbian, and interracial couplings served up hot and spicy for the viewer's delight). The heightened erotic atmosphere and Gemser's smoldering sensuous presence ensure that this film never becomes dull. Better still, Anders treats all the wild and raw carnality with complete seriousness, which in turn greatly enhances the picture's considerable campy charm (a twisted ceremony involving the deflowering of the virginal youngest cult member rates as a definite loopy highlight). A delectably daft and decadent doozy.

Well, it's blatantly obvious that this film has absolutely nothing to do with the Black Emanuelle series and is just a cash in on the name since it stars the great Laura Gemser. However, that should not be held against the film too much as Gemser is cast in a slightly different role as the all-powerful 'Divine One' - the Goddess of a camp of free loving hippies, and I'm not going to argue with anyone who puts Laura Gemser in that elevated status! Despite not being an official part of the series; Divine Emanuelle is still a more than decent little film with plenty of sex and nudity as well as an interesting, though not particularly original, plot line. We focus on a group of hippies ruled over the by The Divine One. They preach free love but really it's only a front to make money in the form of 'donations', which people give for sex. Things are shaken up when the daughter of a powerful US senator is inducted into the group because she fancies the slimy blonde cult leader, who is more a pimp than a preacher (and looks a bit like Owen Wilson).The film benefits from a style that suits the breezy nature of the free love ideal. We've got a soundtrack decked out by catchy jingles, the film is full of beautiful people making love in beautiful locations and we even get a few strange dance sequences. Laura Gemser is the standout, of course, and this role requires something a little different from usual from her as unlike most of her characters; this time she's the one completely in charge. It doesn't suit her as well as playing Emanuelle, but it's a change and seeing Laura Gemser on screen is always good. The plot is stronger than what Emanuelle fans will be used to and this is a benefit to the film. There's still plenty of sex and nudity but it's not overused and the plot does actually seem to be coming first! The film moves along at a steady pace for most of the duration and the ending contains no real surprises, although we do get treated to a hilarious fight sequence. Overall, I would quite categorise this film as 'good', but it's not that bad and there are certainly a lot of worse examples of films like this!

Yes she does! Well Laura Gemser does, in this rather enjoyable little slice of soft-core sleaze.This plays along the lines of a "Jim Jones"/"Raj-Neesh" sex cult, with Gemser as the conspicuous Sex Goddess of the group. Giving orders from from her luxurious setting (Complete with man servant in gladiator gear?!?!). She gives orders to enlist people of magnitude and wealth, so as to extend her own wealth and not much more.If you get into this sort of exploitation, I recommend you give it a whack. The settings and photography are well done and the "Love" song continuously played throughout is REALLY annoying. Though it gets used by the actors at times, which is quite funny.