Cooper (Matthew Broderick) is a newspaper editor having memory problems after suffering a concussion. He is forced to go on leave, and he goes back home. His mother wants to put his uncle Rollie (Alan Alda) into assisted living. Irratic Rollie is having mental problems of his own, but he has a rare baseball card. Hoping to stay independent, Rollie goes to memorabilia convention to sell his card with the help of Cooper, Cooper's ex Charlotte (Virginia Madsen) and her son.I didn't much like either Broderick or Alda's character. They aren't very funny. Uncle Rollie is very angry. They're trying for quirky and funny. I wonder if quirky and dark would make more sense. This never got funny. And the ridiculous slapstick in the end of them fighting for the card is downright stupid. When the card is so valuable and Rollie is treating it like a pawn shop reject, it's just too frustrating and too painful to watch.

Cooper, a newspaper political writer, suffered a concussion on his head. He is suffering from a loss of memory. The paper has moved him to a job proofreading the comic strips it carries, but even at that, his mind is not what it once was. When Cooper's mother Belle calls asking to help her with an uncle that appears to be getting incapable of living alone, he decides to go see what is really going on.What Cooper finds is his uncle Rollie, who is definitely not all there. Yet, the old man has moments of lucidity. Rollie, an independent minded soul is aging with all the problems the declining process carries. Rollie is sort of a dreamer; he has several passions, like fishing, writing poetry, but ideas become jumbled in his head. Cooper gets to know that someone is trying to steal a valuable baseball card, in pristine condition, that was given to Rollie by his own grandfather. Belle thinks that selling the card will bring some badly needed cash that Rollie does not have.In going back to the small place where he was born, Cooper reacquaints himself with his former girlfriend, Charlotte, now a divorced lady with a young son. Charlotte, a painter, must go to Chicago for a presentation of her painting to a restaurant chain. Cooper thinks he can interest Rollie in selling his valuable card at a baseball convention. Unfortunately, Rollie is about to be swindled into accepting not even a small fraction of the value. Terry Kinney, better known as an actor and director with Chicago's Steppenwolf Theater, is at the helm of this pleasant, if light comedy. Based on a book by Sherwood Kiraly, the film has a thin plot, but it is engaging while one is watching it. The folks we meet are people one could relate to. The indignities of growing old and having to depend on others weighs heavily in the story. It also deals with loss of memory, as seems to be a metaphor for those things one tends to forget with the passing of time.Matthew Broderick plays Cooper with his usual boyish charm. The wonderful Virginia Madsen adds a touch of class with her Charlotte. The great Alan Alda makes a case for his Rollie, a man who sees everything suddenly out of his control. Bobby Cannavale and Dylan Baker, two excellent character actors are seen as a bad and a good guy in the baseball card business. Legendary Ernie Banks has a cameo role."Diminished Capacity" will resonate with viewers looking for an enjoyable and peaceful time with the company of regular people, something that sometimes is forgotten by Hollywood.

Sometimes all you need to make a story work is an ensemble of interesting and dynamic characters for a loose and flimsy plot to dangle around. Indeed, some of the best and most memorable dramas stay true to this aesthetic and succeed purely on the merits on how well written and layered their characters are developed to be. Coming from a creative force that up until now has stayed mostly within the shadows of Hollywood (director Terry Kinney known more for his acting gigs, and writer Sherwood Kiraly who wrote an episode of "E/R" twenty-five years ago--not to be confused with acclaimed medical drama "ER"), Diminished Capacity at its heart is exactly that kind of film. It's quiet, unassuming and enriched with a few compelling personalities that help move the film past the screen and into your heart; and yet direction Terry Kinney too often shifts the focus—frustratingly so—against those aspects and onto more caricature plotting devices and flat sources of conflict for the more interesting characters. The result is a movie that for the most part provides a heart-warming and softly-sentimental character drama with dashes of romance and comedy for good measure—but also one that too often stoops to tired writing and uninspired segments built to "speed things up".And yet, Diminished Capacity is a feature that works more when overt plotting is negated to the sidelines and mundane sources of conflict in the form of irritatingly flat antagonists are ignored. At the center of its tale are the characters of Cooper (Matthew Broderick) and his uncle Rollie (Alan Alda), both of whom share disabilities relating to memory despite being several decades apart in age. Under pressure from the bill collectors to meet ends meet, Rollie invests in his nephew to take him to Chicago in order to sell off an extremely rare and valuable baseball card that was passed down to him from his granddad. What follows is a story that delves in and out of the relationship between Rollie and Cooper to mixed effect; there are moments when the bond that both share resonates off screen, and then there are others where there's just so much farce and obtuse chase-shenanigans going on (one of these involving the film's dunderhead irritant in the form of hick Donny Prine) that all nuances and subtlety that makes the couple so interesting is lost. The film's source of comedy works in exactly the same way; there are small moments when laughter is least expected that come of nowhere to amuse and then there's those other sections that are far too obvious and facile to come anywhere close.Nevertheless, with such a character drama, a high amount of attention is brought upon the actors to successfully establish the traits present between the characters on the script, and for the most part the ensemble do well in this area. Perhaps the strongest and most compelling aspect of Diminished Capacity in fact comes in the form of Alan Alda who plays old forgetful Rollie with just enough comical edge and sweet, nonchalant resolve to really get his character across. With many other actors, it would be easy to slip into a derivative cutout of the "wacky old coot who doesn't know what's going on", but Alda invests enough humanity in his position to give the film its only real source of heft within all the levity. Broderick who has spent the past ten years in between lackluster blockbusters and lending his voice to animated children's movies, isn't quite as engaging as his co-star, but nevertheless fills the role suitably in all that the script asks for. It's a performance that is easily overlooked in favour of Alda's more attentive qualities, but Broderick serves as a fine counterpoint nevertheless.For all the good that Alda and crew do however, there still remain major faults within the woodwork of Diminished Capacity's frame that only belittle the more serious and tangible aspects of its design. Aside from the hokey antagonists and somewhat banal scenes focusing directly on the hobby of baseball card collecting, there exists a romantic subplot lurking in the background of Kiraly's story that is never developed or capitalized on enough to fully resonate. Of course to most viewers this short-fused inclusion will be a mere perfunctory mishap, but given the amount of focus put on Cooper and his love interest Charlotte (Virginia Madsen), there is nevertheless an empty sense of disappointment left in the wake of such potential untapped. In the end however, that is essentially what the entire experience of Diminished Capacity boils down to; unfulfilled promise. With a terrific cast and some nice characters, Kinney's feature here can be charming and inviting, but only in small doses; the rest isn't quite as sharp and in the end spoils what is an otherwise decent character comedy.As a minor sidenote to this review I would like to raise the question of why this film was rated as a 15. The BBFC describes the film as containing strong language, and yet the uses are infrequent and mild. Aside from this—there is virtually nothing to suggest anything close to a 15 age rating. Indeed, when a film like Wolverine can get a 12A rating, how does one rightly justify a feature like Diminished Capacity receiving anything more severe? It's sheer lunacy.A review by Jamie Robert Ward (http://www.invocus.net)

This film is about a journalist with post concussion syndrome and his demented uncle on road trip to sell a precious baseball card."Diminished Capacity" is surprisingly engaging. The plot is well written, even tiny details are attended to. It has that special charm to engage viewers. The characters are all likable and authentic, and I really care about them. Alan Alda is amazingly convincing as a demented person. Little by little, his dementia is portrayed beautifully, from the burnt bacon to misplacing the card. One annoyingly implausible thing though, is why would no one help in the fight at the end. That dampens the credibility of the plot, but on the whole it is well written and executed.