I watched this movie in 2010 and had decent opinion about the movie. Recently I saw "Husband and Wives" and was completely shocked to see the amount of plagiarism. The movie is literally copied scene to scene, even the professions of protagonists are not changed.I won't the say the movie is bad, but some of the performances really stink. Rahul Bose maintains his usual crap standards, Payal Rohtagi brings no freshness or life to the character and even other characters have not done justice to the original characters. Watchable movie if you haven't seen "Husbands and Wives". If you have seen Woody Allen's original then don't bother yourself.

Last year when I saw and liked Anurag Basu's Metro, the part appreciated most was Sarmaan's hilarious call-centre segment where everyone was screwing everyone. Later a month or so I rented Billy Wilder's classic The Apartment and shocked to discover particular segment in Metro was lifted from this entire movie. Yes, I was disappointed. I couldn't enjoy a virgin Wilder classic experience but there was a grin on my face definitely how director didn't ruined the borrowed material and did the justice to piece of plagiarism, if there is any such thing exists. Similar experience to greater extent I had last weekend with DilKabaddi which I thoroughly enjoyed, is a straight rip-off of Woody Allen's outstanding Husbands and Wives (1992). But this time there was a strange sense of familiarity with the characters instantly. Their idiosyncrasies somehow carried a floating signature.In Woody Allen's favorite territory- man-woman relationship, which he explored over three to four decades. This one is a comedy of marriages, divorces, break-ups, reconciliations and re-marriages in the wake of characters' mid life crisis and their inherent urge for infidelity. Film introduces its two principal couples setting the mad-com tone of the film. Sameet (Irrfan) and Meeta (Soha) announces they are separating in the house of their best friends Rishi (Rahul Bose) and Simmi (Konkana Sen Sharma). Second couple is rattled; especially Simmi (soon starts questioning her own relationship). They start to reason why their friends are separating. Simmi asks if Meeta is cold in bed. Rishi reasons yeah as she is too "intellectual" types. Later in one scene Sameet confesses Meeta is too arty and he's tired of watching art movies. With his newly found partner he can watch Welcome without guilt. (Hilarious).Separation follows Meeta start dating Simmi's colleague Rahul Khanna while Sameet packs his bags and moves in with his gym instructor (Payal) for a bawdy romance full of kinky thrills. Story then probes lives of second couple which turns out more interesting that it seems. Rishi is a literary college professor who regards most of his colleagues as womanizers but for him it's too hard to cross the line now but soon is pulled with infatuating force in the direction of one of his young pupils Raga (well cast). On other hand Simmi is more dangerous types as described by her ex-boyfriend "passive-aggressive types". Tagging her husband as "too critical" she shares her poems silently nourishing hidden feelings to her sensitive and perfect-husband-material colleague Rahul Khanna. No one is innocent in this world.Characters learn a lot in the course of their infidelity and desires. Sameet who feels his wife gives him stress all the time realizes, only after basking in bed one too many days and nights of course, and realizing there is no way they can appear socially together (one laugh out loud sequence in a party continued in his house), wants to reconcile. He believes now, "Sex for the sake of sex is a disease. Saathi sathi hota hai". In another one oddly touching scene one character shares a passionate kiss with his long time crush in a perfect romantic setting but confesses he can't go on doing it. Walking in rain, he confides in us he just wants to go back home and hug his wife.Almost filming scene to scene faithfully director makes material more comic and less cynical but keeps the playfulness same in the treatment. Characters talk directly into the camera. Interviews acts on behalf of audiences asking right questions. Actors are doing well here especially Irrfan who plays parody of cheating husbands with such flamboyance and such ridiculous colors; it is sheer brilliance of the actor.I was the sole soul in my flock to enjoy this desi version of Woody Allen. This is one is about marriages. Even if you are not married you can enjoy it. Like one of the characters says who wrote an article once on Paris and she's never been Paris, you don't have to, she says, "it's a trick".

Movies on marital issues and post marriage relationships have been made earlier too but this is an altogether different movie which is not interested in entertaining you with some good humor or some realistic sequences. But instead the director is more interested in being extensively vulgar verbally than visually. The movie moves around some confused characters who are not happy with their spouses and find other ways to satisfy themselves emotionally and physically. Loosely based on Woody Allen's "Husbands & Wives", it shows an inside view of different bedrooms and their not so amusing stories with everything about the "3 letter word" wide open as never before.Chek out at : http://www.imdb.com/title/tt0104466/Debutante director Anil, sadly is not able to hold the audiences neither with his bold subject nor with its cheap dialogues at various places. In fact I should mention here that the viewer would be shocked to hear some strong & bold words coming from a 20 something girl and that too in quite disgraceful details. Just imagine a young girl talking with her professor about her recently broken relationship. And the reason she gives for the break up is that "she couldn't do it with his boyfriend due to his size". Was the director trying to make a huge breakthrough in Indian Cinema with such liberty taken or it was only for adding a shock value to the movie. The comment was quite innovatively written by the writer for a young college going girl. And that clearly showed the real intentions.Regarding the star cast, everyone has done a good job, but once again the talented star cast is not provided with enough good scenes. There are entertaining moments but they come after long gaps. Out of all the actors the most impressive is Saba, a new comer who plays a film student to Rahul Bose and shares her private experiences with him openly. The scene where she is talking about her sexual experiences and her birthday sequence where she boldly asks Rahul for a birthday kiss are not only shocking but they are also capable of generating an awful influence over the youngsters.Rahul Bose as a confused professor and Konkona Sen Sharma as his wife are fine. Rahul Khanna returns after a long time with an entertaining performance. Payal Rohtagi as a mindless beauty looks sexy and inviting. But out of the ladies, the best act comes from Soha Ali Khan. She is again impressive after "Mumbai Meri Jaan". And the main person, Irrfan Khan, as always is top rate. Though he is being given similar kind of roles by our film-makers but he is surely an actor to be proud of. He is the only person providing the comedy and comic element to the movie. As a sex crazy person he is too good and his bedroom sequence with his office colleague is the best sequence of the movie.In spite of having Irrfan Khan and other well known names, the film is not able to hold you or impress the viewer with its content. It is neither a thoughtful social movie nor a good sex comedy. In fact in order to provide some fresh scenes the writer goes overboard and becomes vulgar. Especially the dialogues given to Saba, the young girl are quite debatable. If the Censors don't find these as vulgar then they must be having a very enlightening guidelines of censorship in their hands or maybe they are more strict with only visual and abusive words.After seeing "Dil Kabaddi", I was forced to think that there is a very thin line between a good sex or adult comedy and a vulgar film. Often our directors start off with the first and end up being the second. Same is the case with "Dil Kabaddi".

First things first ....I really enjoyed this movie!!! This is basically a comedy based on the lives of two married couples and the numerous marital and extra-marital goings on that happen with these two couples. One could call it a mix of Life in a Metro with Pyaar ke Side Effects...... unfortunately the promotions on TV has not given potential audiences with this impression.The four leads are impressive. Soha Ali Khan has become matured into a little dynamo of an actress, good things come in small packages. Although I must say that i did not really like her with the short hair in the latter half of the movie. Konkona, one of my favourite actresses, is as always wonderful. She has captured the essence of the character and her dialogue delivery and timing is top notch....there are times in the movie that I am sure the audience had no choice but to be reminded of an ex girlfriend or dare i say it their wives!! Rahul Bose is back to form with this one although he has done this style of acting before in Pyar ke side effects. Irrfan Khan has officially become the SRK/AmirKhan/Salman Khan of the parallel cinema world ( if we can call it that now). He gives a wonderfully natural performance that endears him to the audience although we may not condone his actions in the movie. His dialogue delivery and timing in certain scenes make you really laugh out loud. His performance is probably the one that stays with you after you leave the cinema.There are a number of small but wonderful supporting performances in this movie as well but I have to mention two in particular : Saba Azad and Payal Rohatgi. The former is an unconventional beauty but she sparkles with her screen presence and wonderfully natural dialogue delivery. The latter 'item girl' is slightly grating on the nerves with her screeching but then we are not supposed to like her anyway as per the demands of the role. I still feel that she had the funniest sequence in the file. PLease take note of the 'dumb blonde' like scene at the party.Kudos to the director, script writer and also to the dialogues writer since they managed to deliver a tight, taut film that does not flag at all after the interval. Nor does it veer off into melodramatic saga a la Karan Johar's KANK. ALso a special mention to the song from Rahet Fateh Ali Khan, the man has magic in his throat.There may be only one downer to the whole experience as some of the topics like sex and extra marital affairs would not be condoned by the family audience (hence a rating of only 7) but no one can deny that things like this are happening daily in todays metropolitan cities