Implausible but mildly diverting crime caper directed by Menahem Golan a few years before he and cousin Yoram Globus gave the world Cannon Films and a its raft of bad '80s movies starring a young Chuck Norris, an old Chuck Bronson, and various and sundry break dancers and American ninjas. The film begins on a low note - a karate match featuring Robert Shaw as a pair of battling twin brothers, courtesy of special effects that would have embarrassed Patty Duke circa 1963. Things pick up when Shaw - along with Richard Roundtree as a master thief just of of prison and Barbara Hershey (going through her Seagull phase) as his sexy girlfriend - land in Israel, where the massive and elaborate diamond heist is to take place. The location filming in Jerusalem, Tel Aviv, and elsewhere makes this film distinctive and watchable, even if it's never going to make anyone forget Topkapi, Rififi, or The Asphalt Jungle. Oh, and Shelley Winters shows up unnecessarily from time to time pretty much reprising her Poseidon Adventure role as a gregarious American yenta visiting Israel. Hardly a forgotten gem, but worth a look for fans of '70s cheese thanks to the cast and settings.

Elaborate caper movie which, while nothing special, is redeemed by its unusual Israeli setting. Robert Shaw has a dual role as an industrialist and his security device-maker twin (the karate match between the two Shaws constitutes perhaps the film's low-point!). Ex-con and thief Richard Roundtree (often clad in conspicuously outlandish costumes) and lover Barbara Hershey (billed Barbara Seagull) are industrialist Shaw's unwilling accomplices in a diamond robbery – whose security system was devised by none other than his brother (whom he admits to not liking!). Shelley Winters turns up in irrelevant bits as an annoying American tourist; GET CARTER (1971)'s Roy Budd provides the score. Caper movies are among my favorites (maybe, it's because I work in a bank) but this is a very mild addition to that exciting thriller subgenre – chiefly because of an unconvincing plot also involving child kidnapping, a counter robbery from a church to mislead the Israeli police, the gang donning a series of silly disguises and, ultimately, a burglary which remains unfulfilled (again, a fashionable twist in the cynical 1970s but rather ludicrous in this context!).

Pretty decent heist flick benefits from better than average perfs from Shaw and Shaft.Golan decides to film it all in the Holy Land which, if nothing else, gives it some excellent cinematography to work in front of.Shaw shows that he could have been James Bond. He looked great in the role. One almost wonders why the Oscars didn't call on him more often.Shaft Roundtree made an excellent balance for him too. He did the hired muscle routine with a touch of class.I'm trying to figure out Shelly Winters role though. It seemed like the producers just wanted to hire her just to hire her. Don't get me wrong. She did fine in the part. But why was it there? Dated a lot. But still a thrill ride.

Good crime drama, with somewhat complex storyline (unique twists and turns), but easy and fun to follow. Characters portrayed by Robert Shaw and by Richard Roundtree were played well, particularly Robert Shaw's quirky expressions (similar to those of Quint, in Jaws, but with a good deal more class). Barbara Hershey's character was OK, but could have been played as well or better by any number of actresses. Israeli cast members did a good job, and there were some really nice scenic shots of Israeli locations (though somewhat dated, in view of the time of filming). Good fun - good ending!