Ralph Wyatt, a veteran with a outstanding World War II service record escapes from a mental institution to go and see his wife who divorced him. Soon thereafter, his harridan of an ex is murdered by her lover. We know from the get go who the murderer is (Paul Picerni as Roper) but Roper tries to put the blame on Wyatt. Bill Elliott portrays Sheriff's Department Lt. Andy Flynn as a dour, humorless detective who interestingly is also smart, non-judgmental and does not jump to conclusions nor is he corrupt. I only knew Paul Picerni from "The Untouchables" so I wasn't use to seeing him as a bad guy and he did a fine job. Elliott did a good job but his character isn't particularly memorable even though likable. An okay detective story worth the hour it takes to watch it.

Keith Larsen is Ralph Wyatt, an emotionally exhausted soldier recovering from the war and from the news that his trampy wife (Helene Stanley) has just obtained a divorce. He manages to escape from the military mental hospital where he is recovering to confront her. No sooner has he arrived in the neighborhood where she lives then he's arrested for her murder, and protesting his innocence, he desperately tries to get out of his holding cell in the local jail. This familiar tale of adultery leading to murder has been told in many different ways, but this (the first of a short-lived series starring Bill Elliott as a tough Hollywood cop) is told with a very fascinating narrative.While the "B" western star Elliott is top billed, it is Larsen's intense performance that draws center attention here. He adds touches of sanity and insanity to his characterization so you can understand why he is institutionalized, yet you know he knows reality from his frenzied brain. Stanley is fascinating as his trashy wife, amoral to the maximum, and determined to hold onto her married lover (a very good Paul Picerni) who just happens to be an old army buddy of Larsen's. Jack Kruschen is also excellent as the lascivious next door neighbor who makes his lust towards Stanley very clear even though they have no scenes together.There are a lot of little details to keep an eye out for in this low-budget feature which is perhaps a bit too racy for 1955 television audiences, explaining its theatrical release. It is also obvious that Stanley is the one who seems to deserve to be in the mental institution more than her husband, and the scenes leading up to her demise are reminiscent of the 1980's sexual thriller explosion with films such as "Fatal Attraction" and the later "Basic Instinct". The cops here are presented as real human beings who take their jobs seriously, and are not the typical tough-talking movie law enforcement officers with muscles of steel yet brains of plastic.

Ralph Wyatt (Keith Larsen) escapes from a psychiatric institution in order to confront his wife Connie (Helene Stanley) over their divorce. He intends to return once he has seen her. However, Connie has been having an affair with his friend Norman (Paul Picerni) behind Ralph's back. When Norman refuses to marry her now that she is free and single once again, a fight ensues and she is killed. Norman stitches up Ralph, who is arrested for murder. However, Ralph escapes from custody in order to avenge his wife's death. At the same time, Det. Flynn (Bill Elliott) is discovering the truth....I was surprised at how good this film was. It's made with a sparse cast who are all believable and likable in their roles and the action unfolds at a good pace. I thought the film was going to be crap and was anticipating hitting the "stop" button, but my girlfriend and I found ourselves watching to the end and even cheering out loud at certain moments! It's a solid story and it has a good soundtrack.

After retiring from the Western screen, Wild Bill Elliott made five hard-boiled police films at Allied Artists, this being the first of them. Elliott plays Andy Flynn/Doyle (the name changes after this one, but it's the same character), a detective for the LA sheriff's office. Elliott's stoic, brooding style is well-suited to crime films, and I'm sorry he did not make more. I've seen four of this group of five, and every one is a solid piece of work. They play very much like a grittier version of the many crime TV shows of the 1950s, and in the post-Dragnet era there is an emphasis on the step-by-step procedures used in investigating a case. Keith Larsen plays a WWII/Korea war hero who has not adapted well to the civilian world and is under psychological treatment; Helene Stanley chews the scenery as his party-girl ex-wife (her scene where she announces to her boyfriend why they "have to" get married is a classic!); Paul Picerni is the smarmy, suspicious friend of Larsen and great and good friend of Stanley. Former Columbia/Monogram regular Rick Vallin is put to good use as a police officer guarding Larsen after he is arrested. No big surprises here--the film simply delivers what it promises to: suspense, action, twists, a nice hard-boiled ambiance, AND Wild Bill Elliott. That's enough for me. While most of the film is shot on small, cheap sets, there are some good location shots of LA circa 1955 that help to give the film atmosphere. Finally, the scenes set in bars and lounges feature excellent West Coast Jazz from Shorty Rogers and his Giants, although if the band is seen, it must be just for a few moments as I went out of the room twice to get a soda and I didn't actually SEE Rogers on stage at all, just heard his music...perhaps I missed him during one of my soda expeditions. DIAL RED "O" is recommended to fans of 1950s b-crime films, if you can find it! (see my review of CHAIN OF EVIDENCE, another film in this series)