Diabolically Yours
Diabolically Yours
G | 30 December 1967 (USA)
Diabolically Yours Trailers

A wealthy amnesiac begins to suspect that his devoted wife is not really his wife and that he is not the man people keep telling him he is.

Reviews
Claudio Carvalho

When a viewer watches a thriller directed by Julien Duvivier with Alain Delon and Senta Berger, his or her expectation is of at least of a great film. Unfortunately the swan song of Mr. Duvivier is an absolutely flawed and deceptive film, with a terrible storyline and a screenplay with many plot holes and lack of character development. The situations are absurd and unbelievable and the open ending disappointing. My vote is five.Title (Brazil): "Diabolicamente Tua" ("Diabolically Yours")

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blanche-2

"Diabolically Yours" from 1967 is a derivative film with parts of Gaslight, Vertigo, Diabolique, take your pick. Directed by Julian Duvivier, who would die in a car accident shortly after this film was made, the film stars Alain Delon and Senta Berger.Alain Delon wakes up from a three-week coma after a car accident, and he can't remember anything, not even this gorgeous woman who claims to be his wife Christiane (Berger). Apparently, he is a wealthy businessman named Georges Campo. He is brought to his palatial estate to recover, and he's mighty impressed. There's a doctor there (Sergio Fantoni) and a mysterious servant named Kim (Peter Mosbacher).It doesn't take Georges long to become suspicious of the whole setup. His wife won't have sex with him which for me is the most ludicrous part of the film, since it's Alain Delon we're talking about. The name Pierre Lagrange keeps going through his head, and he comes to believe he's a prisoner in the house and part of some plot. Voices in the night tell him he's going crazy and to kill himself, and his dreams are disturbing.The film keeps us in the dark as we wonder about Christiane's weird relationship with the servant, and just what the doctor's role is. Despite what you might guess as the film continues, it's actually quite intriguing. Both Delon and Berger are at the height of their eye-popping beauty. Delon brings humor to the role, as well as playing a confused but determined man. When Chistiane brings a decorator to the house, Delon playfully follows him around, mimicking the man's gait.Berger looks very sixties with her hair and fashions, looking like the ultimate '60s fashion model, chosen for her beauty. Today she remains not only a beautiful woman, but an incredibly accomplished actress and producer.The end of the movie won't be to everyone's taste. It wasn't mine.There is a lot to enjoy here, including the cinematography. In the end, it's a disjointed film but watchable.

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MartinHafer

George (Alain Delon) awakens in a hospital. It seems he was in a bad traffic accident and nearly died. His wife, Christiane (Senta Berger), was apparently unhurt. After a long recovery, he is sent home to his mansion--a place he doesn't recognize. In fact, he doesn't really recognize his wife! What gives? Was the accident THAT bad or is something going else afoot? Unfortunately, the more he starts to remember, the more his life might be in danger! Which isn't a surprise, since the film is entitled "Diabolically Yours"! This film directed by Julien Duvivier is one giant mind game--on both George and the audience! All during the picture, like George, you are wondering what's really happening and who can be trusted. I like this sort of paranoid film--and it kept me guessing, that's for sure. And, considering how few films manage to do this to the viewers, I really appreciated this film. Interestingly, the film could have worked well either way--that George really is crazy or that some bizarre conspiracy is occurring. Either way, the film is great and I strongly recommend you see it. And, based on its IMDb score, I'd say this was was underrated.By the way, this film has some similarities to the Hollywood B-movie "My Name is Julia Ross" as well as an earlier Delon film, "Joy House"--both are also well worth seeing.

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raymond-106

To commit murder according to a well thought out plan and not be found out. That is the intriguing theme of this film. The perfect crime, you might say.Madame Christiane Campo with the help of Freddie (her doctor and lover) murders her husband Georges and buries him in the garden of her sumptuous mansion. Freddie has an amnesia patient recently involved in a car accident. When the man gains consciousness he is told his name is Georges Campo and he is married to Christiane. She takes him home to her mansion and Doctor Freddie supervises his recovery.An intriguing situation arises. On the one hand the patient now called Georges is trying to remember any aspect of his former life and on the other hand Christiane and Freddie insist that he is Christiane's husband and that his nightmares. dreams and uncertainties are a result of the accident.The plot thickens. Georges is introduced to a home decorator who advises on changes to the mansion. Thus the decorator is a witness to the fact that Georges is still alive. The plan now is to ensure that Georges the impostor must die either through accident or suicide.The plot is full of holes. Various devices are arranged so that Georges will meet with an accident but all fail. Even a savage dog is employed to attack him. Actually the dog's behaviour confirms for Georges that all is not as it seems.Freddie suggests to Georges that madness is a terrible thing. Freddie makes sure there is a pistol in George's bedside drawer hoping he will take his own life.Like most thrillers all is conveniently resolved in a final scene involving Freddie and a rather sinister Chinese servant with desires on Madame Christiane.Alain Delon gives a creditable performance as usual and the rest of the small cast likewise. If you don't analyze the film too closely you will probably enjoy it.It is said that crime does not pay. Having seen this film I am having second thoughts. It sure is a beautiful mansion and Christiane looks very promising too.

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